Books like Before the Fall — picked by fans

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.

I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.

I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems… show more.

I read this powerful graphic novel series when the first collections came out in the 1980s.

It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.

Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.

A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively. 

This book takes the often stuffy genre of historical war fiction and turns it inside out. It opens in London in 1947, when the rubble is cleared, but familiar buildings are still missing windows, and the characters feel untethered from life and from all they’ve lost.

The story moves backward three years at a time to the decisions that set them on these paths. Three queer women are at its center, their lives intersecting in the literal and metaphorical dark, trying to survive air raids, and taking care of the fallen.

I’m always attracted to novels that start in the aftermath and ask “how did we get here?” and I loved this fragmented look backwards through the war.

One of English literature’s great family sagas, this epic quintet follows three generations of the Cazalet family (plus various relatives, friends and servants) before, during and after the Second World War.

At its heart is Home Place, the sprawling family home in the Sussex countryside. Initially where the extended family gathers for idyllic summer holidays – all teas in the garden, playing with cousins, and dressing for dinner – it becomes a refuge as war closes in. The lives of the vast cast of characters are full of frustration, unhappiness and tragedy, but spending time with them is a joy.

Daniel is a survivor of the First World War who mourns the death of his best friend Frederic and is haunted by disturbing visions of him and flashes of battle. Returning to Cornwall, Daniel’s mother has died so he moves in with Mary, an old woman. He also reconnects with Felicia, Frederic’s sister who is still living in the large family house Daniel visited as a child. The atmosphere of the book is vivid, oppressive, and conveys the horrors of war in a human, sympathetic context. Passages from the book remain vivid in my mind several years after reading it and the whole story has a filmic quality and beautiful Cornish landscapes

An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel. 

Set in 1917, during an era that I have always been particularly drawn to, The Toymakers is one of those rare books that manages to capture magic in a way that feels both whimsical as well as deeply poignant – it truly reads like a fairy tale for adults set against the tragic backdrop of the First World War. Reading this book was like reading the first Harry Potter book – I was totally captivated and transported back in time to London and the Emporium (a wonderful magical toy shop). This book had me spellbound – both in terms of the enchanting forms of magic employed by the toy-makers as well as the darker aspects of their lives and the secrets uncovered.

This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.

Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.

Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.