81 Books Like The Toymakers

I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.

On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today. 

As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm. 

As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm. 

I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.

Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.

My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.

I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.

I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.

There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…