100 Books Like The Lie

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.

I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.

I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems… show more.

This book takes the often stuffy genre of historical war fiction and turns it inside out. It opens in London in 1947, when the rubble is cleared, but familiar buildings are still missing windows, and the characters feel untethered from life and from all they’ve lost.

The story moves backward three years at a time to the decisions that set them on these paths. Three queer women are at its center, their lives intersecting in the literal and metaphorical dark, trying to survive air raids, and taking care of the fallen.

I’m always attracted to novels that start in the aftermath and ask “how did we get here?” and I loved this fragmented look backwards through the war.

This novel absolutely blew me away. There are many books set during World War One and I’m fascinated by this war, particularly after studying WW1 poetry at school. The central image of the trench has stayed with me forever since. However, this novel is set on the home front in 1916 and shows the effects of war at a distance from the fighting. But don’t be lulled into any sense of comfort – this novel is heart-breaking, with a stunning twist. Merciless writing in the very best way, an excellent piece of war writing by West. When I wrote my own book I was determined to make the home front just as dramatic as any combat scene, just as West does so brilliantly. 

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

Conventional histories give the French a free pass concerning the causes of World War I: the French leadership is commonly described as being literally out-of-touch (on a battleship coming back to France). Schmidt’s brilliant archival research shows that the French were fully aware that the Austrians were going to issue an ultimatum to the Serbs and encouraged the Russians to support a Serb refusal and a Russian military attack on Austria. (My addendum: the French plan is a mirror image of the Russian plan – the French would tie down the Germans in the West and the Russians hordes would overwhelm the Germans in the East.)

Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.

With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.

This book is less about Biology and more about becoming a biologist. Errington spent his youth outside, hunting, trapping, and fishing in the still largely pristine environment of South Dakota. Although hunting later "became ritualistic" he then continued the rest of his life feeling "called" into the wild and learning about nature there, leading him to go to graduate studies, but continuing all his life to long "for the authentic." It was a romantic activity to be close to nature, and a joy to learn that there are rules of order driving the complexity of "natural relationships." He validated for me loving the wild and wanting to be part of it all, noticing and savoring it, imprinting on it, being one with it. It made getting close to the land to feel the freedom of it in the wild outdoors, as from the 1893 Rudyard Kipling poem, "The Young… show more.

Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night. Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journey is not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees… show more.