Here are 100 books that Becoming Earth fans have personally recommended if you like
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I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.
The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love it when a writer breaks the rules of a genre like fiction, nonfiction, or poetry to tell a story that can’t be contained in a typical way. Here are five books that think outside the box to narrate a tale that wants to be told in its own fashion.
Manuel Puig (1932–1990) was an Argentine novelist best known for writing The Kiss of the Spider Woman, made into a great movie with William Hurt and Raul Julia. This book, my first recommendation, is about a tangled love affair.
Puig tells the story by collaging together letters the characters write to each other, items in advice for the lovelorn columns, obituaries he invented, and a whole host of other texts. The reader has to put all the clues together like a detective solving a mystery. The book is beautifully translated into English by Suzanne Jill Levine.
I love it when a writer breaks the rules of a genre like fiction, nonfiction, or poetry to tell a story that can’t be contained in a typical way. Here are five books that think outside the box to narrate a tale that wants to be told in its own fashion.
André Breton’s book is a patchwork of literary forms, crazy-quilted together to form an amazing image of the world during World War II. At that time, Breton was in exile from Nazi-occupied France, and he visited Quebec in Canada to experience again the comfort and familiarity of being in a French-speaking land.
The book is part poetry and part prose, sometimes a journal, at other times a political meditation, and then a series of stories from mythology and the mystic Tarot. Breton’s ultimate take on living through a world war for the second time is that our daily existence needs to be re-impassioned to prevent violence from becoming the alternative to the mundane. I was fortunate to translate this classic from French to English.
André Breton wrote Arcanum 17 during a trip to the Gaspé Peninsula in Quebec in the months after D-Day in 1944, when the Allied troops were liberating Occupied Europe. Using the huge Percé Rock-its impermanence, its slow-motion crumbling, its singular beauty-as his central metaphor, Breton considers love and loss, aggression and war, pacifism, feminism and the occult, in a book that is part prose and part poetry, part reality and part dream. In the 17th card in the Major Arcana of the Tarot deck, a naked woman beneath a sky of stars pours water from two urns into water and…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
It is something of a commonplace that the most important subjects in life are somehow the least amenable to the long essay. Where are the great books on love, grace, revelation, understanding, or peace?
And what about childhood? Everyone has one, and many people want to be parents, but where are the transformative and indispensable books on this subject? Now we have one, at last, this capacious, passionate, searching, learned book, by one of the most gifted prose stylists writing in English in the present day. It’s beautiful to read, and essential for our cultural moment.
While traveling the world in order to write her award winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular captured her imagination: why are so many children in Euro-American cultures unhappy – and why is it that children in traditional cultures seem happier?
In A Country Called Childhood, Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic as well as the UK, and delving…
After hearing scholars argue that the “Latinx” category is solely an ethnicity, not a race, I questioned my assumption that “Latinx” was a race—and this led me to ask, “What is race?” To answer this, I read extensively, reflecting on my education and experience as a high school Spanish teacher. At the time, I was also studying a bilingual education program, and I started noticing how the program socially constructed race and the Latinx racialized group. Now, as a UCLA professor researching and teaching about Latinx education, I’m sharing insights in my book, a book that helps readers rethink race and see how schools construct Latinidad.
This book taught me how the idea of “Hispanic” as a group was constructed—not as a natural category but as a deliberate effort by activists, bureaucrats, and the media. Cristina Mora’s research shows how power and influence created this category, challenging the assumption that commonality binds this group together.
Reading it helped me see that the creation of the Hispanic category is both intentional and ongoing, which deeply influenced how I think about race and racialization in my own work. If you’ve ever wondered how racial and ethnic categories come to be, this book is a must-read. It’s a powerful reminder that categories are not fixed but shaped by history, politics, and power.
How did Puerto Ricans, Mexicans, and Cubans become known as "Hispanics" and "Latinos" in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category-and by doing so, permanently changed the racial and political landscape of the nation. Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
In The Price of Whiteness, historian Eric L. Goldstein documents the uneasy shift in Jewish-American identity throughout American history.
Are Jews a religion or a race or something else entirely? How did Ashkenazi Jews come to be seen as white? Goldstein addresses these questions and others in his rigorously researched book, which touches on topics like Black-Jewish relations, and features a surprisingly profound analysis of Adam Sandler’s “The Chanukah Song.”
What has it meant to be Jewish in a nation preoccupied with the categories of black and white? "The Price of Whiteness" documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. This book traces Jews' often tumultuous encounter with race from the 1870's through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I am a tumbleweed writer—one who moves from town to town every few years—and I have learned to adapt to new communities and break into new friend groups. In a sense, one could say I reinvented parts of myself as I moved from place to place, and I changed hats regarding what job I would get. Although challenging at times, the scope of this atypical lifestyle has provided me with a wealth of experiences to draw on when drafting a story, not only in setting and career, but also the psychological rollercoaster that comes with blowing with the wind.
This is such a beautiful novel from so many angles.
Although not specifically a suspense story, this book has many suspenseful elements. The character work in it is lovely, and the backstory of the girl, Ursa, is doled out in fragments to a final heart-wrenching reveal.
I love books where characters face their demons and push through challenges. Every character in this book is struggling with something significant, yet their individual challenges round out the story rather than overwhelm it.
An Amazon Charts, Wall Street Journal, and Washington Post bestseller, and a Goodreads Choice Award finalist.
In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.
After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot…
Karen Thornber is Harry Tuchman Levin Professor in Literature and Professor of East Asian Languages and Civilizations at Harvard. Her work brings humanistic insights to global challenges. Thornber is the author of the award-winning scholarly books Empire of Texts in Motion and Ecoambiguity as well as most recently Global Healing: Literature, Advocacy, Care. Current projects include books on gender justice in Asia, mental health, inequality/injustice, sustainability/climate change, and indigeneity.
South African writer Nozizwe Cynthia Jele’s exceptional novel The Ones with Purpose features a family grappling with the death from breast cancer of their oldest sister, eldest daughter, wife, and mother Fikile. The novel depicts caring health professionals who plead with the family to take Fikile home where she can die peacefully, without further intervention. Fikile too begs her loved ones to let her go. But her mother cannot accept that her eldest daughter is dying. Jele’s novel depicts a caring family torn apart by cancer and highlights the importance of making certain that a family’s desperation does not augment the suffering of their dying loved one.
With her sister, Fikile, dead from breast cancer, her father long gone, her mother emerging from years of slumber, and her younger brother, Mbuso, consumed with rage that refuses to settle, Anele Mbuza has no choice but to collect herself and grow up. Or does she? Because, if truth be told, she has not signed up to be her family's caretaker. Surely her dreams are valid? The Ones with Purpose is a remarkable story of family, disappointment, sacrifice, forgiveness, and love.
I am an expert on being a cancer patient because I was diagnosed with breast cancer in the fall of 2017. I am also a former oncology and hospice nurse. A cancer diagnosis always feels like a calamity and my work with very sick cancer patients showed me how serious the disease can be. I also thought that our health care system would react to cancer with compassion, but I was wrong. I felt on my own as a patient, and that experience led me to reflect on my nursing work. Healing alternates between me being a nurse and a patient. The alteration shows the failings of our health care system, and how to make it more caring.
After being diagnosed with breast cancer I sampled outside information about breast cancer sparingly and this was the only book that made the cut. I dipped into it when I had a question and otherwise left it alone, but afterward I was usually glad I checked to see what Susan Love had to say and appreciated the big picture context that the book offers. If you can afford it, get the most recent edition since it will be the most accurate about treatment plans and ongoing research.
For a woman faced with a diagnosis of breast cancer, the information available today is vast, uneven, and confusing. For more than two decades, readers have relied on Dr. Susan Love's Breast Book to guide them through this frightening thicket of research and opinion to find the best possible options for their particular situations. This sixth edition explains exciting advances in targeted treatments, hormonal therapies, safer chemotherapy, and immunologic approaches as well as new forms of surgery and radiation. There is extensive guidance for the increasing number of women living for years with metastatic breast cancer. With Dr. Love's warm…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
In my 26 years as a Holocaust educator, I worked closely with hundreds of Holocaust survivors helping them to pass along their legacy of remembrance to thousands of students and teachers. When I retired, I developed and began teaching a course entitled Living and Leaving Your Legacy®. Since 2012, I have taught 64 classes and have spoken to audiences locally, nationally, and internationally. My goal is to help people understand that how we live our lives becomes our legacy. I have worked with individuals at the end of their lives helping them to do sacred legacy work and have trained hospice staffs and volunteers to do the same.
As a former college writing teacher, Sandra Marinella understands the value of writing one’s story. In The Story You Need to Tell, she recounts her personal journey with breast cancer and tells the stories of others who experienced their own illnesses and traumas. Throughout the book and with the help of writing prompts, Marinella guides and encourages readers to write their stories as an empowering way to heal. She demonstrates how this leads individuals to move toward a better and fuller self as well as to a new, hopeful, and resilient narrative. I recommend this book because it is an excellent guide to writing one’s story, which will eventually become part of that person’s legacy.
A practical and inspiring guide to transformational personal storytelling, The Story You Need to Tell is the product of Sandra Marinella’s pioneering work with veterans and cancer patients, her years of teaching writing, and her research into its profound healing properties. Riveting true stories illustrate Marinella’s methods for understanding, telling, and editing personal stories in ways that foster resilience and renewal. She also shares her own experience of using journaling and expressive writing to navigate challenges including breast cancer and postpartum depression. Each of the techniques, prompts, and exercises she presents helps us “to unravel the knot inside and to…
