Books like The Price of Whiteness

If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.

An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.

At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York. 

A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.

Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.

Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.

In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.

The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.

Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer. Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)

Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.

This is the first comprehensive and comparative look at Jewish involvement in the military and their attitudes toward war from the 1600s to the creation of the State of Israel in 1948. Penslar is a professor of Jewish history and Zionism at Harvard University and a colleague of mine there.

We are both proud and progressive Zionists, yet critical of certain policies when we have to be. It’s a densely written book; one needs to read it slowly and carefully. Very few Jews are pacifists; the image of the Jew as the shy, bookish scholar or tailor (stereotyped by the images of popular culture like Fiddler on the Roof) is wrong and misleading.

If Jews did not want to fight in certain wars, it was for self-preservation or due to anti-Semitism—they were not allowed to be farmers, own land, hunt, fish, use a gun, even join the army, or were… show more.

I so easily identified with the lead character, Salim, who is caught between two cultures–his country of origin, Zanzibar, and his adopted country, England.

The author provides detailed and satisfying descriptions of Zanzibar in the 1960s and of London in the 1990s, portraying effectively how he is pulled by both and yet part of both. He confronts the vexed questions of ‘Who am I?’ and ‘Where is home?’

The colourful description of life in a Zanzibar village is delightful, reminding me so much of Mombasa, where I was born, especially as both places share the language, Kiswahili–which I still remember!

Making Refuge focuses on Somali Bantu refugees who were resettled in the town of Lewiston, Maine in the early 2000s. These refugees had been the focus of Besteman’s earlier research in Somalia in the 1980s. About a decade after Somalia plunged into civil war, Somali Bantus were being resettled in the United States, enabling Besteman to physically reconnect with them. One of the strengths of this book is that it provides rich historical context, giving the reader an overview of the different stages of the refugee experience: the events leading to war and displacement, life in refugee camps in Kenya, and resettlement in the United States.

Making Refuge is also one of the few books that gives ethnographic insight into the refugee resettlement process in the United States. Through its focus on the challenges faced by resettled Somali Bantus, who are Black and Muslim, it questions the assumptions underlying… show more.

Adams’s book exposed the Indian boarding school agenda and system as genocide for many readers. His book was one of the first publications that I read about Indian boarding schools as it represents a significant historiographical shift and approach to Indigenous experiences in boarding schools since the first writings of Native American boarding school students such as Zitkála-Šá, Charles Eastman, and Luther Standing Bear. The revised edition of his book could not have come at a better time with the announcement of the Federal Indian Boarding School Truth Initiative that followed about a year later in June 2021.

This book was a discovery for me, as I know very little about Latino culture, but it’s super well-written and argued. Paula Ramos presents us with the whole spectrum of Latino figures who rallied to the Republican Party and their reasoning behind this, but she also adds a lot of personal introspection to it.

As a European émigré in the US, I could relate to many of her stories about what it means to embrace American national identity and the issues immigrants and second and third generations have to address. 

Lahiri writes about immigrant families with a kind of quiet precision that always undoes me.

I love how this novel follows Gogol's uneasy relationship with his name, his parents, and the home they left behind. It's a beautiful exploration of how we inherit both love and loneliness from our families, and how long it can take to understand either.