Here are 100 books that Becoming a Writer fans have personally recommended if you like
Becoming a Writer.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
This book has a playful quality that engaged me immediately.
I was intrigued by Allison’s adventurous vision—one that sees patterns in nature as models for stories that don’t follow the traditional Aristotelian arc.
Alison analyzes many novels in terms of their shape (waves, spirals, tsunamis, and fractals)—stretching my imagination. She also makes it brilliantly clear that the shape of the hero’s journey is just one of many possible shapes for a fictional work.
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture
A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers
As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I resonated to the originality of Faulkner’s vision in which he explores the art of minimalistic writing—a path that gives writers unique and interesting alternatives to classical fiction.
There is a wonderful discussion of the early minimalists, among them Natalie Serrault, whose work Faulkner brings to life. He argues that contemporary flash fiction—a form that can be as short as one hundred words—is a serious and legitimate form of storytelling.
This book is especially important to me because I love to write short pieces and tell a story quickly. I’ve also noticed that all students, regardless of training and background, can write excellent short fiction.
With increased compression, every word, every sentence matters more. A writer must learn how to form narratives around caesuras and crevices instead of strings of connections, to move a story through the symbolic weight of images, to master the power of suggestion.
With elegant prose, deep readings of other writers, and scaffolded writing exercises, The Art of Brevity takes the reader on a lyrical exploration of compact storytelling, guiding readers to heighten their awareness of not only what appears on the page but also what doesn't.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
The poet Tony Hagland celebrates the colloquial voice—an approach that is liberating for poets—but also for fiction writers.
He describes voice as being “like a womb around an embryo” that does the crucial work of connecting the writer and the reader. I admired the way this book demystifies the notion that the voice occupies a cerebral realm. Hoagland uses slang and street talk—showing writers a rich and complex palette.
This book is useful for fiction writers as well as poets. It will liberate your adherence to “literary language” and push you right out into the street.
In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning-but above all, alive.
The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix…
I first picked up a Clive Cussler book over ten years ago. I previously only ever read nonfiction. I was hooked. I always thought these action-adventure archeological-style novels would be toilet paper, but I was wrong. These books made me want to write them. For years before, I had studied the Egyptians, Sumerians, Incas, Mayans, and Templars. You name it and I knew about it, so I took my own experience and excitement and started creating my own books. The recommendations I have here are from some of the best of the best in the genre if you like sitting on the edge of your seat, twists and turns, and some really interesting history that most of us don’t know.
I will almost never buy a book on Atlantis anymore… except this one got me. Want to know why? I liked the write-up. I was short on adventure novels and I fell in love and read the whole series.
The two characters, Nina Wide and Eddie Chase, are brilliant. Eddie is a wise-cracking, no-nonsense guy, a British cockney who does the stupidest things and blows stuff up. You can't help but love him. In this book, Nina gets a tip on where to find Atlantis (here, her parents got killed trying to find it), and Eddie has to look after her.
McDermott writes like Clive Cussler on cocaine, so there is literally never a dull moment. Atlantis stuff can be really trite, but this is really good. I had some good laughs and could identify with the frustrations of someone on a goose chase. I also liked the villain in…
Following in the tradition of Clive Cussler and Matthew Reilly, Andy McDermott takes us a roller-coaster ride in search of the legendary Atlantis.
Archaeologist Nina Wilde believes she has found the location of the lost city of Atlantis and now she wants the opportunity to prove her theory. Someone else though wants her dead! With the help of ex-SAS bodyguard Eddie Chase and beautiful heiress Kari Frost, Nina faces a breakneck race against time around the world, pursued at every step by agents of the mysterious - and murderous - Brotherhood of Selasphoros. From the jungles of Brazil to the…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
It lurks in the hazy landscape between magical realism and weird fantasy, which is an unusual thing per my reading experience for a coming-of-age story of a girl named Aisha from Mombasa. Her voyage to rescue her father from across an ocean of godlike sharks was a strange and unsettling experience to read.
Certainly one of the most unique (even if, in some fleeting moments, it reminded me of Hemingway’s Old Man and the Sea, which I found strictly okay).
My interests lie in the personal experiences of war and revolution and their aftermaths. Radicalism and the Origins of the Vietnamese Revolution is a tribute to my parents' generation of young Vietnamese who sought to combine their attempts to free themselves of the shackles of oppressive tradition with the struggle to win independence from French colonial rule before the introduction of competing ideologies.
Most North Vietnamese soldiers were of peasant background and believed in the sacred cause for which they fought. Then came the end of the war and, eventually, economic reforms. The old general is lost in this new consumerist society, his devotion to egalitarian ideals mocked by his children.
When it first appeared in 1987, the title story of this collection of stories by Nguyen Huy Thiep caused a sensation in Vietnam. Not since the Communist revolution had readers found as stark and compelling a view of their world as The General Retires offered them. Written in spare, succinct prose, it captures the despair of an old general who, after many years of devoted service to his country, is alienated by the emptiness of the society into which he retires and ultimately flees. Nguyen probes similar themes in the stories that follow, from Cun, the moving tale of a…
I’m autistic, with a passion for narrative structure and my brain is exceptional at predicting twists, so something genuinely surprising is a rare treat I crave and value. As a queer and trans person, I’m always looking for content in which I can see myself and my loved ones. I’m obsessed with YA thrillers that don’t just keep me guessing but also give me messy, brilliant, unforgettable queer characters to root for. These are the books that stuck with me, made me lose sleep to finish, and gave me new queer icons to love. I hope you enjoy them as much as I did!
I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.
The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…
Jessica Wong is the kind of girl nobody notices. She's also the kind of girl who sees everything. There's no one better at overlooking Jess than her best friend, Angie. Jess can live without Angie knowing her real feelings, just so long as they're best friends. But when Angie meets Margot, Jess recognises that things will never be the same. Worse still, Margot is one of the rare people who sees exactly how Jess feels about Angie. As Angie falls hard for Margot and gets caught up with Margot's wealthy friends, Jess's life begins to fall apart. If she isn't…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
A gripping portrayal of the "house for fallen women" funded by Angela Burdett-Coutts and managed by Charles Dickens in Victorian London.
Urania cottage offers refuge for prostitutes, petty thieves and the destitute who end up there for various reasons and respond to it in different ways.
I loved the way Halls skilfully depicts women from different classes. Josephine is a working-class woman who comes straight from prison, whereas Angela Burdett-Coutts is the richest woman in London, but her wealth cages her in a different way. I found this novel beautifully observed, unsentimental, and absorbing.
'Absorbing' Sunday Times 'Acutely observed and beautifully written' Daily Mail 'A writer of great originality' Kate Mosse 'Compelling' Good Housekeeping
THE INSTANT SUNDAY TIMES BESTSELLER, SET AGAINST CHARLES DICKENS' HOME FOR FALLEN WOMEN
The house she was promised, is the first clean page in a new book for girls like her . . .
1847, Shepherds Bush. Charles Dickens' home for fallen women is about to open its doors. Part refuge, part reformatory, the house and its location are top secret. Among it first inmates are Martha, arrived from a shelter for prostitutes, and Josephine, a convicted thief. But faced…
