Here are 100 books that Becoming a Writer fans have personally recommended if you like
Becoming a Writer.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
This book has a playful quality that engaged me immediately.
I was intrigued by Allison’s adventurous vision—one that sees patterns in nature as models for stories that don’t follow the traditional Aristotelian arc.
Alison analyzes many novels in terms of their shape (waves, spirals, tsunamis, and fractals)—stretching my imagination. She also makes it brilliantly clear that the shape of the hero’s journey is just one of many possible shapes for a fictional work.
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture
A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers
As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I resonated to the originality of Faulkner’s vision in which he explores the art of minimalistic writing—a path that gives writers unique and interesting alternatives to classical fiction.
There is a wonderful discussion of the early minimalists, among them Natalie Serrault, whose work Faulkner brings to life. He argues that contemporary flash fiction—a form that can be as short as one hundred words—is a serious and legitimate form of storytelling.
This book is especially important to me because I love to write short pieces and tell a story quickly. I’ve also noticed that all students, regardless of training and background, can write excellent short fiction.
With increased compression, every word, every sentence matters more. A writer must learn how to form narratives around caesuras and crevices instead of strings of connections, to move a story through the symbolic weight of images, to master the power of suggestion.
With elegant prose, deep readings of other writers, and scaffolded writing exercises, The Art of Brevity takes the reader on a lyrical exploration of compact storytelling, guiding readers to heighten their awareness of not only what appears on the page but also what doesn't.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
The poet Tony Hagland celebrates the colloquial voice—an approach that is liberating for poets—but also for fiction writers.
He describes voice as being “like a womb around an embryo” that does the crucial work of connecting the writer and the reader. I admired the way this book demystifies the notion that the voice occupies a cerebral realm. Hoagland uses slang and street talk—showing writers a rich and complex palette.
This book is useful for fiction writers as well as poets. It will liberate your adherence to “literary language” and push you right out into the street.
In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning-but above all, alive.
The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.
Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Set in the past and based on real people, this is a gripping story about an unofficial relationship that crosses class divides.
The closeness between poet Elizabeth Barret and her maid, known by her surname, Wilson, is never properly acknowledged as a friendship. But that’s what it is, as Wilson gradually gets to know everything about her mistress, particularly her forbidden love for fellow poet Robert Browning, and Barret comes to increasingly rely on the dependable Wilson.
This book is a fabulous and creative imagining of these real lives, and of a deep friendship that is horribly betrayed when things go wrong.
London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.
I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.
NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands.
“Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros
WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION
Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in…
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.
I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.
When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
Botswana is not one of the sexy African countries; I sometimes joke in response to people who tell me, a writer from Botswana, that they have never before heard of any writers or literature from Botswana. By that, I mean that my small, landlocked country hardly ever makes international news and is often overshadowed by bigger, more populous countries on the continent. However, there has been a plethora of writing from Botswana published mostly within the African continent but also increasingly in the West. I think this list of books is a great introduction to anyone who is curious to know the country and its people.
I love this humorous coming-of-age story narrated by a naïve yet academically smart girl who is juggling the various conflicting truths of her life—what she is taught in school, what she learns at home, what she learns from her friends and her siblings, what she is told about how life is and what she observes for herself. How is a person to reconcile all these truths?
By becoming the Queen of England, which is what Monei, the narrator, says she wants to become when she grows up since the Queen is the only woman, as far as Monei can tell, who can make decisions. This is one of the funniest books I have ever read. Dow brilliantly captures the perplexed voice of a growing girl and the idiom of Botswana life around Independence.
Unity Dow's third novel, Juggling Truths portrays the childhood of Monei Ntuka in the Botswanan village of Mochudi in Africa. Go to the past with me, so you can take the past to the future, asks her Nkoko. Nei takes us on an extraordinary journey through the many truths that shape her life; the truths of the colonisers and their churches and of her own people. We travel with her through dreams and share the wisdom of her grandmother as she lets the never-ending stories weave their own reality in face of a universe of conflicting truths. Unity Dow recreates…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males.
I always enjoy fish-out-of-water stories, and this book is one of my favorites. Suffragette and outspoken Kathryn are banished from Boston to a wild California gold town. Did she learn her lesson and hold her tongue? Absolutely not! This and the fact that she’s determined to change the town puts her at odds with her new community.
Not only did I love the main characters, Kathryn and Matthias, but I also enjoyed the secondary characters. They each had distinct and, in some cases, quirky personalities, which added depth to the story and made me smile. The story deals with serious themes, but the humor, charm, and delightful romance kept me anxiously turning the pages to find out how it all turned out.
A delightful new western romance from the New York Times bestselling author of Redeeming Love
New York Times bestselling author Francine Rivers returns to the California frontier in this sweeping, romantic tale of a displaced New England suffragette, a former Union soldier disinherited by his Southern family, and the town they join forces to save.
1875. When Kathryn Walsh arrives in tiny Calvada, a mining town nestled in the Sierra Nevadas, falling in love is the farthest thing from her mind. Banished from Boston by her wealthy stepfather, she has come to claim an inheritance from the uncle she never…
