100 Books Like Beautiful Losers

It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times. 

Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.

England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.

The Weight of this World is one of my absolute favorite additions to southern literature. I enjoyed this book, and honestly all of David Joy’s books, because it is crafted in a way to show darkness while at the same time showing glimmers of hope within the characters. This novel is real, raw, and a wonderful read that I would recommend to anyone who is looking to read a book that you can’t put down because of the action, the moments of self-discovery, and the depiction of the roughness within the world.

Supernatural horror meets the industrial-age love affair with the automobile—a combination I found irresistible. The novel’s protagonist, a social outcast, finds purpose and connection in his purchase of a piece of modern technology—a 1958 Plymouth Fury—which then proves to be his undoing via supernatural agency: the car is cursed, a receptacle for evil influences.

This also lends the novel an element of pathos without being saccharine or emotionally manipulative. I found this book to be a darkly captivating read.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.

On her thirtieth birthday, good girl and Manhattan attorney Rachel White sleeps with her best friend’s fiancé. To complicate matters, it’s not just a drunken mistake—Rachel realizes she’s always had feelings for him and learns that he too has feelings for her. With its messy, complicated relationships and deep dive into female friendship, I could not put this book down. This was one of the first “chick lit” novels I read about a single, urban professional woman navigating her career and personal life. And even while I was cringing at some of Rachel’s choices, I admired how honest and flawed the characters were in this story and loved Giffin’s smooth writing style, and have devoured all of her books ever since reading this one. 

Now we’re back in my most favorite place, San Francisco. Place is as much a character as the living, breathing people we meet in the pages of novels or non-fiction, and the author, Andrew Sean Greer, chose to tell a most curious tale in my hometown. We’re in San Francisco at the turn of the twentieth century where we meet a strange gnome-like man who ages backwards. He’s in love with a young lady who is normal in every way. With a nod to F. Scott Fitzgerald’s The Curious Life of Benjamin Button, here time is the great force that shifts reality and asks the age-old question, what does it mean to be a human being?

I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.

This was a book club choice, and as soon as I finished it, I bought the other two books in the trilogy. I literally couldn’t put them down! Another post-apocalypse for this list, this time, the story is told through the memories of Jimmy/Snowman. But make no mistake, the novel is about Crake, a brilliant, lonely, and terrifying young man.

As Jimmy tries to recover his past, shadowed by the gentle, green-skinned ‘children of Crake,’ he recalls the events leading up to the end of humanity. This is very much a mystery, so I must be careful what I reveal, but if you are all about misguided genius and hubris, you will adore this novel. Needless to say, with an author like Atwood, the writing is superb. 

I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”

It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.

Another classic—this one, from 1955, which was twice made into a movie, in 1958 and in the superior 2002 remake, with Brendan Frazier and Michael Cain. The Quiet American is described as many things—as a Vietnam war book, as a critique of American imperialist impulses. But at heart, it’s the story of a love triangle.

And the woman at the center of the love triangle, Phuong, is an all-time favorite character of mine. With watchful attention and subtle silences, she dictates the fate of the two men. More important than anything we ever see her say are the things we see her do and not do. 

I love the novel’s spare prose and its observations and asides, which are astute and oftentimes quite funny. And in the book’s pages, Vietnam, in the years just before the disastrous French then American wars, comes vividly to life. But Phuong is the reason… show more.