Here are 100 books that Beautiful Losers fans have personally recommended if you like
Beautiful Losers.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times.
Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.
England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Life is, and I think we all can agree, a wild mess of lessons, harshness, wonderful moments, and so much more—the coming-of-age genre has been so fun to explore for me because it touches on the many aspects of daily life. We all live different lives, and telling the stories of others, fictionally or non-fictionally is always something I have enjoyed. I am a journalist, author of coming-of-age fiction, and a lover of the stories life gives us. I hope you find within my recommended books, stories of growth, stories of dealing with life, and stories of the crazy yet beautiful gift that life is.
The Weight of this World is one of my absolute favorite additions to southern literature. I enjoyed this book, and honestly all of David Joy’s books, because it is crafted in a way to show darkness while at the same time showing glimmers of hope within the characters. This novel is real, raw, and a wonderful read that I would recommend to anyone who is looking to read a book that you can’t put down because of the action, the moments of self-discovery, and the depiction of the roughness within the world.
Critically acclaimed author David Joy, whose debut, Where All Light Tends to Go, was hailed as "a savagely moving novel that will likely become an important addition to the great body of Southern literature" (The Huffington Post), returns to the mountains of North Carolina with a powerful story about the inescapable weight of the past.
A combat veteran returned from war, Thad Broom can't leave the hardened world of Afghanistan behind, nor can he forgive himself for what he saw there. His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them…
I’ve long been fascinated by tales of the paranormal. Legends of ghosts, ogres, and demons stretch back to prehistory, and as H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” Advances in science and technology are often seen as a remedy against fearing things that go bump in the night. But in the realm of speculative fiction, what if such technology becomes the opposite: a means for the supernatural to make its presence known? This fearful juxtaposition is skillfully depicted in the five books I describe below. I hope you enjoy them.
Supernatural horror meets the industrial-age love affair with the automobile—a combination I found irresistible. The novel’s protagonist, a social outcast, finds purpose and connection in his purchase of a piece of modern technology—a 1958 Plymouth Fury—which then proves to be his undoing via supernatural agency: the car is cursed, a receptacle for evil influences.
This also lends the novel an element of pathos without being saccharine or emotionally manipulative. I found this book to be a darkly captivating read.
Stephen King’s ultimate evil vehicle of terror, Christine: the frightening story of a nerdy teenager who falls in love with his vintage Plymouth Fury. It’s love at first sight, but this car is no lady.
Evil is alive in Libertyville. It inhabits a custom-painted red and white 1958 Plymouth Fury named Christine and young Arnold Cunningham, who buys it.
Along with Arnold’s girlfriend, Leigh Cabot, Dennis Guilder attempts to find out the real truth behind Christine and finds more than he bargained for: from murder to suicide, there’s a peculiar feeling that surrounds Christine—she gets revenge on anyone standing in…
In the small town of Grady, Montana, twenty-four-year-old Tad Bungley has a reputation for trouble. When he lands a job at Come Around Ranch, however, his life seems to take a positive turn. As he develops a soft spot for Sam, the ranch owner's disabled son, and a special bond…
Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.
Is Henry James an American or a British author? Perhaps both. Born and raised in New York City, member of a well-to-do family, James spent his adult years in Great Britain. Yet his central theme, the collision of American “innocence” with European sophistication, is inherently trans-oceanic.
Nowhere is that theme more brilliantly explored than in The Portrait of a Lady. Isabel Archer, young, wealthy, unattached, free, it seems, to make of her life what she will, nonetheless marries a fortune-hunting expatriate, and her gradual discovery of the magnitude of her mistake makes the novel a great, heart-wrenching tragedy.
'One ought to choose something very deliberately, and be faithful to that.'
Isabel Archer is a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be…
I am drawn to stories about “the olden days,” non-fiction, fiction, or first-hand storytelling by homesteaders who came from away to settle on the prairies. Perhaps it is a way to recall my own farm childhood, a way to recall both joyful and unhappy times. When my brother taught me to climb (and get down from) the apple tree. The realization the pet steer who followed me around all summer and occasionally let me ride on his back while he grazed would be met by the mobile butcher truck in the fall. Hardships and simple joys, the life lessons, the banal work done for the family and farm to survive.
It follows German immigrant Fidelis Waldvogel and his family, and other characters in a small rural town in North Dakota in the years of and in between the First and Second World Wars.
The way the earthy and believable characters confront complex human issues intertwined with family, betrayal, death, are deftly told by a master storyteller. This one sits on my bookshelf for re-reads. I am in awe of Erdrich’s storytelling ability; you know these characters, you can smell the inside of the butcher shop, you feel a boy’s exhilaration as he watches a plane fly overhead.
A powerful novel from one of the most celebrated American writers of her generation, and the winner of the National Book Award for Fiction 2012
In the quiet aftermath of WWI, Fidelis Waldvogel leaves behind his quiet German village, and sets out for America with his new wife Eva - the widow of his best friend, killed in action.
Finally settling in North Dakota, Fidelis works hard to build a business, a home for his family - and a singing club consisting of the best voices in town. But his adventure into the New World truly begins when he encounters…
I've always loved science fiction, but first developed my love for storytelling as a prosecutor in the Bronx where I would weave the tale of a crime into a coherent story for a jury’s consideration. After several years of prosecuting sex crimes and crimes against children, and publishing a book about that experience, I had enough of the real world and returned to my first love for novel writing. Science fiction is a male-dominated field and most sci-fi heroes are male. My greatest influences are male characters and authors, but I always wished for more diversity in the genre. I’m excited to share this passion and hope it will inspire authors and readers!
I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.
Now in the trade paperback edition: New Bonus Chapter and Reading Group Guide, including Stephenie Meyer's Annotated Playlist for the book.Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and…
When a high security prison fails, a down-on-his luck cop and the governor’s daughter must team up if they’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) USA Today bestselling thriller from Adam Plantinga.
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
Watching
bad people self-destruct is hard work, but author Cain makes sure that the bad
people get what they deserve. A drifter takes a job at a roadside diner that is
run by an old man and his beautiful and unhappy wife; the two youngsters begin
a dangerous affair and then plot to kill the husband so that the girl inherits
the property. But matters do not turn out as they planned. The novel has been
adapted for film at least seven times, with the favorite being the 1946 movie
starring Lana Turner.
'Nobody has ever quite pulled it off the way Cain does, not Hemingway, and not even Raymond Chandler' Tom Wolfe
'It is no accident that movies based on three [of Cain's novels] helped to define the genre known as film noir' NEW YORK REVIEW OF BOOKS
'The most starkly elemental thing that has been written for years' EVENING STANDARD
The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and…
I’m an attorney who formerly practiced intellectual property law at large firms in Chicago and San Francisco. Even while I was practicing law, I had dreams of becoming an author. I’ve always been drawn to Chick-Lit, Rom-Coms, and Women’s Fiction, and even more fascinated by other lawyers who made the leap from lawyering to writing in these genres. My debut novel was about a PR executive, but for my sophomore novel, The Trials of Adeline Turner, I couldn’t help but revisit law firm life. While I enjoy reading and writing about lawyers, my favorite thing about these books is their message of following your heart to live your best life.
On her thirtieth birthday, good girl and Manhattan attorney Rachel White sleeps with her best friend’s fiancé. To complicate matters, it’s not just a drunken mistake—Rachel realizes she’s always had feelings for him and learns that he too has feelings for her. With its messy, complicated relationships and deep dive into female friendship, I could not put this book down. This was one of the first “chick lit” novels I read about a single, urban professional woman navigating her career and personal life. And even while I was cringing at some of Rachel’s choices, I admired how honest and flawed the characters were in this story and loved Giffin’s smooth writing style, and have devoured all of her books ever since reading this one.
Something Borrowed is the smash-hit debut novel from Emily Giffin for every woman who has ever had a complicated love-hate friendship. The basis for the blockbuster movie starring Kate Hudson, Ginnifer Goodwin, and John Krasinski!
Rachel White is the consummate good girl. A hard-working attorney at a large Manhattan law firm and a diligent maid of honor to her charmed best friend Darcy, Rachel has always played by all the rules. Since grade school, she has watched Darcy shine, quietly accepting the sidekick role in their lopsided friendship. But that suddenly changes the night of her thirtieth birthday when Rachel…
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.
The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction.Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.
Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.
The Floating Opera and The End Of The Road are John Barth's first two novels. Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions. Separately they give two very different views of a universal human drama. Together they illustrate the beginnings of an illustrious career.
An auctioned storage locker comes with a box of Raggedy Ann books and a dresser drawer stuffed with grisly momentos. A small college town in Georgia is now ground zero for a mind-bending cold case.
Local journalist James Murphy wishes he had never bought the storage unit which either contains…
First, I'm a woman and I'm inspired by women from the past who overcame the rules of the day in which they lived. It doesn’t matter where they lived, or what they tried to overcome, but to have bucked the patriarchal system and achieved some measure of success, is phenomenal. Second, I became inspired by silent film star Marion Davies, and I wrote a book about it. I never intended to write historical fiction. My first book was a memoir about sailing to Tahiti at fourteen with my father and two sisters. But life has a funny way of directing us where we need to go. Here I am: inspired by women from the past!
Wild Africa is romantic and daring and I loved the danger and inspiration of 1920s Africa, when British born real life woman Beryl Markham becomes one of the first female pilots. It’s a bit of Out of Africa and riveting.
Markham encounters many obstacles and has several disastrous relationships but eventually she overcomes and succeeds. She becomes the first person (not woman) to fly solo from Britain to North America.
As a young girl, Beryl Markham was brought to Kenya from Britain by parents dreaming of a new life. For her mother, the dream quickly turned sour, and she returned home; Beryl was brought up by her father, who switched between indulgence and heavy-handed authority, allowing her first to run wild on their farm, then incarcerating her in the classroom. The scourge of governesses and serial absconder from boarding school, by the age of sixteen Beryl had been catapulted into a disastrous marriage - but it was in facing up to this reality that she…