Books like Batman — picked by fans

I'm recommending this superhero adventure comic because I'm a fan of justice and great friendships between characters. This story really has a lot of heart and I feel like I know the characters personally. It will teach you about believing in yourself and facing intimidating challenges head on. I felt intrigued and left with a sense of adventure. 

Jonathan isn’t your typical tortured hero, as much of his brokenness is self-inflicted. But that doesn’t make his journey to redemption any less painful or heart-twisty. We follow his progress in real-time while simultaneously discovering everything he did to fall from grace in the first place. You equally love him and hate him in the most soul-crushing way. And if that little bit of catnip didn’t sway you, give five-year-old Maddie a chance.

Larry Tye brings a lifelong fan’s passion and a renowned journalist’s research skills to the ultimate biography of the Man of Steel. It’s comprehensive and full of amazing stories and facts that weren’t known before, but more impressively it’s entertaining to read, from start to finish. It’s a great book for anyone interested in Americana, pop culture, or Superman.

We’re finally starting to see superhero movies and TV shows featuring the amazing heroines of the comic book world, but some have yet to make the jump. One of these heroines is Amethyst, and Amy Reeder’s recent reinvention of the classic 1980s series is a great distillation of the character. The book is colorful and action-packed, an amazing introduction to a unique setting and heroine that melds the real world with a fantastical realm unlike anything we’ve ever seen before. Reeder’s writing is engaging, and her art as she explores and populates Gemworld is gorgeous and immersive. I automatically pick up anything Reeder draws, and this book is her at her best.

I love all of the different Batgirls DC has introduced over the years, and this book brings them together in one delightful adventure. Barbara Gordon is the original Batgirl mentoring her two protégés, the snarky Stephanie Brown and the martial arts master Cassandra Cain. The trio is a mix of different personalities and strengths, but teamwork and sisterhood come first. Cloonan and Conrad craft a rollicking story in this first volume, and Corona’s bombastic artwork is a perfect vehicle for all three of these enjoyable characters.

Superhero comics are known for hyper-sexualizing female characters and limiting them to one uniform, impossibly curvaceous figure. Valiant’s Faith Herbert is a direct reaction to this, the first plus-sized heroine to star in her own comic as she patrols Los Angeles as the high-flying Zephyr. Beyond this meaningful step for the genre, Houser has written a compelling story and Portela and Sauvage deliver great artwork that brings Faith to life. The character is a game changer for superhero comics, and this first collection of her adventures is such a fun read.

I’m recommending this book for how delightfully it considers the ill human body as a site of new possibilities. The Doom Patrol have never been well-known superheroes, perhaps because of the willingness of writers to confront the bodily trauma at the heart of their stories.

Morrison’s contribution to the series was to consider the Doom Patrol truly as freaks: people who could not fit into a society that demands gender, mental, and physical homogeneity. Mixing allegorical forms of illness—Cliff “Robotman” Steele’s fallible technological body—with more direct conditions like Kaye “Crazy Jane” Callis’ dissociative identity disorder.

Morrison, along with artistic collaborators, built a celebration of difference into a genre where most heroic bodies never break the mold.

Deadpool is superhero comics', and perhaps literature in general’s, most consistently challenging fictional engagement with cancer. Deadpool’s healing factor prevents his cancer from ever being cured, which traps him in a never-ending cycle of remission and relapse.

Unlike a superhero who responds to a bodily transformation by self-sacrificingly upholding the status quo, Deadpool is a mercenary and anti-hero. In this collection, writer Joe Kelly creates much of the narrative infrastructure that eventually made the character one of Marvel’s most popular.

Kelly also crafts a story where Deadpool is offered a heroic transformation that—through personal weakness, history, bad luck, and supervillainous interference—tragically fails. This book establishes the template for Deadpool stories and digs into Deadpool’s cancer for the first time.

This book contains a rare examination of HIV/AIDS in superhero comics. It’s much more likely a superhero story will deal with HIV/AIDS allegorically (see the recommendation above!) than directly.

Given the Hulk’s own fears about his blood contaminating his loved ones (his cousin Jennifer Walters became the She-Hulk after a transfusion of his blood), he is uniquely sympathetic to the illness of a friend who contracts HIV. As longtime Hulk writer David advances subplots (at this point, Bruce Banner and the Hulk have merged into a more-or-less well-adjusted form of the famous giant green rage monster), he builds space to linger on character details.

David himself has struggled with health issues in recent years, and this comic is also a reminder of one of the genre’s great writers.

Dreadnought is a fantastic story about a young trans girl who inherits the powers of the most powerful superhero in the world.

Like Captain Marvel, it bestows upon her the looks of her idealized form. Unfortunately, this goes over like a ton of bricks with her family that she hadn't revealed herself to. The coming-of-age drama doesn't take a back seat to the superheroics, though, and I absolutely love the characters created by the author.