71 Books Like Ms. Marvel Volume 1

This queer memoir takes us to New York City to explore the unfolding queer life of a child of Bengali immigrants in her difficult decision to divest from parents, colleagues, and friends’ expectations for her life. After taking up architecture as a career and attending Harvard to the delight of her parents, Anjali realizes that her real interest lies in creating graphic literature. This coincides with another journey away from the expected future marriage and family toward exploring and affirming her sexuality and attraction to women. In often spare and simple settings with clean lines that let readers fill in the gaps – for example, with picture frames containing blank canvasses rather than pictures – Anjali creates her own pictures, both as a graphic artist and in imagining her own life. 

Love lies at the heart of this fictionalized memoir. A full recipe from Anjali’s father’s repertoire, a culinary interest… show more.

This compelling graphic novel adaptation captures Butler’s Afrofuturist science fiction in its dark-toned palette and relentless movements in and across panels, with pages crammed with characters traveling within and outside of an urban enclave surrounded by gangs and criminals. The red of apocalypse and the California desert saturate pages, signaling current and immanent violence and danger and a landscape in environmental crisis. Through it all, Lauren reflects on how a new vision is required to liberate the oppressed without reproducing the conditions that brought it about. Amidst the bleak and violent scenes, we read excerpts from her Earthseed journaling of an unfolding religion where God is Change.

A futuristic world portrays the ongoing struggles of Black Americans for equity, racial justice, and economic and cultural futures. Its spirituals and Black culture form a new platform for Lauren’s exodus to a new land, a journey fraught with danger and difficult decisions,… show more.

This 4-volume serialized graphic novel tells the story of an Indigenous family across centuries and generations, stretching from Indigenous history before colonialism to ongoing colonial violence in Residential Schools until the present world of a Cree youth in existential crisis as he attempts to take his own life. His mother then guides him on a path of personal healing from his intergenerational trauma through stories about their history and traditions; Edwin’s journey takes him into the heart of ceremony and connection with his culture and history. He discovers his own strength to heal and then offers his father the opportunity to find his own healing path.

In this graphic novel, we are educated about Indigenous history through stories of struggle, resilience, and resurgence across the centuries. As Edwin, guided by his mother, meets with Elders, embraces his Cree identity, and pursues a path of healing through traditional teachings and practices,… show more.

There are lots of graphic novels and memoirs with medical themes, but I want to shine a light on this unique collaboration by brothers who capture their shared experience of schizophrenia, one diagnosed with the condition and the other who accompanies him through difficult navigation of an inadequate health care system and the struggle of managing a disease that isolates individuals and families from their communities.

Each brother works side-by-side to tell their interrelated stories: Olivier is a visual artist, and Clem is an author and playwright. Olivier’s drawings are on the verso, in simple black and white sketches, often unframed, of family holidays, from picnics to Christmas, with obscuring smudges, stiff figures, and unsmiling faces that belie the sun, picnic baskets, and decorated trees of the settings.  He draws his world of meetings with doctors, attending group meetings, and struggling to get and hold jobs.

Using text on the… show more.

Portico Reeves tries hard to escape the “mean time.” When his parents are fighting, he retreats to his fantastical castle home, where he becomes Stuntboy to protect everyone who dwells within. But as often happens when our fantasy flights bump into our reality, Portico gets a bad case of the frets.

I admire how Jason Reynolds tackles a serious issue with a framework of fun, complete with humorous commercial breaks. I could relate to Portico’s dilemma and was rooting for him all the way. I hope kids will read this and realize their parents’ “mean time” is not their fault, and it’s not their job to stop the fighting.

I loved Stanley’s self-aware and endearingly dry sense of humor as he grapples with anxiety as well as his comic-book obsession, which becomes contagious throughout the book. I loved following his journey from a middle-school kid who passes out during a school safety presentation to one who discovers his inner courage thanks to his love of comics—and some mindfulness breathing techniques woven throughout, as well.

It was refreshing to read a book featuring a boy struggling with anxiety, and I loved rooting for him as he went on a comic trivia scavenger hunt, to Comic Con, and even as he muddled his way through family and friendship hardships. I was truly sad when the story ended; along the way, he became a hero in his own right!

In the world of Lafferty’s Playing For Keeps, super-powered types fall into one of three categories. The heroes are powerful, but arrogant jerks. The villains have all the charm and charisma, but are still villains. Then there are people like Keepsie Branson, whose “useless” powers don’t let them fall into either category. After all, what good is the power to prevent something from being stolen from your own possession when it comes to fighting crime – or committing it? Lafferty’s style is slick, funny, and very original. This book isn’t like any other superhero story I know.

Hey, look! It's totally a superhero comic! Some superheroes will probably get some super powers, and maybe a villain will try to destroy a town, and, true to superhero form, at least everything is kind of relatively okay in the end (not to spoil anything).

It has pretty much everyone's favorite superhero, since it has a lot of superheroes. Which is really interesting, because the first few pages are sheer horror. Seriously, it isn't every book that gets my mind flirting with a panic attack, but this one was fine after setting it down for a moment. Then it's mostly a superhero comic again and not really a horror story, except for when it is a horror story.

This is the book that forever changed how superheroes were written.  

In Watchmen, masked vigilantes started as a craze in the 1930s, and history got slightly bent in the process. We won the Vietnam War, Nixon stayed president, and...you'll have fun picking out all the bits of altered history in the background.

The heart of the book is its unforgettable characters - slightly over-the-hill superheroes brought out of retirement by the murder of one of their own, to face an ever-deepening mystery and their own midlife crises.

Deadpool is superhero comics', and perhaps literature in general’s, most consistently challenging fictional engagement with cancer. Deadpool’s healing factor prevents his cancer from ever being cured, which traps him in a never-ending cycle of remission and relapse.

Unlike a superhero who responds to a bodily transformation by self-sacrificingly upholding the status quo, Deadpool is a mercenary and anti-hero. In this collection, writer Joe Kelly creates much of the narrative infrastructure that eventually made the character one of Marvel’s most popular.

Kelly also crafts a story where Deadpool is offered a heroic transformation that—through personal weakness, history, bad luck, and supervillainous interference—tragically fails. This book establishes the template for Deadpool stories and digs into Deadpool’s cancer for the first time.