Here are 100 books that Augusta Locke fans have personally recommended if you like
Augusta Locke.
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I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
The Earth’s Children series fully immersed me in Stone Age Europe, thanks to Jean M. Auel’s nerd-level research. But what hooked me was her protagonist: Ayla, a courageous, spiritually gifted, neurodivergent genius. Though Ayla’s a white Cro-magnon, and I’m a Latina Homo sapiens, I relate to this fish out of water.
In this book, she’s wildly different from the Neanderthals who adopt her, echoing my own family experience. Ayla’s unique problem-solving skills also set her apart, sending her careening between loneliness and leadership. What excites me most about her journey is that the demands of the Ice Age give her more opportunities to explore her potential than many modern women. I recommend starting with Clan of the Cave Bear, Ayla’s origin story, which stands on its own.
This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves the Clan of the Cave Bear.
A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
Several Luis Alberto Urrea novels feature powerful women, but this one resonates with me the most. One reason is that, like my novel, his also reimagines the history of a real-life great-aunt from Mexico. Urrea’s protagonist, Teresita, Saint of Cabora, is so full of heart that she gives me hope more readers will embrace Latinas in American literature.
Teresita Urrea exemplifies the strength teenage girls can wield when people encourage them to speak up instead of pipe down and when people value all their gifts regardless of whether those gifts were once labeled “masculine,” like boldness, or “feminine,” like empathy. For me, Teresita offered timeless wisdom: because she led with love, she saw through the lies of the powerful to the hearts of people who needed healing and justice.
The prizewinning writer Luis Alberto Urrea's long-awaited novel is an epic mystical drama of a young woman's sudden sainthood in late 19th-century Mexico.It is 1889, and civil war is brewing in Mexico. A 16-year-old girl, Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream--a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal--but it will take all her faith to endure the trials that await her and her family now that she has…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
In this book, I admire how author Vanessa Hua blends intimate storytelling about one teenager into a vast historical saga—drawing on her research skills as a journalist, a background we have in common. In this coming-of-age tale about a secret enclave of pampered and abused teenage girls, I could see why Mei was lured by a promise with feminist allure: that girls can become heroes.
My life experience told me she would get used, yet I loved Mei’s awakening: an idealist transformed into a sexual slave sharpens her wits against Chairman Mao’s even as she becomes his prey, then must use all she’s learned to save herself. Mei’s story is a wake-up call about the dangers women face when societies decline and the price we pay to become heroes.
NATIONAL BESTSELLER • A teenage girl living in 1960s China becomes Mao Zedong’s protégée and lover—and a heroine of the Cultural Revolution—in this “masterful” (The Washington Post) novel.
“A new classic about China’s Cultural Revolution . . . Think Succession, but add death and mayhem to the palace intrigue. . . . Ambitious and impressive.”—San Francisco Chronicle
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, PopSugar • Longlisted for the Joyce Carol Oates Prize
On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
Although Sula is my favorite Toni Morrison protagonist, I’ve found the most profound revelation of power in the four women I consider the collective protagonist of A Mercy. Florens is the primary protagonist, but the communal self she forms with the others leaps off the page.
In a society where men value independence, I rooted for these women as they leaned into interdependence: Rebekka, white Mistress of the house; Lina, the Native American servant; Sorrow, the servant suspected of being mixed-race and feeble-minded; and Florens, the enslaved black girl taken as payment for a debt.
This multiracial cast pools their skills to survive in a society suspicious of any woman sans man. A Mercy seems timely to me as America still struggles to accept women and minorities as partners.
NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.
One of the New York Times’s 100 Best Books of the 21st Century
In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
Many books tend to glorify traveling the Oregon Trail, but this book does not. Instead, it portrays the heartbreak of loss, the realism of a harsh migration, and the blossoming of an unexpected but tender romance.
The pages raced by, and it was hard to step away from this captivating novel. I highly recommend reading it.
In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.
The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.
But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each…
My love for both the Weird and the Wild West started somewhere in the 90s. I watched many movies and adored playing Deadlands (TTRPG) with my friends. I picked this theme because most Western-themed books and movies were very male-orientated, yet I always found myself drawn to the heroines in these stories. While I loved characters like Billy the Kid and Wild Bill Hickok, I could better relate to Calamity Jayne or Belle Starr. During our Role Play game nights, I often played female gunslingers. That’s how I ended up creating Coyote, who inspired me to write her story in a series of novels.
If you are up for a little journey into the Weird West, let Nettie Lonesome be your guide. She is anything but the traditional ‘Cowboy’ being a queer, biracial, young woman. This book is a different kind of coming-of-age story—a tougher one, which really takes the reader on a rollercoaster ride. For me, the biggest appeal of this book is the main character. Nettie is a special breed of Ranger who discovers there is more to this world than heaven and earth. There are monsters hiding in the shadows, and Nettie finds she has a particular talent for dealing with them. When it comes to queens of the Weird West, Nettie belongs to be among them. Even if she does prefer to dress as a man.
"Wake of Vultures is, quite simply, brilliant. A mind-bending mix of history, fantasy and folklore, it's a wild bronco of a read that'll leave you breathless for more."―Rachel Caine, New York Times bestselling author
Supernatural creatures create chaos across an unforgiving western landscape in the first book of a propulsive and cinematic fantasy adventure starring ever fearless Nettie Lonesome.
Nettie Lonesome dreams of a greater life than toiling as a slave in the sandy desert. But when a stranger attacks her, Nettie wins more than the fight.
Now she's got friends, a good horse, and a better gun. But if…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This book features a trio of true-life stories from the 18th, 19th, and early 20th centuries about families whose ancestors were enslaved but who, by a variety of stratagems, managed to cross the color line and become “white” in the eyes of others – and eventually in the eyes of their own descendants. These stories illustrated for me the actual permeability of racial categories, hinging largely on one’s physical appearance and possessions. In other words, the lighter your skin and the larger your bank account, the greater the possibility that others will allow you to be whoever you say you are.
"An astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture." -The New York Times Book Review
In the Obama era, as Americans confront the enduring significance of race and heritage, this multigenerational account of family secrets promises to spark debate across the country. Daniel J. Sharfstein's sweeping history moves from eighteenth-century South Carolina to twentieth-century Washington, D.C., unraveling the stories of three families who represent the complexity of race in America. Identifying first as people of color and later as whites, the families provide a lens through which to examine how people thought…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
Alessandro de’ Medici was the first member of his famous family to rule the city of Florence as a titled prince. He was also, possibly, the first person of African descent to rule a European state.
Illegitimately born, his father was a Medici duke, and his mother may have been an enslaved African. In this highly readable book, Catherine Fletcher uses meticulous archival research to present the most detailed account of the life of Alessandro yet produced.
The book examines the glittering excesses of court life in sixteenth-century Florence and Rome, and the intrigues and jealousies behind this façade, while recovering the life of a previously obscure figure. Examining a time and place I know well, I found this an engaging story, well told.
'Nothing in sixteenth-century history is more astonishing than the career of Alessandro de' Medici' (Hilary Mantel).
*Selected as a Book of the Year 2016 in The Evening Standard*
In The Black Prince of Florence, a dramatic tale of assassination, spies and betrayal, the first retelling of Alessandro's life in two-hundred years opens a window onto the opulent, cut-throat world of Renaissance Italy.
The year is 1531. After years of brutal war and political intrigue, the bastard son of a Medici Duke and a `half-negro' maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by…
I experienced severe trauma at an early age in life, which involved numerous challenges that tested my resilience and inner strength. However, through perseverance, self-reflection, and seeking support, I was able to overcome these obstacles and emerge stronger than ever. My experiences have taught me the importance of resilience, the power of healing, and the transformative impact of sharing stories, including the messy ones. I believe that by recommending books that explore these themes, I can inspire and empower others who may be facing similar challenges to find hope, resilience, and a path toward healing.
This book is a poignant portrayal of trauma, resilience, and the enduring quest for healing. Trethewey's memoir delves into the deeply personal aftermath of a crime, exploring themes of loss, memory, and the complexities of identity.
Her lyrical prose, emotional depth, and narrative richness resonated with me as I wrote my own true crime memoir, offering readers a profound exploration of the human spirit's capacity to confront tragedy and find moments of grace amidst adversity.
'A meditation on race, and class, and grief ... Uplifting, but just wrenching' BARACK OBAMA
ONE OF BARACK OBAMA'S BEST BOOKS OF 2020
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES BOOK OF THE YEAR
WINNER OF THE ANISFIELD-WOLF BOOK AWARD
SHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION
'This will be read for many, many years to come as a classic not just of the memoir genre but of contemporary writing' Simon Schama
'Astonishing' Thandiwe Newton
'As gripping as any thriller' Mail on Sunday
'A masterpiece' Elizabeth Gilbert
'Powerful' The Times
At age nineteen, Natasha Trethewey had…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
