Here are 100 books that Artistic Citizenship fans have personally recommended if you like
Artistic Citizenship.
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I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.
I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.
Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.”
How Music Works is David Byrne's buoyant celebration of a subject he has spent a lifetime thinking about.
Equal parts historian and anthropologist, raconteur and social scientist, Byrne draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
A brainy, irresistible adventure, How Music Works is an impassioned argument about music's…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a musician – singer/composer/educator/researcher – based in Northern England, and I’ve become fascinated through my community music work to see how music can change people’s experience – of themselves, of other people, of their community and their relationship to the world around them. With all of the complex challenges we currently face as a species, I’m interested in the potential of music-making as a resource to help us navigate toward a more hopeful future. Making music is an important part of our unique collective history as humans – and we need to draw on it now to help us evolve into a species that can live more harmoniously and sustainably on our fragile planet.
There are lots of great books about music in human evolution, but this one conjures up such beautiful images and makes such a strong argument that it’s still my favourite.
The human species is over 230,000 years old, and we’ve probably been using singing as a form of social bonding for that whole time, and previous hominid species probably were as well. The book makes the point really well that singing is something we take for granted, but is really quite a remarkable human evolutionary adaptation.
The propensity to make music is the most mysterious, wonderful, and neglected feature of humankind: this is where Steven Mithen began, drawing together strands from archaeology, anthropology, psychology, neuroscience--and, of course, musicology--to explain why we are so compelled to make and hear music. But music could not be explained without addressing language, and could not be accounted for without understanding the evolution of the human body and mind. Thus Mithen arrived at the wildly ambitious project that unfolds in this book: an exploration of music as a fundamental aspect of the human condition, encoded into the human genome during the…
My mom was an excellent artist, and my father was an accomplished scientist, so I grew up with a passion and mission to combine these in my life’s work. I have played clarinet since 8, in classical, jazz, world, experimental, and sound healing, and have mastered a variety of visual storytelling arts (painting, sculpture, filmmaking, game development). My fascination with mind/body led me to neuroscience research and developing edtech for autism. These all integrated into writing my book and offering this inspiration to others. This book list has nurtured my deepest interests and propelled me to discover more of our human potential to experience sound, storytelling, and well-being.
This book is one of the biggest influences in my life as a sound designer, musician, neuroscientist, and super curious researcher/creator. Dan’s personal life trajectory mirrors my own love of music and science, and his writing style is so accessible and engaging.
He and I have met personally, signed each other’s books, and are literally and figuratively on the same page. I also love his book, The World in Six Songs, a deep dive into how and why music affects us emotionally, culturally, and socially, which is very pertinent to sound design storytelling and portraying human nature from prehistoric to current pop culture.
In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music-its performance, its composition, how we listen to it, why we enjoy it-and the human brain.
Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:
* How composers produce some of the most pleasurable effects of listening to music by exploiting the way…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m a musician – singer/composer/educator/researcher – based in Northern England, and I’ve become fascinated through my community music work to see how music can change people’s experience – of themselves, of other people, of their community and their relationship to the world around them. With all of the complex challenges we currently face as a species, I’m interested in the potential of music-making as a resource to help us navigate toward a more hopeful future. Making music is an important part of our unique collective history as humans – and we need to draw on it now to help us evolve into a species that can live more harmoniously and sustainably on our fragile planet.
Tia DeNora is a brilliant sociologist who writes a lot about music, and this book makes a great argument for music as a resource, or what she calls a ‘technology of self’.
We use music to shape our identity, and drawing on Erving Goffman’s ideas about ‘asylums’, she suggests that music is one such space we create in our lives where we can find ourselves again. Being musical becomes an integral part of being human.
Music has always been somewhere I’ve found solace and freedom, and I know that it’s the same for lots of the people I work with, and this book really explains why that’s so.
Taking a cue from Erving Goffman's classic work, Asylums, Tia DeNora develops a novel interdisciplinary framework for music, health and wellbeing. Considering health and illness both in medical contexts and in the often-overlooked realm of everyday life, DeNora argues that these identities are by no means mutually exclusive. Moreover, she suggests that the promotion of health and more specifically, mental health, involves a great deal more than a concern with medication, genetic predispositions, clinical and neuro-scientific procedures. Adopting a holistic, interactionist focus, Music Asylums reconnects states of wellness and wellbeing to encounters with others and - critically - to opportunities…
For my psychology podcast, I’ve interviewed many political and psychology experts on the subject of political polarization and conflict resolution. That led to me writing my book Defusing American Anger. I believe extreme us-vs-them polarization is humanity’s biggest problem: I see it as an existential threat not just to specific nations, including America, but to humanity as a whole, especially as our weapons and technologies get more powerful. And I think we need more people working on reducing our seemingly natural tendency to always be fighting with each other.
Talisse does a great job putting our divides in the context of the fundamental problem of democracy.
How can we maintain democratic principles when we see the "other side" as very wrong, or even as dangerous? Should we maintain those principles? What do we owe our fellow citizens even when we see them as very flawed?
In addition to these hard and important questions, Talisse focuses on a less examined negative aspect of polarization: us-vs-them animosity makes us less able to get along even with people who are politically similar to us. We become more fractured even on "our side," and less able to do the basic work of politics.
Democracy is not easy. Citizens who disagree sharply about politics must nonetheless work together as equal partners in the enterprise of collective self-government. Ideally, this work would be conducted under conditions of mutual civility, with opposed citizens nonetheless recognizing one another's standing as political equals. But when the political stakes are high, and the opposition seems to us severely mistaken, why not drop the democratic pretences of civil partnership, and simply play to win? Why seek to uphold properly democratic relations with those who embrace political ideas that are flawed, irresponsible, and out of step with justice? Why sustain democracy…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
This is a fascinating book that deals with one of the central dilemmas in American history—that a nation committed to high ideals of life, liberty, and the pursuit of happiness in a republic made up of people from several lands could also be a nation committed to racial oppression and the denial of fundamental rights. It considers citizenship not as noun but as verb—a dynamic process, not just a legal affiliation. Spires gets at the complexity of American life, explaining approaches to citizenship that required savvy improvisation, community formation, and determined commitment to ideals that were violated by the dominant culture at every turn. Spires explores the tensions, the disagreements over directions and methods, that were part of this collective effort, and the concepts of citizenship that emerged from those productive debates. Among a great many other things, readers will learn a lot about African American intellectual life, writing, and…
In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does.
In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I am Professor Emeritus of Economics, University of Munich. I also taught as a visitor at Duke University, Harvard, University of North Carolina, as well as the University of Vienna, the Vienna School of Economics, and the University of St. Gallen. Since the financial crisis of 2008, I have been writing about current economic issues and the need for new paradigms in economics. I have been advocating a humanistic approach to economics in which people and their quality of life count more than the output of the economy. I have also formulated the need for capitalism with a human face. I have also blogged for PBS.
I found this book to be very insightful about the problems faced by our political system.
Sandel is spot on in explaining why democracy’s discontents have hardened into a country divided against itself. He outlines America’s civic struggles from the 1990s to the present and shows how Democrats and Republicans alike embraced a version of finance-driven globalization that created a society of winners and losers and fueled the toxic politics of our time.
A renowned political philosopher updates his classic book on the American political tradition to address the perils democracy confronts today.
The 1990s were a heady time. The Cold War had ended, and America's version of liberal capitalism seemed triumphant. And yet, amid the peace and prosperity, anxieties about the project of self-government could be glimpsed beneath the surface.
So argued Michael Sandel, in his influential and widely debated book Democracy's Discontent, published in 1996. The market faith was eroding the common life. A rising sense of disempowerment was likely to provoke backlash, he wrote, from those who would "shore up…
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Students of Middle East studies learn a lot about Ottoman history, specifically about the Ottoman Empire's last decades, before WWI. But historians gave very little attention to the Arab provinces of the empire in comparison to Istanbul and the imperial center. In this book, Campos presented the fascinating case of Ottoman Palestine. Campos shows the most convincing rebuttal for the theories that attributed no Ottoman identity in the peripheries. The fantastic picture of Jerusalem during the last years of the empire can teach us a lot about the relations between Jews, Christians, and Muslims in Palestine, the understanding of national and imperial frameworks at the turn of the century, and the optimistic reader may find ideas to deadlock conflicts in the 21st century.
In its last decade, the Ottoman Empire underwent a period of dynamic reform, and the 1908 revolution transformed the empire's 20 million subjects into citizens overnight. Questions quickly emerged about what it meant to be Ottoman, what bound the empire together, what role religion and ethnicity would play in politics, and what liberty, reform, and enfranchisement would look like. Ottoman Brothers explores the development of Ottoman collective identity, tracing how Muslims, Christians, and Jews became imperial citizens together. In Palestine, even against the backdrop of the emergence of the Zionist movement and Arab nationalism, Jews and Arabs cooperated in local…
I first got seriously interested in immigration when I moved to L.A. in the late 1980s. I had been a sociologist of labor for over a decade already, and now found myself in a city whose working class was overwhelmingly foreign-born. I was amazed to discover that L.A.’s immigrant workers, even the undocumented, were actively organizing into unions and community-based organizations. Trying to understand how this came about, my fascination with the larger dynamics of migration grew, and immigrant labor became central to my research agenda.
This is easily the best account of the complex, racialized history of U.S. immigration law, politics, and policy. One of the arguments in it that impressed me most is that the category “illegal aliens”—the “impossible subjects” of the title—barely existed in the pre-World War I years, when almost no European immigrants were turned away from the U.S. (Asians were another story). Ngai also brilliantly analyzes two landmark laws: the 1924 Johnson-Reed Act, which dramatically restricted immigration through nationality-based quotas limiting arrivals from Eastern and Southern Europe; and the 1965 Hart-Celler Act, which eliminated the quotas and opened the door to a massive new immigrant influx. This is a densely written book, not an easy read, but no other text has taught me more about this topic.
This book traces the origins of the "illegal alien" in American law and society, explaining why and how illegal migration became the central problem in U.S. immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the twentieth century. Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. She shows that immigration restriction, particularly national-origin and numerical quotas, remapped America both by creating new categories of racial difference and by…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
My stepfather lived in Latin America, and when he died, I spent time with migrants as a way of feeling closer to him. I was overwhelmed by the warmth and welcome offered to me. As I met more migrants who had uprooted their lives with hope and determination, I became disillusioned with typical narratives on the left and the right that portray migrants as helpless victims or dangerous invaders. I love books that tell more complex stories about the broad range of migrant experiences, and I am particularly drawn to books that capture the hope that many migrants feel and that they bring to their new homes.
I love how this book engages with the complexities of migration, describing a situation in which ethnically Turkish migrants from Bulgaria immigrate to Turkey. This complicates the typical story about migrants as outsiders who must adjust to hosts who are fundamentally different.
I found the stories compelling, as they trace the advantages and disadvantages that this hybrid status brings, and as they describe the heterogeneous experiences that different types of migrants confront.
There are more than 700,000 Bulgaristanli migrants residing in Turkey. Immigrants from Bulgaria who are ethnically Turkish, they assume certain privileges because of these ethnic ties, yet access to citizenship remains dependent on the whims of those in power. Through vivid accounts of encounters with the police and state bureaucracy, of nostalgic memories of home and aspirations for a more secure life in Turkey, Precarious Hope explores the tensions between ethnic privilege and economic vulnerability and rethinks the limits of migrant belonging among those for whom it is intimated and promised-but never guaranteed.
