Books like Art Matters

I love that Bird by Bird doesn’t read like a reference book.

Lamott’s words feel personal. The book is personal to me because my daughter gave me her college copy of Bird by Bird when I began my writing journey. Lamott’s plain, honest, and affirming words, like first drafts are “shitty” and “writing a first draft is very much like watching a Polaroid develop,” resonate with me. Bravo to Lamott for this great metaphor!

Writing can be solitary, but Lamott reminds us we’re not alone. So, I heeded her words. I joined the party and became an active literary citizen. It’s there that we writers find our people, supporters, and dear friends.

When I decided to write my debut historical novel, I was at a loss for how to begin and questioned if I had what it took.

Thankfully, my determination more than made up for my lack of knowledge and confidence. Celebrating 40 years on the shelves since its original publication date, Writing Down the Bones helped free the writer within me, giving me permission to approach my project in a way that felt right for me.

As Goldberg points out, you can’t divorce yourself from your own parts. Even if you’re a giraffe! Her cleverness and humor amused me from beginning to end, and her wisdom continues to resonate.

This is one of the clearest books I’ve read on creativity.

Elizabeth Gilbert encourages both curiosity and discipline in writing. She also talks about the importance of timing and being ready to capture ideas when they come. Fear and self-doubt are always around, but one must be receptive and ready when the muse appears.

She tells great stories, which makes the book particularly fun and readable.

I first read this book as an angsty artist in college. It was as if the Universe sent me a gift that I needed precisely when I needed it. Rilke–an older/wiser poet, wrote the 10 letters in the book to a young Franz Kappus–a budding/insecure poet. All artists suffer from insecurity, and Kappus wants to know if his poems are good and what he should do.

We all want to do Important and Good work (with capital I’s and G’s). Rilke gently and masterfully steers Kappus to understand that true art is a process and involves every aspect of an artist’s life, that it is often a lonely endeavor but worth it for so many reasons. I felt as if Rilke was speaking to me–as a loving grandfather–with words of encouragement, but also in truth. Nothing was sugar-coated, but I so related and wanted to be the wise creator that… show more.

This book captures the joy and wonder of being a child. The little girl becomes fascinated by the giant muddy puddle, that becomes so much more in her mind. The illustrations add to this book perfectly, and are brightly colored and rich in detail. Told in verse it tells such an imaginative story that every child can relate to.

The work I have been doing for decades calling for change in how we teach reading in English is now supported by the world’s preeminent neuroscientific researcher in how the brain reads, Professor Dehaene.

He is candid, unapologetic, and clear regarding what needs to change. He asserts that whole language “does not fit with the architecture of our visual brain” (2009, p. 195) and goes on to say, “Cognitive psychology directly refutes any notion of teaching via a 'global' or 'whole language method'” (2009, p. 219).

Whole language or even balanced literacy confuses the attention of a child. Ergo, 1) Do not use three-cueing; 2) Do not guess from context or from the word’s shape; and 3) Guessing plays no role; it’s all in the letter string (the spelling).

Plato speaks in the Republic of the “old quarrel between poetry and philosophy”–yet he was a writer of imaginative prose himself. This book shows how seriously Plato took poetry: how many of the crucial ideas in the dialogues grow out of Socrates’ commentary on lines of poetry from Homer, Hesiod, or other archaic Greek authors.

Jill Frank reads Plato very differently from me: she thinks that the Republic is signaling its readers to reject the political ideals that the dialogue seems to propose, in favor of the democratic authority of the individual. But while I don’t agree, I always learn so much from her astute insights as a reader of Plato’s writings. 

The conversations I have most often with my friends revolve around books—the intersection between books and society, books and politics, books and change. But these conversations have generally been meandering and, to be honest, often only half-articulated, interrupted by gossip or the need for a tea top-up. So when I picked up Elaine Castillo’s book, it felt like I was suddenly being given the insightful, intelligent, fully-formed version of a topic I’d always been drawn to but never quite managed to excavate properly.

Like the other recommendations on this list, it’s both personal—Castillo talks about her own relationship to reading and culture—and enormous in scope, encompassing history, cultural theory, popular culture, and, of course, literature.

I’m a great fan of Patricia Polacco’s work, and so I had a great deal of difficulty deciding which book to include on this list because so many of her books are moving.

This is the story (taken from Polacco’s own life) of a girl who suffers from undiagnosed dyslexia until an astute teacher recognizes the condition and helps her overcome it. What I find most impressive about this story is that Polacco never descends into the maudlin.

This isn’t a “dyslexia” book; rather, it’s a tale of an adult helping a child in need deal with a daunting problem. In the end, young Trisha doesn’t merely achieve her dream of learning to read but goes on to write and illustrate wonderful books of her own.

Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Reading went on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.