Here are 100 books that America's Black Capital fans have personally recommended if you like
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I was introduced to genealogy, family pride, and racism as an only child. Growing up in Birmingham scarred me. Since young adulthood, I have worked on being an antiracist. I found that research on my ancestors, especially my maternal slaveholding side, helped me know my history, my family’s history as enslavers, my Black cousins, and what it means to be an American with all its flaws. I never tire of this research. It teaches me so much, has offered great gifts, and has built me a new family.
Growing up in the South and having a penchant for writing about racial justice, genealogy, travel, truth-telling, and more, this book is among the top ones on my favorite list. The South is more complicated than many think. Along with the racists and bigots, there are plenty of really smart people who are progressive and thoughtful. Good writers sprout like the wild primroses in Alabama. I liked how Perry stirs together history with her travels and her own dear ancestors.
Perry starts her explorations with Harper’s Ferry, which brought back my vivid memories of its spectacular scenery. It still holds onto John Brown, but there is so much more, which she explains. There are plenty of nuanced stories and surprises as she travels across state after state.
WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION
INSTANT NEW YORK TIMES BESTSELLER
“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson
An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America
We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
What sticks with me most about this beautiful book is the fiercely tender bond between Dana Lynn and her mother, Gwen. Right from the opening lines, I was all in on their emotionally complex mother-daughter relationship. In some ways, Dana Lynn and her mom are like sisters, the two of them keeping a whopping secret for Dana Lynn’s father, and yet, they are always aware of their position as mother and daughter.
Gwen grieves the ways her husband’s secret plunders their daughter’s innocence, even as Dana Lynn struggles to make peace with what their world would look like if the truth were out. As a reader, I mourned with them and rejoiced, too, that they had each other.
From the New York Times Bestselling Author of An American Marriage
“A love story . . . Full of perverse wisdom and proud joy . . . Jones’s skill for wry understatement never wavers.” —O: The Oprah Magazine
“Silver Sparrow will break your heart before you even know it. Tayari Jones has written a novel filled with characters I’ll never forget. This is a book I’ll read more than once.” —Judy Blume
With the opening line of Silver Sparrow, "My father, James Witherspoon, is a bigamist," author Tayari Jones unveils a breathtaking story about a man's deception, a family's complicity,…
I am the product of a love triangle—an unusual one, between a French Holocaust survivor, an African student from France’s colonies, and a black GI. My parents came of age during really turbulent times and led big, bold lives. They rarely spoke about their pasts, but once I began digging—in the letters they exchanged, in conversations with my grandmother and aunts, with their childhood friends—I realized that all three had witnessed up close so much of the drama and horrors of the twentieth century and that what they had lived together merited being told. My parents’ love triangle is at the heart of my love of love-triangle stories.
I absolutely love a book that introduces me to characters I like, then visits trouble on them—to paraphrase (poorly!) the writer Charles Baxter as he described his approach to storytelling. In An American Marriage, I’m rooting for Celestial and Roy, even as their love journey gets upended. And then I’m rooting for Celestial and Andre as she tries to recover from Roy’s tragic, unjust incarceration. And then, when Celestial must choose between the two, I don’t know who to root for!
A great set-up for suspense—and also for feeling all the things.
Plus, Jones paints a beautiful portrait of Blacklanta in all its nuance, complexity, and splendor.
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
I have enjoyed writing and creating stories based on fictional characters since my writing assignments in elementary school. I can remember my teachers telling my mother that my stories were very captivating and that I would take my simple assignments to a level that they hadn’t expected. This love for writing led to a love for reading fiction books and a deeper love for urban fiction, women’s fiction, and erotic fiction. I enjoyed books so much that I became a bookseller at a local bookstore and moved up to a specialist who introduced customers to their next favorite book.
This book will remain on my list of favorite books of all time. I love how the author begins the story of the promiscuous doctor by jumping straight into the drama. Immediately, you are made aware of the well-respected cardiac surgeon’s character and how he loves women and plenty of them! Dr. Makkai Worthy is referred to by his many sex partners as Dr. Feelgood.
I became wrapped in the four women’s stories as they were introduced throughout this book. I found each character interesting, and there was never a dull moment as their disdain grew for the once-beloved doctor. I also found it interesting how the story takes you back to the place where it all began to explain the doctor’s love for sex and his inability to commit to just one woman. This page-turner is one that I plan to read again and again.
From the author of MAKE ME HOT comes a steamy tale of a popular heart surgeon and his four women, told in their own voices. They call him Dr. Feelgood . . . One woman would never be enough to satisfy noted cardiologist Dr. Makkai Worthy, better known by his sex partners as Dr. Feelgood. Womanizer extraordinaire, he's a chip off the old block of his rolling-stone papa and commitment isn't an option. At 37 and single, he's happier than he's ever been, living the lifestyle of the rich and fine. A gifted surgeon, Dr. Feelgood knows how to operate…
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
Recent concern with intersectionality (instances where categories of race and gender overlap) makes research into Black women’s colleges vital. Founded in 1881 as a Baptist female seminary in Atlanta, Georgia, Spelman College became a leading women’s liberal arts college. The book tracks the impact of four college presidents from the outset to the 1950s. The authors show how the formal academic curriculum, extra-curriculum (college-sponsored activities), and hidden curriculum (informal and even inadvertent influences) instilled an imperative to excel.
Presents the history of Spelman's foundation through the tenure of its fourth president, Florence M. Read, in1953. The story is brought up to date by the contributions of Spelman's current president, Beverly Daniel Tatum, and by Johnnetta B. Cole.
The book chronicles how the vision each of these women presidents, and their response to changing social forces, both profoundly shaped Spelman's curriculum and influenced the lives and minds of thousands of young Black women.
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters. And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.
Since the 19th century, the women of Gees Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gees Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, the Whitney Museum of American Art, The Corcoran Gallery of Art, The Museum of Fine Art, Boston, The Cleveland Museum of Art, The Milwaukee Art Museum, The High Museum of Art, Atlanta,…
I’m a professor of modern US and global history at Hartwick College in upstate New York. I have been reading and researching the history of conservative and right-wing movements in the United States and the wider world for almost two decades. My first book, Revolutionaries for the Right: Anticommunist Internationalism and Paramilitary Warfare in the Cold War, was published by University of North Carolina Press in 2018. My articles, essays, and reviews have appeared in Jacobin, Diplomatic History, Terrorism and Political Science, H-War, and H-Diplo. I’m currently at work on two projects: a history of the transatlantic white power movement and a film documentary about the short-lived white supremacist nation of Rhodesia and its contemporary legacies.
The rise of the right was in many ways a southern phenomenon as the Old South transformed into the Sun Belt. White Flight explores how white supremacy and fears over desegregation propelled the conservative movement in Atlanta and on the national stage. As federal initiatives spelled the end for segregation in the 1950s and 1960s, southern whites managed to preserve racial discrimination through more subtle avenues. Whites fled Atlanta’s urban core for its suburbs where they reformed the world of white supremacy, giving birth to new causes such as tax revolts, tuition vouchers, and the privatization of public services.
During the civil rights era, Atlanta thought of itself as "The City Too Busy to Hate," a rare place in the South where the races lived and thrived together. Over the course of the 1960s and 1970s, however, so many whites fled the city for the suburbs that Atlanta earned a new nickname: "The City Too Busy Moving to Hate." In this reappraisal of racial politics in modern America, Kevin Kruse explains the causes and consequences of "white flight" in Atlanta and elsewhere. Seeking to understand segregationists on their own terms, White Flight moves past simple stereotypes to explore the…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
This book looks at Atlanta’s role in the emergence of a “New South” and the way that journalist and civic leader Henry Grady used the story of Atlanta’s wartime burning and destruction and its postwar rebuilding to rebrand the city. While supporting segregation in the South, Grady urged northern Whites to invest in the New South economy and denied that the region had a race problem. Black Atlantans presented an alternate narrative, one that emphasized the war as a first step in the fight for freedom and equality. The Atlanta Race Riot of 1906 left Grady’s New South concept “tattered and frayed”; the term was seldom used after that.
After conquering Atlanta in the summer of 1864 and occupying it for two months, Union forces laid waste to the city in November. William T. Sherman's invasion was a pivotal moment in the history of the South and Atlanta's rebuilding over the following fifty years came to represent the contested meaning of the Civil War itself. The war's aftermath brought contentious transition from Old South to New for whites and African Americans alike. Historian William Link argues that this struggle defined the broader meaning of the Civil War in the modern South, with no place embodying the region's past and…
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
This book provides an excellent overview of Atlanta’s rise from humble beginnings as a rail hub before the Civil War to a thriving commercial center by the end of the century. Russell argues that the war accelerated Atlanta’s commercial and industrial development, but its path was already set before General William T. Sherman’s army arrived during the Civil War. White business elites dominated city politics until the election of Atlanta’s first Black mayor, Maynard Jackson, in 1973.