Here are 100 books that Alpha Boys School fans have personally recommended if you like
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I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
I have read all of David Katz’s material and absolutely loved every bit of it. This book is essential as it details the life and times of a master.
The interviews and behind the scene look at a person who changed everything for Jamaican popular music kept me engaged throughout the writing. Katz brilliantly organizes the book and kept me engaged throughout the entire thing. His voice is heard but not overwhelming and this book is, not only about a master and Jamaican music, but about how to write an interview effectively.
One of the best biographies I have ever read in my life.
'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD
'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's essential' Don Letts
Arguably the most influential force in Jamaican music, Lee Perry brought Bob Marley to international stardom and has since collaborated with artists such as Sir Paul McCartney, The Clash and The Beastie Boys. The book delves behind the myth of Perry to give a fuller examination of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
If you want to nod your head along with the greats of Jamaican music, this book is for you.
I would not be writing about this music without this book. The way that Bradley writes this oral history captures so much feeling and vibe that you cannot stop reading it. So many musicians, producers, and engineers are interviewed about the rise of Jamaican music that you must read this book.
I believe that this book is the center of all writing on Jamaican popular music and it is a must read for anyone who loves the sound.
The first major account of the history of reggae, black music journalist Lloyd Bradley describes its origins and development in Jamaica, from ska to rock-steady to dub and then to reggae itself, a local music which conquered the world. There are many extraordinary stories about characters like Prince Buster, King Tubby and Bob Marley. But this is more than a book of music history: it relates the story of reggae to the whole history of Jamaica, from colonial island to troubled independence, and Jamaicans, from Kingston to London.
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
Veal’s book changed the way that I thought about writing about music. The detailed analysis and academic approach made me realize that it was possible to write about the music that I love in a professional way.
After reding this book I applied for graduate school with the distinct goal of publishing on Jamaican music. I read this book and fell back in love with ethnographic research and the music that I was playing. It also inspired me to write and produce a song related to all of the greats of the genre.
When Jamaican recording engineers Osbourne "King Tubby" Ruddock, Errol Thompson, and Lee "Scratch" Perry began crafting "dub" music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae's "golden age" of the late 1960s through the early 1980s. Dub involves remixing existing recordings-electronically improvising sound effects and altering vocal tracks-to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
This book was essential in my research and longing to develop a relationship to affect theory through Jamaican dub and sound system culture. I could not stop reading this book, as it connected many of the ideas that I had in my head.
I was amazed that someone could write about this topic in this way, and it shifted my thought process to make me more detailed and affect based in my approach to dub music.
Breaking new ground in the field of Sound Studies, this book provides an in-depth study of the culture and physicality of dancehall reggae music. The reggae sound system has exerted a major influence on music and popular culture. Every night, on the streets of inner city Kingston, Jamaica, Dancehall sessions stage a visceral, immersive and immensely pleasurable experience of sonic dominance for the participating crowd. "Sonic Bodies" concentrates on the skilled performance of the crewmembers responsible for this signature of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "set" of equipment; the selectors choosing the music…
As a student, I was intrigued by Newton’s laws of motion. As I grew older, I sought to understand how these laws apply in a real-world setting of economics and politics. I spent my full professional life in this search and held several positions – Minister of Finance, Governor of the Central Bank, Minister of Foreign Affairs. I was decorated over the years with several awards. I had a good education at the London School of Economics and at Harvard University. After it all, I still did not quite comprehend how Newton’s Laws work to advance the quality of life in communities and countries. The Caribbean on The Edge is a reflection of that journey.
This book provides a synthesis of the ‘region’s place in world politics and the global economy.’ Its applicability to the Latin American region in the context of international relations theory is a salient feature of this book which lends credence to these insights in this sense, there is a commonality of thinking in both books, and adds intellectual creditability to the meshing of both logics. It is a key insight.
Current perspectives on Latin America's role in the world tend to focus on one question: Why is Latin America always falling behind? Analysts and scholars offer answers grounded in history, economic underdevelopment, or democratic consolidation. Bagley and Horwitz, however, shift the central question to ask why and to what extent does Latin America matter in world politics, both now and in the future.
This text takes a holistic approach to analyze Latin America's role in the international system. It invokes a combination of global, regional, and sub-regional levels to assess Latin America's insertion into a globalized world, in historical, contemporary,…
I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Mexican-born, Bogotá-based New Yorker writer Alma Guillermoprieto writes about Latin America in a vivid, compassionate way, using individual stories to tease out trends and shed a light on history. I've loved all of Guillermoprieto's books, including her wonderful chronicles about dancing in Cuba and Brazil, but this volume is a true classic. She captures the feeling of the spirit of Latin America and Latin Americans. Even when I've been to the places she describes, she makes me see them in a different way through her meticulous reporting and lush descriptions.
What I like best about Guillermoprieto is that she looks into ordinary lives, ranging from Mexican garbage pickers to the window-pane fixers who make a living in Bogotá after glass is shattered by bombs.
An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
This is the most up-to-date and comprehensive account of the politics of Latin America and delivers a scintillating analysis of its democratic systems of government. It is written by two of the most dynamic and original scholars working in Latin America today, who are working here to a set of rigorous analytical standards. Their argument is supported and extended by numerous links to primary and secondary written materials, as well as photo and video archives. The argument is both lucid and accessible.
Taking a fresh thematic approach to politics and society in Latin America, this introductory textbook analyzes the region's past and present in an accessible and engaging style well-suited to undergraduate students. The book provides historical insights into modern states and critical issues they are facing, with insightful analyses that are supported by empirical data, maps and timelines. Drawing upon cutting-edge research, the text considers critical topics relevant to all countries within the region such as the expansion of democracy and citizenship rights and responses to human rights abuses, corruption, and violence. Each richly illustrated chapter contains a compelling and cohesive…
I’m an archaeologist at Boston University with a transatlantic family that spans Spain and Latin America. My research has primarily focused on Mesoamerica, and prehispanic central Mexico more specifically, but the deep roots of these transatlantic entanglements have always fascinated me personally and as a historically minded scholar.
The great Mexican author Carlos Fuentes wrote this book as a commemorative reflection of an earlier quincentennial, that of 1492-1992. Fuentes’ book is transatlantic in scope and considers the fraught history of Hispanic heritage in the Americas. The title metaphorically employs the mirror—both of the kind fashioned from obsidian by the Aztecs and the one bringing the viewer into Diego Velázquez’s masterpiece of Spanish golden-age painting, Las Meninas—in reflecting on this mixed inheritance five centuries later. Cultural mixing, or mestizaje, defines the creation of Latin America and its millennial-deep roots in the exchange networks, migrations, political alliances, and colonialism on the part of Mesoamerican and Iberian peoples, on both sides of the Atlantic. Fuentes is a gifted writer and Buried Mirror is what first got me thinking about these historical entanglements when I read it as a college student.
A best-selling and lavishly illustrated history of Hispanic culture from the "Balzac of Mexico," The Buried Mirror is a classic in its field.
The renowned novelist Carlos Fuentes has crafted a unique history of the social, political, and economic forces that created the remarkable culture which stretches from the mysterious cave drawings at Altamira to the explosive graffiti on the walls of East Los Angeles.
“A bittersweet celebration of the hybrid culture of Spain in the New World…Drawing expertly on five centuries of the cultural history of Europe and the Americas, Fuentes seeks to capture the spirit of the new,…
If I needed an excuse to be an explorer, I’d say it was inherited wanderlust. My grandparents moved to China in the 1920s and my grandmother became an unconventional traveller by mule in the wilds. My mother spent her childhood there. And much of her married life in West Africa, where I was born and raised. The wildest places fill me with curiosity.
It’s an extraordinary journey, people said it was absurd and impossible. I read it as a teenager, and even then it struck a chord with me. And it showed that what people call impossible is merely a sign of challenge. It also shows what deep reserves of stamina we all have in us, only found if we dig deep enough. It stayed with me as an inspiration, and as a dream of adventure.
From the southeast coast of South America through an expanse of Peruvian sands en route to the West Coast, then onward through Central American jungles and rainforest, and finally to New York, Tschiffely’s journey was considered impossible and absurd by many newspaper writers in 1925. However, after two and a half years on horseback with two of his trusty and tough steeds, this daring trekker lived to tell his best-selling tale.
Tschiffely’s 10,000-mile journey was filled with adventure and triumph, but it also forced the traveler to deal with tremendous natural and man-made obstacles, as many countries in Central America…
History tells us who we are and what we can become. History in the Andes tells us that people of the African Diaspora have been a part of building that part of the world into what it is today for over 500 years. I have been fascinated by learning this history and inspired by leaders, writers, artists, and fellow historians who consider themselves Afro-Andean and are building the future. For 25 years now, I have been scouring historical archives in Peru, Spain, and the US to find more sources to help us recognize and understand that history as we use it to build a better, more just present and future.
Colombia links the Andes to the Caribbean, and Ricardo Raúl Salazar Rey’s book shows how central the story of the African Diaspora is to how the Spanish Empire was built and governed for so long (much, much longer than the US has existed or the British were able to govern in the Americas). And this book shows how in the 1600s, Black people were building enduring places for themselves in that Spanish Empire that initially only viewed them as enslaved laborers, but was forced by their legal actions and alliances to recognize them as much more and much more diverse. Colombia has just elected its first Black vice president; and this wonderful book tells us how black people made themselves part of the foundation of that Andean nation.
Explores the legal relationships of enslaved people and their descendants during the sixteenth and seventeenth centuries in Spanish America.
Atlantic slavery can be overwhelming in its immensity and brutality, as it involved more than 15 million souls forcibly displaced by European imperialism and consumed in building the global economy. Mastering the Law: Slavery and Freedom in the Legal Ecology of the Spanish Empire lays out the deep history of Iberian slavery, explores its role in the Spanish Indies, and shows how Africans and their descendants used and shaped the legal system as they established their place in Iberoamerican society during…
