Here are 24 books that Alice's Adventures in Wonderland and Through the Looking-Glass fans have personally recommended if you like
Alice's Adventures in Wonderland and Through the Looking-Glass.
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I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
30
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.
I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.
Predicting both Freud and postmodernism, I love how this work feels both ultra-modern and very much of its time.
Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is edited with an introduction by Melvin New and Joan New, and includes a critical essay by Christopher Ricks in Penguin Classics.
Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter,…
I was reading from a young age, but I didn’t start devouring books until I found the fantasy genre. I firmly believe that there is a set of books out there that every person can love, even if they don’t consider themselves a capital-R, serious Reader. It would be a great waste for someone not to know that fantasy literature might be their special thing. If someone is searching for a genre of fiction that they could fall in love with, I sincerely hope that these books can open the doors to other worlds.
The classics are classics for a reason, and Tolkien’s genre-defining trilogy is proof of that. I fell in love with this book for the same reason most people did–the characters, the world, the story, all strange and all familiar before even reading a word–but I have to confess it was Gandalf who sold me on the story, to begin with.
The pointy hat and fireworks were all I needed to buy in, and the fear of something so innocuous as a band of gold was so exciting that I had to find out how everything turned out in the end.
For the first time ever, a very special edition of the J.R.R. Tolkien's classic masterpiece, The Lord of the Rings, gorgeously illustrated throughout in color by the author himself and with the complete text printed in two colors, plus sprayed edges and a ribbon bookmark.
Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivaled magic and otherworldliness, Tolkien's sweeping fantasy and epic adventure has touched the hearts of young and old alike. More than 150 million copies of its many editions have been sold around the world,…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I’ll admit that I’m fiercely jealous of this book’s title, which is clever and à propos (but now, thanks to Wright, it’s taken). But the book is also delightful.
It’s a history of scientific naming, more or less, but Wright has a ton of fun with that. He asks how plants were named in ancient Assyria and Greece, winds his way through the Middle Ages, and continues to the present day. Does that sound dry? It isn’t—I chortled at the discussion of rude Latin names (Geastrum fornicatum, anyone?), and giggled at Wright’s appropriately disrespectful take on the modern profusion of “species concepts” (“You will be delighted to hear that I will not be describing the remaining twenty-five concepts.”).
I learned a bunch and had fun doing it, and that’s a big win.
'Who would have thought that a book about Latin names could be quite so compelling!' Alan Titchmarsh
'Nature writing at its best: insightful, entertaining and often very funny' British Wildlife
Latin names - frequently unpronounceable, all too often wrong and always a tiny puzzle to unravel - have been annoying the layman since they first became formalised as scientific terms in the eighteenth century.
Why on earth has the entirely land-loving Eastern Mole been named Scalopus aquaticus, or the Oxford Ragwort been called Senecio squalidus - 'dirty old man'? What were naturalists thinking when they called a beetle Agra katewinsletae,…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
This book delighted me because it’s packed with the backstories behind the names of birds—and those stories feature surprising historical anecdotes, quirky characters, and more. Did I say “quirky”? The namesake for Leach’s storm petrel was so far past “quirky” that you can’t even see it in the rear-view mirror.
I enjoyed thinking about early naturalists trying to fit strange birds from strange lands into what was familiar from home (hence, North American and Australian “robins.”). I learned about bird names that are onomatopoetic (“rook”), based on folklore (“goatsucker”), unexpectedly descriptive (“swallow”), and, of course, eponymous (the titular “Mrs. Moreau’s warbler.”). The writing is graceful, and the book design is lovely. What a treat!
Swallow and starling, puffin and peregrine, blue tit and blackcap. We use these names so often that few of us ever pause to wonder about their origins. What do they mean? Where did they come from? And who created them?
The words we use to name birds are some of the most lyrical and evocative in the English language. They also tell incredible stories: of epic expeditions, fierce battles between rival ornithologists, momentous historical events and touching romantic gestures.
Through fascinating encounters with birds, and the rich cast of characters who came up with their names, in Mrs Moreau's Warbler…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I love Bill Bryson’s dry and wry sense of humor, his sharp eye for the preposterous, and his fascination with detail. In his better-known books, it’s travel, but this fits my fascination with language and naming because it tells the story of English.
Well, stories of English, anyway—it’s not a scholarly history (which I’d also enjoy) but more a collection of anecdotes to illustrate some of the quirks of the language. It’s fun and easy reading, and some things piqued my curiosity enough that I dug in further with more authoritative books.
“Vastly informative and vastly entertaining…A scholarly and fascinating book.” —Los Angeles Times
With dazzling wit and astonishing insight, Bill Bryson explores the remarkable history, eccentricities, resilience and sheer fun of the English language.
From the first descent of the larynx into the throat (why you can talk but your dog can’t), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world’s largest growth industries.
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Legend has it that the author first conceived the story while rowing on the River Thames. How a session at the oars could inspire such characters as the White Rabbit and the Cheshire Cat I have no idea.
Nevertheless, I have read this book aloud more times than I can count—from beginning to end, and also in odd increments, skipping about from chapter to chapter. And yet, the sentences always surprise me with their musicality and sense of fun.
Chapter 3, for example, contains this exchange: “Mine is a long and a sad tale!” said the Mouse, turning to Alice, and sighing. “It is a long tail, certainly,” said Alice, looking down with wonder at the Mouse’s tail; “but why do you call it sad?”
Pook Press presents Lewis Carroll's world-famous novel "Alice's Adventures in Wonderland" with original illustrations by John Tenniel. This classic story, first published in 1865, relays the tale of a girl named Alice who falls down a rabbit hole into a fantasy world. As the adventure unfolds, Alice explores many magical places and meets the most curious characters. The book was a huge commercial success on its initial publication and continues to delight readers today. Alice's journey is illustrated with gorgeous black and white drawings from John Tenniel. His Alice illustrations are instantly recognisable and are the most famous of this…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
