Books like Alabama Afternoons — picked by fans

I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.

Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.

Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.

In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.

Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story. 

As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.

Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.

I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters. And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.

I love a book that tells me something new. Yes, I knew WACs served in World War II and that in the 1940s, women didn’t hold combat positions. I knew Black men served in segregated units. But I didn’t know about the Black women’s WAC 6888 Central Postal Directory Battalion.

I was riveted by this story of their deployment to Europe to sort mail for the troops. So many books about wars feature men. I loved the female characters and the grandmother sharing memories with her granddaughters–creating a bridge for today’s readers. I respect how the book speaks not only to military life and commitment but also to racial segregation and its effects on the young women serving our country.

I grew up in the 1960s and '70s, during a time when segregation ended, but racial strife continued, particularly in the South, so this book hits somewhat close to home.

Byron Woodfin sheds a meticulous inside light on how some people of privilege believed to be above the law and speaks to a time that all should remember so as not to repeat past mistakes. I found the storyline to be captivating, from the investigation of the attempted murder car bombing to the dramatic legal proceedings that later ensued.

This book is a real page-turner for those who enjoy true crime set in what one hopes to be a bygone era of racially motivated bigotry.

A Pulitzer Prize-winning reporter for the New York Times, Rick Bragg’s writing is poetry.

He grew up dirt poor in Alabama. I grew up in a middle-class suburb in New Jersey. He and I have little in common but our love for our mothers. This story touched me on many levels. All mothers sacrifice to some extent in raising their children, but Rick’s mother went above and beyond while facing dire circumstances to provide for hers.

It made me appreciate my mother even more. And though I hadn’t discovered this book prior to my story, it reconfirmed my commitment to my mother. 

I love a sprawling family saga set in a small town. My husband’s father came from a small town in South Georgia that was founded by one of his ancestors. My husband’s grandfather, after visiting Chicago and being impressed by the big department stores he saw there, decided that what his tiny little town needed was a huge department store of its own. He built one, and amazingly, it was a success for many years, with folks coming from all around to marvel at its architectural sophistication and its dazzling array of wares. Like the fictional town of Perdido, Alabama, where the action is centered in Blackwater, everyone there knows everybody else, and nothing secret stays hidden for long.

On Easter Sunday, 1919, a flood engulfs Perdido. Oscar Caskey, the eldest son of the town’s most influential family, discovers a stranger named Elinor Dammert waiting patiently inside a room on… show more.

William James Edward is the grandfather of the author Donald Stone. The author does a great job of highlighting the importance that William J. Edward placed on lineage at the beginning of the book. The author shows the forgotten legacy of Edwards as one of Tuskegee’s first graduates. Edwards goes on to start a secondary school in Wilcox county Alabama, following the legacy of Booker T. Washington. The school was called the Snow Hill Institute and in its prime employed over 20 teachers and had over a dozen buildings on the campus. The curriculum was like Tuskegee, where the students learned trades and received a formal education. Under the leadership of William James Edwards, the school thrived until it was forced to close in the 1960s. Donald Stone mostly uses primary sources to paint a picture of the opposition that Edwards faced in trying to operate a school outside of… show more.

This picture book tells the story of Hamilton v. Alabama, a lesser-known U.S. Supreme Court ruling on behalf of Miss Mary Hamilton. Mary Hamilton, a Black civil rights activist arrested for her protests against segregation, demanded in a court hearing that she be addressed as "Miss Hamilton," rather than by her first name. This courtesy was extended to white people but often not to Blacks. When she refused to respond to "Mary," the judge held her in contempt. The NAACP took the case to the United States Supreme Court, which reversed in a 1964 order. Powerful poetic text and art by the talented mother-son Boston Weatherford team puts Mary's demand for respect into its historical and social context.