Here are 100 books that Air & Light & Time & Space fans have personally recommended if you like
Air & Light & Time & Space.
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I have taught writing to adults for over half of my life—starting in my twenties, when I looked so young that my students once mistook me for a confused kid having wandered into the wrong room! I love love love seeing writers find their writing voice—and the only way to do so is simply to do it. Writing and communicating well is an art, a delight, a form of self-expression, and a way of being in the world—and it is VERY easy to learn with a good teacher. All of these books inspire me because their writers are excellent, encouraging, practical teachers.
The author’s charming and disarming Lamott-isms (“bird by bird” as a way to describe baby steps; “sh**tty rough drafts” as a way to forgive ourselves for writing imperfectly; pretending the inner critic is a mouse in a jar, then turning down its volume) give writers the permission to be, simply, human.
A classic, warm book that always brings me back to the page.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
I love this book because it is wise, friendly, and full of practical advice on how to combine academic life with research, writing, and publication without getting distracted and bogged down while still “having a life.”
It is a classic and allowed me to finish my dissertation and have an academic career.
All academics need to write, but many struggle to finish their dissertations, articles, books, or grant proposals. Writing is hard work and can be difficult to wedge into a frenetic academic schedule. How can we write it all while still having a life?
In this second edition of his popular guidebook, Paul Silvia offers fresh advice to help you overcome barriers to writing and use your time more productively. After addressing some common excuses and bad habits, he provides practical strategies to motivate students, professors, researchers, and other academics to become better and more prolific writers. Silvia draws from his…
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
Yes, he may be a little OCD about scheduling, but this book shows the value of establishing routines that can support a scholarly writing practice across a lifetime.
He is especially helpful for those of us who have lots of ideas but struggle with getting multiple projects organized and completed. His advice on keeping possible future projects “fed” (by adding ideas and references long before you start writing) is golden.
For anyone who has blanched at the uphill prospect of finishing a long piece of writing, this book holds out something more practical than hope: it offers a plan. The Clockwork Muse is designed to help prospective authors develop a workable timetable for completing long and often formidable projects.
The idea of dashing off a manuscript in a fit of manic inspiration may be romantic, but it is not particularly practical. Instead, Eviatar Zerubavel, a prolific and successful author, describes how to set up a writing schedule and regular work habits that will take most of the anxiety and procrastination…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
This book is most helpful for scholars who worry that they “don’t know the rules” for scholarly writing. The fear of being a clueless newbie can stymie us, especially because there really are unspoken rules in academic writing.
The authors make the structure and norms of scholarly writing clear and accessible, so that hesitant newcomers can recognize them, and then learn how to use them in their own work.
Used and loved by millions of students for its lively and practical advice, this is the book that demystifies academic writing and shows how to engage with the views of others. Extensively revised in response to feedback from our community of adopters, this edition of "They Say / I Say" is an even more practical companion for students, featuring a new chapter on research, new exercises, expanded support for reading and an expanded chapter on Revising.
I am fascinated with the relationship between our individual behaviors and the social structures and institutions in which we live—and how these influence each over time. I think this sort of understanding is important if we want to consider the kind of world we want to live in, and how we might get there from where we are. I take insights from many disciplines, from physics and biology to the cognitive and social sciences, from philosophy and art to mathematics and engineering. I am currently a professor of cognitive and information sciences at the University of California, Merced, and an external professor at the Santa Fe Institute.
In 2016 I went to a conference in Leuven, Belgium, on computational approaches to understanding science. There I presented a model showing how selection for productivity (good old “publish or perish”) could, over time, degrade the quality of methods used by scientists.
I also met Cailin O’Connor, a philosopher and game theorist who was also studying science with formal models, with a focus on equity, or lack thereof. In this terrific book, Cailin uses game theory and evolutionary dynamics to consider how some social institutions lead to entrenched inequality among people or social classes, as well as how one might combat the forces of unfairness.
In almost every human society some people get more and others get less. Why is inequity the rule in these societies? In The Origins of Unfairness, philosopher Cailin O'Connor firstly considers how groups are divided into social categories, like gender, race, and religion, to address this question. She uses the formal frameworks of game theory and evolutionary game theory to explore the cultural evolution of the conventions which piggyback on these seemingly irrelevant social categories. These frameworks elucidate a variety of topics from the innateness of gender differences, to collaboration in academia, to household bargaining, to minority disadvantage, to homophily.…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This is my favorite book on Indian/Hindu goddesses. Even after all these years, I believe it to be the erudite and accessible book that portrays the complexity of goddesses and their relationships with devotees. Each time I re-read the book, I glean additional insights into India, Hinduism, and the ways that the sacred feminine shapes the lives of people in the Northeast region of India.
The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in northwest India today. This study uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I have just retired after teaching 35 years in the New Testament department at Denver Seminary. I have authored, co-authored, or co-edited thirty books related to New Testament studies and more than 150 peer-reviewed journal articles or chapters in multi-author books. I have learned that most of the reasons people don’t believe in part or all of the Bible is because they don’t understand it properly, so my passion is to try to rectify that. The New Testament changed my life for the better, as it has hundreds of millions of other people. I just want to help that number continue to grow.
The most practical book I’ve ever encountered for applying the Old Testament in the New Testament age and for dealing with culturally foreign parts of the New Testament as well. Outlines a process for extracting timeless principles from culture-specific passages and then finding equally concrete contemporary applications, even if we might not literally ‘greet one another with a holy kiss’! Jack was an editor with three major Christian publishers, a personal encouragement when I was writing my commentary on 1 Corinthians and his approach was the most influential resource I had when I was writing on application for my co-authored Introduction to Biblical Interpretation.
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.
The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
As a Moldovan emigrant growing up in Greece, I believed that Western institutions were centers of excellent knowledge. After studying in the USA and the UK and conducting research with Muslim and Christian communities in Africa, I became aware of colonial, ethnocentric, and universalizing tendencies in gender, religion, and domestic violence studies and their application in non-western contexts. International development had historically followed a secular paradigm congruent with Western societies’ perception of religion and its role in society. My work has since sought to bridge religious beliefs with gender analysis in international development work so that the design of gender-sensitive interventions might respond better to domestic violence in traditional religious societies.
Talal Asad’s genealogical analysis of the concept of religion in Western thought is a classic.
Asad, a Saudi-born anthropologist, proposed that it was the unique product of Western modernity and secularism to perceive religious discourse in the public arena as a disguise for power, which created a bias towards it in public life. This bias was then internationalized through the transposition of an inherently ethnocentric concept of religion.
Among other insights, Asad stressed the need to approach religious traditions in reference to the experience of the believers and the texts or traditions they invoke in their everyday life. A seminal piece of work that can provide a point of reference for anyone working to decolonize religious studies.
In "Geneologies of Religion", Talal Asad explores how religion as a historical category emerged in the West and has come to be applied as a universal concept. The idea that religion has undergone a radical change since the Christian Reformation-from totalitarian and socially repressive to private and relatively benign-is a familiar part of the story of secularization. It is often invokved to explain and justify the liberal politics and world view of modernity. And it leads to the view that "politicized religions" threaten both reason and liberty. Asad's essays explore and question all these assumptions. He argues that "religion" is…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
Forty years on, The Book of the SubGenius continues to mystify. Is SubGenius a joke disguised as a religion or a religion disguised as a joke? Either way, it’s hilarious.
I picked this book out at random at a bookstore and opened it to find a passage reading, “You probably think you may have wandered into a bookstore and picked this book out at random, but it was ordained that you would find this.” Spooky but intriguing.
I was taken in with the hilarious description of the religious teachings of award-winning siding salesman J.R. “Bob” Dobbs. The doctrine of the Church of the SubGenius is an incisive and unapologetic skewing of pop culture and religious dogma. Plus, tons of astounding artwork and demented collages to drive home the weirdness.
Either a hilarious parody of a religious text or an informative collection of totally real stories from a definitely real church that could be the foundation-stone of the promised kingdom of peace and harmony—the decision is yours to make.
What is the Church of SubGenius? Who is J.R. "Bob" Dobbs, and what kind of truths does he know? What is "Slack" and why do you need it? Will aliens truly descend upon our planet, and can you survive its destruction by becoming a member? Does The Book of SubGenius answer any of these questions? There are no straightfoward answers—you just…