100 Books Like Adjustment Day

When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.

I was sick as a child and bedridden for several months. This was before 24/7 TV and computers. I began to read A LOT. I read everything and anything that I could find, but my favorite topics were animals and nature. I also read science fiction and fantasy. It’s not a surprise that those topics merged into my writing and life. I currently live on five acres that I’ve left mostly for the wildlife. My nephew calls me his aunt who lives in the forest with reindeer. That is way cooler than my real life, so I’m good with that. All my books have nature and friendship as main themes.

Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.

Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.

I’m a historian who loves watching the Founding Fathers do not-so-Founding-Fatherish things, like John Adams and Thomas Jefferson bonding over how awful Alexander Hamilton was, James Madison reporting how the king of Spain liked to relieve himself daily by the same oak tree, and George Washington losing his temper, asking his cousin to look for the teeth he just knew he’d left in his desk drawer, or spinning out a conspiracy theory. It’s details like this that reveal that even the most revealed figures were real people, like us but often very different. Figuring out how it all makes sense is a challenge I enjoy. 

I worked for many years in business consultancy before branching into other genres, including fiction. Through working regularly in Singapore I was able to travel around the region, finding I loved that part of the world. I came to regard Thailand as the jewel of Southeast Asia. I continue to visit and aim for my light-hearted travel writing to encourage others to enjoy the area and be ambitious in their travel plans. I regard my book as an invitation to share my love of a unique place and was delighted when one reviewer described my writing of it as “Brysonish.”

I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research. 

My work over the past four decades has been to promote women’s rights, end violence against women, promote social justice, and positively transform the lives of men. I’ve worked extensively with the United Nations; presidents, prime ministers, and governments; companies and unions; NGOs and educators in fifty countries. I continue to be inspired by the many incredible people I get to meet. In addition to my talks to communities, companies, and universities, my activism, and my books on this subject, I also write fiction, most recently my mystery The Last Exit.  

I'm a death professional who lives in a world where nobody wants to talk about my specialist subject, so I hoover up any books that discuss mortality and our relationship to it. To do my job well, I need to face death on a daily basis in a matter-of-fact way, without losing that reverence, but equally not getting lost in the reverence because there is plenty to smile at, laugh at and be brutally honest about. These things make me the rounded human that is needed to perform the task well and the kind of people who write these books typically embody those qualities and inspire me. I hope they can inspire you too.

I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.