100 Books Like Alexander's Bridge

Player Piano, Kurt Vonnegut’s first novel, was not, he said, “a book about what is, but a book about what could be.” Further, “it is mostly about managers and engineers” and more precisely, about automation and what American society could become if machines took over work, and labor, as we have known it, was made redundant. His imagined city of Illium was socially and physically split between the managers and engineers of its industrial plant and the former workers had been displaced by automation and now led meaningless lives of busy work provided by the government. The engineer Paul Proteus becomes disaffected and joins in a revolution being plotted against the new order. They succeed, but soon realize that the people of Illium were “already eager to recreate the same old nightmare.” The logic of the machine continued its sway.

I like that you have to watch Vonnegut carefully.… show more.

It is hardly news that housework is gendered. But in this classic study Cowan, by taking housewifery seriously as work and kitchen utensils and appliances seriously as technologies, opens up the whole panorama of production and consumption in a domestic setting. The influx of new appliances, and in a more convenient form old materials (such as powdered soap) in the early decades of the 20th century worked to, in a sense, “industrialize” the home. Unlike factory workers, however, housewives were unpaid, isolated, and unspecialized. Their managerial role shrank (hired help disappeared from most homes)  and rather than being drained of meaning, like the work of factory hands, theirs became burdened with portentous implications of love, devotion, and creativity. Finally, as housework became “easy,” standards rose. At one time changing the bed might have amounted to putting the bottom sheet in the wash and the top sheet on the bottom,… show more.

My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility… show more.

Adler demonstrates that the lie detector is a rather simple machine, "a banal assemblage of medical technologies" (as he calls it) to measure blood pressure and perspiration, that has been widely used in America since its appearance between the wars. It was purported to sort out lies from the truth but the science behind it ranged from junk to speculative, and its evidence has never been accepted in courts of law.  It has not been used anywhere else in the world, and Adler concludes that it “belonged to [the]…American strain of the Enlightenment project to replace personal discretion with science.” As he shows however, personal discretion, in practice, lay at the very heart of its use and popularity. It was no doubt more humane than the “third degree” so commonly used by police to obtain confessions, but it was a machine that manufactured something less than the Truth.

I wept through the first chapter of this book. Again, it might not appear as a mental health book on its surface, but as I was invited into a deeper understanding of how culture, and specifically what we call ‘patriarchy,’ shapes us all, it shook me to my core.

This book helped me understand that this is a shared cultural burden and that while I might “benefit” from it, I am not strictly the ‘problem.’ As it relates to mental health, it helped me understand that the emotional castration our culture imposes on young boys who become men leads to anger, violence, and trauma, seen most evidently in the oppression of women. That trauma hurts us all and underlies almost all mental health issues. 

This writer wrote a series of delightful travel books, but I have found nothing new from her recently, sadly. This book starts wonderfully; the author passes her test to ride a full-size motorbike, which she can barely hold upright and decides (as you do) to test out her newly acquired skills by riding throughout New Zealand.

There is a good description here about a great country and humour too–all enhanced by the struggle to make progress with this, for her, a new form of transport.

The rise of far-right movements and the attempts to roll back the rights of all women and the basic civil rights of Black people have been fueled by angry white men. Michael Kimmel’s brilliant book is a powerful critique of the hateful beliefs and actions of these men, but manages to speak about them with empathy. Because he also interviews men who have left neo-Nazi organizations, he leaves us with a very hopeful message.

Shame is the major factor in all depression, and when I substituted “shame” every time Real used the word “depression,” I realized I had found the definitive work on how shame operates on men. I have all my male clients read it, and it has changed many lives.

The book reads in many ways like a novel. Real frames the book with stories about his father: It starts with descriptions of how depressed his father was and how difficult it was to connect with him in his depression and isolation. And it ends with Real finally getting his father (and himself) to acknowledge the love between them.  

A recognized classic, and one of the first books to bring gender theory, masculinity studies, and the new cultural history to the academic study of dueling. Nye looks at French dueling in the nineteenth and early twentieth centuries as a manifestation of evolving ideals and norms of masculine honor, at a time when France was becoming less aristocratic and more bourgeois. This is the book that first convinced me that dueling could be a legitimate topic for serious historical research, and not just some quirky random sideshow.

Better than any other study on filibustering, Amy Greenberg treats it through the lens of gender, and she is particularly interested in public opinion about filibustering. Mass rallies in support of filibuster invasions of Cuba and Central America occurred in U.S. cities in the 1850s, providing funds, recruits, and moral support for criminal enterprises. What did gender have to do with who approved of filibustering, and who didn’t? What did filibustering have to do with ideas about what constituted proper masculinity? Did women participate in filibustering in any way, and did images of exoticized women in other parts of the world affect the attitudes of male filibusters?

Greenberg uses a fascinating variety of sources, including cartoons, poetry, travel accounts, and artwork, to convey the ambience of the filibustering world. Intriguingly, she both links and differentiates what she found about U.S. expansionist initiatives in Latin America before the Civil War to… show more.