Books like A Writer's Notebook — picked by fans

Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.

A comedy that exposes “prize-based meritocracy” in the literary profession, where prizes lead to best-sellers, where sponsors influence outcomes to promote their own image instead of works of artistic merit, and where writers sell their souls, and bodies, for that elusive prize. The literary stereotypes are present: nymphomaniacal ingenues, insomniacal agonizers, paradoxical theorists, opportunistic editors, and self-published authors with money to burn – all weaving and bobbing around each other to gain personal advantage.

St. Aubyn presents this story in elegant prose, moving the plot brilliantly, while exposing the underbelly of the literary establishment, in which the result of all this finagling is mediocrity.

A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.

A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life. 

Excavations in the Crypt of Christ Church, Spitalfields, London in 1984-9 uncovered 1000 skeletons, of which 387 were in coffins with inscribed plates giving the names and ages of the deceased. A mixed team of specialists were able to analyse the bodies and follow up the documentary evidence to reveal extraordinary details of life, dentistry and funerary practices between 1729 and 1859 in this historically rich part of London.

A powerful case for thinking deeply and clearly about what legacies we leave behind for those we love.

Leder suggests that an ethical will—unlike an ordinary will—be a summary of our life’s wisdom. Asking such questions as ‘What do you regret?’ and ‘When did you lead with your heart?’ Leder offers a wise and inspiring way to live a life of value that is a blessing for others to remember.

Who doesn’t want to read about ancient Egyptian cannibalism? The title seems sensational, since no actual cannibalism is involved—at least as we might conceive of it in the world of the living—but Eyre employs the standard designation for the specific spell in the Pyramid Texts, the oldest major corpus of religious texts to survive from antiquity. A reader new to ancient Egypt might well read the translation of the Cannibal Hymn at the beginning of the book and be utterly confused. By the end of the book, however, the secrets of this 4300 year old text, including its relationship to butchery rituals and the mundane aspects of animal husbandry, are revealed.

I placed at least 30 post-it notes in this book as every page includes practical and compassionate advice for planning an affordable and sustainable green burial. This book’s pragmatic step-by-step suggestions were especially useful as I took my one-year journey to revise my own final wishes with climate and community in mind. The author operates the first green funeral home in the Portland, Oregon area, and she draws on her experiences to help you avoid exorbitant funeral expenses while helping the Earth and your community. 

During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read. 

This is a book I would have loved to write and illustrate. “The bird was dead when the children found it.” says its opening line. 

There are many children’s books that deal with grief and loss but The Dead Bird is one of a kind. The kids in the story didn’t know the bird when it was alive. They only meet the bird after it has died and yet, they have a funeral for it. They sing for a bird that once flew and no longer will. They cry for a life that was, but no longer is. 

With child-like simplicity and directness, Robinson’s illustrations capture the human need for ritual and closure in the presence of death.