Here are 100 books that Between Father and Son fans have personally recommended if you like
Between Father and Son.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
I read this book long before Annie Ernaux was awarded the Nobel Prize. It was the first of her books that I read, and I was so seized by her style of narration that I proceeded to read with devotion everything she had written.
In one of the early pages of this book, Ernaux declares that in writing about her father, she didn’t want falsity or an overblown style, no artsy attempt to produce something “’ moving’ or ‘gripping.’” The style she followed was true to the life she was describing as a working-class man with minimum education. Here is a book that pays tribute to life but also enacts a credo for what Ernaux calls a “neutral way of writing”: “no lyrical reminiscences, no triumphant displays of irony.”
Annie Ernaux's father died exactly two months after she passed her practical examination for a teaching certificate. Barely educated and valued since childhood strictly for his labor, Ernaux's father had grown into a hard, practical man who showed his family little affection.
Narrating his slow ascent towards material comfort, Ernaux's cold observation reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
The writer and poet Blake Morrison had a lifelong struggle to come to terms with his overbearing father.
Arthur Morrison, a Yorkshire doctor, was a smooth talker, a small-time cheat, who took pleasure in outwitting the authorities, living out his motto "I may not be right but I’m never wrong."
He was forever invading his children’s space, a habit which his son found painfully hard to resist, leading him to take up writing to escape this domineering influence. But when his father contracted cancer and lay dying, he was overwhelmed with grief and guilt.
It’s a moving, angry, and sometimes harrowing account of a dysfunctional relationship, which yet manages to be funny, and is written with poetic and humane grace.
The critically-acclaimed memoir and the basis for the 2007 motion picture, directed by Anand Tucker and starring Colin Firth and Jim Broadbent
And when did you last see your father? Was it last weekend or last Christmas? Was it before or after he exhaled his last breath? And was it him really, or was it a version of him, shaped by your own expectations and disappointments?
Blake Morrison's subject is universal: the life and death of a parent, a father at once beloved and exasperating, charming and infuriating, domineering and terribly vulnerable. In reading about Dr. Arthur Morrison, we come…
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
A writer’s book about a writer-father. In this remarkable memoir, Amis pays tribute to Kingsley Martin. The book is truthful about the anxiety of influence and about the collision of ambition, the competitiveness between writers, even when they happen to be father and son.
What made the book touching was Martin Amis’s love and sorrow not only for Kingsley Martin, his biological father but also for his literary father, the novelist Saul Bellow. Bonus: Amis’s probing, ruthless, but always burnished sentences: “The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental, and ineluctably trite.”
The author traces his life and career, examining his relationship with his father, comic novelist Kingsley Amis, and the changing literary scene in Great Britain and the United States.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
When Susan Cheever was a young journalist, her father, the novelist and short-story writer, John Cheever, would often say to her that she ought to put her experiences down on paper. “I write to make sense of my life,” the father said to his daughter to explain why he kept a journal.
This book is Susan Cheever’s attempt to make sense of her father’s life: his decline and dissolution, especially owing to his alcoholism, and his struggle as a writer to nevertheless find coherence and control in life through the exercise of his art.
The late writer's eldest child draws on her father's journals and letters and on her own memories to construct a sympathetic, insightful account of Cheever's life, career, literary relationships, problems, and family life
I was always interested in American history and studied at Brown University under an outstanding professor of American economic history, James Blaine Hedges. During my career at the mutual fund association I often approached issues from an historical perspective. For example: Why did Congress draft legislation in a particular way? How would past events likely affect a regulator’s decisions today? As a lawyer I had been trained to write carefully and precisely. As a lobbyist I learned the need to pre
Allen reaches back to the post-Civil War Gilded Age to explain the beginnings of massive finance capitalism in the United States. He then goes on to take readers through the roaring 20s, the 1929 Crash, and the New Deal’s first steps at reform, The author is an entertaining writer and fun to read. He tells fascinating stories and does not bore the reader with technical explanations and statistics.
A "stimulating" account of the capitalists who changed America in the late 19th and early 20th centuries, setting the stage for the 1929 crash and Great Depression (Kirkus Reviews).
In the decades following the Civil War, America entered an era of unprecedented corporate expansion, with ultimate financial power in the hands of a few wealthy industrialists who exploited the system for everything it was worth. The Rockefellers, Fords, Morgans, and Vanderbilts were the "lords of creation" who, along with like-minded magnates, controlled the economic destiny of the country, unrestrained by regulations or moral imperatives. Through a combination of foresight, ingenuity,…
I’m a research nerd at heart. I am happiest pouring over historic newspapers online (thank you Library of Congress) or digging into a non-fiction book. The research I do for a book can be more rewarding than writing the book itself. When I read a 1933 article about a baby that would be given away as a prize during a civic fundraiser, I was hooked. What desperation would lead a parent to give away a child? Who would buy such a raffle ticket? Who thought this would be a good idea? I never did find the answers to my questions, so I made up my own.
The author is a sociologist who rode the rails, on and off, alongside homeless youth in the early 1930s. He did not disguise himself or pretend to be “one of them.” Instead, he chronicled their stories in oral histories that are intimate and thorough depictions of how young men and women existed on the road, what was important to them, what they yearned for, how they protected themselves, and each other. As a sociologist and chronicler of groups within society, the author remained true to his obligations as an academic not to glorify, white-wash, or romanticize what he saw. As a result, the experiential dimensions of this book are incredibly robust and meaningful.
In 1933 and 1934, Thomas Minehan, a young sociologist at the University of Minnesota, joined the ranks of a roving army of 250,000 boys and girls torn from their homes during the Great Depression. Disguised in old clothes, he hopped freight trains crisscrossing six midwestern states. While undercover, Minehan associated on terms of social equality with several thousand transients, collecting five hundred life histories of the young migrants. The result was a vivid and intimate portrayal of a harrowing existence, one in which young people suffered some of the deadliest blows of the economic disaster.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I was fascinated by this story of how a courageous young girl abandoned by her parents managed to survive during the Great Depression in rural Michigan. I felt a motherly concern for the heroine who not only confronts people’s reluctance to help a girl from a “trashy” family but also popular prejudices underestimating the potential of young women and consigning them to limited roles in society.
As if this were not enough, she must evade child-trafficking schemes! I loved the dramatic twists in the plot as well as the personal growth the heroine demonstrates as she struggles against formidable odds.
For fans of Kristin Hannah's The Four Winds and Lisa Wingate's Shelterwood comes a heartwarming historical novel following a homeless young girl as she struggles to survive during the Great Depression.
Rural Michigan, 1934. During the throes of the Great Depression, thirteen-year-old Silstice Trayson finds herself homeless, abandoned by her parents after a devastating house fire. Nearby, aging midwestern farmers Edna and Vernon Goetz are pillars of the community, but when do-gooder Edna takes up Silstice's cause, Vernon digs in his heels, displaying his true nature as an ornery curmudgeon.
Theirs is a quiet-seeming community, but danger lurks beneath…
Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
Barbara Small’s novel is about the interwoven lives of a Black family and a White family facing the challenges of surviving while raising their children in the Jim Crow South during the Great Depression.
The vivid language and sense details of Faith’s Reckoning transported me completely into the very different worlds the characters experienced in this riveting page-turner. What I loved most was how they transformed their suffering into a desire to improve the worlds they inhabited, not only for themselves but also others. The personal reckonings they made by changing their lives evoked a depth of empathy that has changed me.
These characters continue to stay in my heart, and like friends I cherish them still. In fact, I hope to see a sequel and a movie one day!
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a career financial and business journalist, only recently turned novelist. I’m obsessed with the way that history repeats itself in the financial markets and that we never seem to learn our lessons. Fear and greed have always driven the behavior of bankers, traders, and investors; and they still do today, only barely inhibited by our regulatory system. I want to help people understand how markets work, and I like combining fiction with fact to explain these systems and how they’re abused. With that in mind, I work during the day as a reporter at NPR and by night as a scribbler of historical fiction with a financial twist.
I love it because it describes exactly how Wall Street used to work in the bad old days of the early 1900s, before the Great Crash and the Great Depression, before sweeping reforms turned it into what is today. I learned so much from this story about the characters who dominated the Street and set it up for failure.
I see all sorts of parallels with the growth of cryptocurrencies and the scams that surround that industry. I love the way Sinclair describes the Wild West, the ferociously greedy mentality of the players back then, and how he details the machinations of Ponzi schemers and fraudsters before there were any laws barring such scoundrels from doing whatever they pleased with gullible investors’ money.
