Books like A Taste for Death — picked by fans

I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim. 

I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.

In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.

This trilogy of novels is altogether darker than Sayers, as Andrew Taylor tackles nothing less ambitious than ‘the making of a murderer,’ as well as the history of the Church of England in the twentieth century. If the latter sounds dull, it’s not! Figuratively looking through the wrong end of a telescope, he peels away the layers of the story as he goes backward in time in the cathedral city of Rosington, from the wrenching kidnapping of the daughter of a woman priest, to the events in the far past which culminated in tragedy. Like Dorothy Sayers, though, Andrew Taylor grew up as the child of an Anglican clergyman, so there is real authenticity here, as well as fine writing and a gift for creating suspense.

Set in the evocative, spooky borderlands known as the Marches, between England and Wales, this is part of a series by Phil Rickman. Through the novels we follow the trials and tribulations of Merrily Watkins, a parish priest and the official exorcist for the Hereford diocese of the Church of England—thus introducing a strong element of the supernatural. Merrily is a believable and sympathetic protagonist, with her share of human weaknesses, and she’s surrounded by a rich, unforgettable cast of ongoing supporting characters: daughter Jane, musician Lol, and the wonderful Gomer Parry. It was difficult to choose one book from this fine series, but I settled on this one because it features one of my own favourite churches—Kilpeck, in the wilds of Herefordshire.

Flavia de Luce is surely one of the most original—and the most delightful—detective characters ever written. The precocious eleven-year-old lives in a crumbling manor house in the English countryside, with her vague father, beastly older sisters, and faithful retainer Dogger. Her interest in chemistry—and death—tend her get her into trouble on a regular basis. In this book, Flavia is on the scene when the body of the church organist turns up in the medieval tomb of St Tancred, the parish church’s patron saint. Predictably, she sets out to solve the murder, tearing about the village on her faithful bicycle Gladys. Alan Bradley evokes a world—rural England in the 1950s—that many of us would love to return to (in spite of the murders!) and has created an unforgettable heroine. If you enjoy mysteries that make you smile, rather than… show more.

Curiosity about hobo life led Ted Conover to drop everything and ride the rails for a spell. What he learned became the basis of his first book, Rolling Nowhere. It’s filled with the things I love best about these books: fascinating characters, indelible scenes, and movement through landscapes both sublime and gritty. On every page, there’s a reminder of Kerouac and London. Reading it, I am filled with longing, the urge for going, wanderlust. I’m older now; I’ve done my share of traveling and written about it, too. But maybe I’m not totally done with it: a half-mile from my comfortable house, my street intersects with the road out of town, the city limits sign visible in the distance. And beyond: desert, wide sky, open road. A boundless dreamland.

Imagine it’s 1958 and you live in Paris. Imagine your father dies and you lose your home and your mother has to work. Imagine you spend a day in the company of a grumpy old man walking all through the city. Imagine kindness and friendship doing their magic to keep everyone safe. Yes, The Family Under the Bridge is an old-fashioned book with a few shortcomings, but we recommend it nonetheless. This story celebrates Paris and all the generous and delightful people roaming its streets.

Vitale is not calling for the abolition of police departments. He details the dramatic growth of these departments and notes police in America use their weapons more than any other police force of developed democracies. Blacks are disproportionately the victims of police killings. Policies like racial profiling and a “warrior mentality” on the part of cops are major reasons why police assault on black people is so widespread.

Police must take on a number of tasks in which they are not qualified to do, such as dealing with the mentally ill and homeless population. In addition, Vitale writes about a number of failed policies, including managing sex workers, the war on drugs, and suppressive measures towards gangs.

Graham's village mysteries are dark reflections of the villages found in Agatha Christie, and she is especially good at looking under the rocks and finding what's crawling behind the idyllic villages. Chief Inspector Barnaby is the perfect British sleuth, both tough and intelligent. She does a terrific job of finding the problems that drive us in everyday lives, in this case, the secret passions that hide at an amateur production.

The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.

The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.