34 Books Like Vintage Murder

Mankell’s troubled hero, Kurt Wallender, hits new depths in this final novel. Things have not been well. His handgun left on the seat of his car was to be picked up by a child. Past conversations with his artist father, who paints the same landscape 7000 times while his memory deteriorates. Wallender now has to face the realization that he, too, is losing his memory. I felt for him on this difficult journey.

But there is still a last case to be solved. The father of his daughter’s fiancé goes missing on his morning walk. Dark secrets from Sweden’s Cold War past threaten to resurface. Wallender has to battle with deteriorating health to solve the mystery, fearing the truth may not be welcome. For me, his integrity shines through.

I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim. 

I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.

In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.

There are 25 (!) books in the Rebus series by Scottish writer Ian Rankin, which is really great news for everyone because they are all really good. Each book can be read as a stand-alone as well, so don’t be daunted. This one is one of my favorites because it has a cool twist and it’s very moody.

Inspector John Rebus, who is (as many mystery protagonists are) a gifted detective who doesn’t always play by the rules, has been sent a way to a kind of Scottish re-training course for senior offices who have been bad. The dialogue is very good here, not to mention the many gritty descriptions of Edinburgh. 

Authenticity appeals to me the most. Donna Fletcher Crow shares my love of Celtic Christianity and meticulously researches her deeply evocative settings. She set out to write a nonfiction book about Pilgrimage. It never got written, but the profoundly resonant places she visited inspired A Very Private Grave.

Felicity is studying at a monastery when her favorite monk is bludgeoned to death. Fr Antony is soaked in his blood. Yet soon the two of them are on the run from the murderer. Their flight takes them to some of my favorite places–the holy island of Lindisfarne, Ninian’s hermitage at Whithorn, Hilda’s clifftop monastery at Whitby, Jarrow, that nurtured Bede, and St Cuthbert’s grave in Durham Cathedral. The settings are vividly brought to life, making this book a rich experience.

Marsh was one of the great mystery novelists, but her great love was theatre, and in this book, they come together. Few mysteries delve so deeply into the details of the theatre world. In this case, the play is Macbeth, and the murders behind the scenes eerily echo the violent play itself. The scene and setting are so gripping that it's impossible to stop reading and the ending is both surprising and satisfying. 

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.” 

This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.

I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.

But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.

As a high school senior planning a career in law enforcement, I was mesmerized by Joseph Wambaugh’s account of the kidnapping of two Los Angeles police officers in 1963, and the murder of one of them.  Wambaugh unsympathetically details the stories of the two men convicted in the case, while at the same time humanizing the officer who survived and suffered from humiliation and guilt again and again throughout seven years of court proceedings against the men who kidnapped him and murdered his partner. The courtroom dialogue is verbatim, and to me, that leads to a feeling that the reader is actually there watching the proceedings. Wambaugh is a superb writer, and I consider this book is another must-read.

I grabbed this historical true crime nonfiction book in order to conduct research for one of my own projects. 

This book is about the rampant crime in 1600s Paris and, by extension, the Affair of the Poisons and Louis, The Sun King’s, solution. The king’s solution was to hire a police chief, La Reynie, to bring peace to the city streets. La Reynie ordered candles put in every window in the belief that the light would deter the criminal element, thus creating the City of Lights.

La Reynie was also the central investigator in the Affair of the Poisons and responsible for arresting the key figures in the crimes. Tucker also shows in this fascinating book how many of these criminal incidents were related to witchcraft and black magic. 

The beauty of this book is how it reads more like a novel than nonfiction history.

This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.