Books like A Song of Comfortable Chairs — picked by fans

I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.

My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world. 

I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.

I am a writer, classical historian, and journalist. While there is no shortage of Roman historians in Britain and the US, I have long felt that English-speaking historians have had a blind spot as far as Roman Germany goes. Fascinated by the Battle of Teutoburg Forest for many years, while there were numerous accounts in German, it frustrated me that there was no general account of what happened in English. So I wrote it! I was clearly not alone in my interest in Roman Germany and have presented a number of documentaries on the battle on the History Channel and National Geographic since. 

As a child I was an avid reader, my brothers’ books, my mother’s magazines, and anything in the bookcase. The library was my favorite place to go and I was proud of my library card. Today, I am a romance and cozy mystery author who is passionate about writing books that feature strong, compassionate characters that I would want to be friends with in real life. I hope you enjoy the books I've recommended but remember to pace yourself as you read through these authors' extensive lists. Allow yourself to sink into their fictional worlds and save each story.

I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.

I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.

I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.

I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.  

I’m a former rock writer turned television critic, but in my teens, I became hooked on Raymond Chandler’s hardboiled Philip Marlowe detective sagas. The plotting was intricate, the writing exquisite and poetic. I also loved the no-nonsense pulp fiction of Mickey Spillane and his Mike Hammer character. So I’m always on the lookout for authors who combine realism and pace with great prose–like James Crumley, whose writing was like Chandler crossed with Hunter S. Thompson. Through journalism and band management, I came into contact with real gangsters and have always aspired to reflect their three-dimensional reality rather than glorifying them as television and Hollywood tend to do.