Books like Heretics — picked by fans

How could so many Nazi perpetrators escape to South America? Most relied on the help of a bishop of the Catholic Church in the Vatican, Alois Hudal.

Sands describes the structure of this support system (the so-called ratline) through the story of former SS-Obergruppenführer Otto Gustav Wächter, the governor of Galicia (1942–1944), who was responsible for the deportation of nearly 500,000 Jews to the Nazi death camps.

Wächter's post-war escape to Argentina actually ended in Rome, where he died of an infection in July 1949. Sands offers a riveting analysis of how this man found his way into the Nazi party, rose to a position that implicated him in mass murder, and how, with the support of his wife, he managed to hide in the Austrian mountains for years after the war. Sands also reflects on how difficult it is for the next generation to face up to the… show more.

I admire every detail in this beautifully written family saga that reaches from Lithuania to Jerusalem.

When Amos Oz’s family escapes the antisemitism of Europe in the 1940s and resettles in Palestine, they seem to construct their new home of books rather than mortar. And beyond the towering bookcases, the volumes in twelve languages, lies a city of ancient stone torn by history and religion and competing claims.

Oz’s profound and personal understanding of the Holocaust leads him to conclude that Israel will be stronger by ending the occupation and forging paths that help to unite Jews and Palestinians.

I love the truth, the fact that empathy and compassion have the potential to heal the deepest wounds.

Written by a prominent British ceramicist, this memoir is remarkable for its research and depth into the background of the writer’s forgotten Jewish heritage and five generations of his ancestors, the Ephrussis, who immigrated to Paris where, in the Nineteenth Century, they built a banking dynasty from Vienna to Paris.

After inheriting a collection of 264 netsuke—Japanese wood and ivory carvings—de Waal starts digging into the past to uncover the mystery behind the netsuke and why they survived when most of the family perished at the hands of the Nazis.

This is another WWII story that illuminates the tragic events of the period and the life of wealthy patrons of the arts and their interaction with artists in Paris.

A renowned teacher of expository writing, Perl is invited to Austria to offer a course on how to teach the Holocaust. Although her mother warned her that as a Jew she should never enter a German-speaking country, Perl decides to accept.

She writes with brutal honesty about the troubled and often profound relationships she establishes with her Austrian students. Her explorations of difficult and sometimes excruciating issues are conducted with a spirit of love and openness toward her students and herself. This is the most ethically engaged book I have read about the profession of teaching.

One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.

Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.

I love when Agatha Christie writes about family vacations (which she did a fair amount) because she pushes everything to extremes—with the highest stakes possible.

Appointment with Death is my favorite of her family vacation mysteries because the plot twist is so satisfying and the mother so evil.

What Christie does, in an over-the-top sort of way, is show how claustrophobic family vacations can be. Grown children are forced to behave like a younger version of themselves, and they are stuck in a remote location. In this case, Petra, in Egypt. All those dormant grievances have a chance to flourish.

I don’t think there’s ever been an Agatha Christie opera, but there should be.

I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).

I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.

I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end. 

I love all of Jacqueline Winspear’s books about Maisie Dobbs and am sorry to see that the author is retiring this character. I liked Maisie from the first, maybe because the 1920s are an era of fascination for me.

Not only was the mystery a good read, but it led me to do further research on the after-effects of World War I and the toll it took on the young soldiers, most of them barely out of their teens. Winspear is a great storyteller with a compelling heroine.

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

Every so often, I meet a charming, humane fictional character who seems like someone I would very much like to have a long conversation with. The gentlemanly amateur detective Charles Lenox is just such a man. And, in fact, he does seem to spend an awful lot of time having tea with his friends in this novel, set in 1865 London.

But that doesn’t stop Mr. Lenox from using his impressive wits to solve the murder of a housemaid, who is dead in an apparent suicide. I love this series by author Charles Finch and eagerly await each new installment.