Here are 80 books that A Seed in the Sun fans have personally recommended if you like
A Seed in the Sun.
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I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
I absolutely fell in love with the spunk of Mexican American tween Malú when I first picked up this amazing book!
Her love of punk rock and her subsequent discovery of the genre’s connection to her Mexican roots, her desire to be accepted by her mother and her new schoolmates—just as she is, and her fight against her school to allow everyone there to express themselves as authentically as they can had me rooting for her at every page. Oh, and did I mention the super fun zine drawings?
There are no shortcuts to surviving your first day at a new school - you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malu inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk-rock look, and disappoints her college-professor mum in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself. The real Malu loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles…
Three friends become caught up in a monkey-worshipping cult when a stone circle suddenly appears overnight next to their home.
The cult is headed by famous racing driver Gordon Smash who disappeared in the Amazon rainforest in the 90s after a stunt went badly wrong. Alongside space tech billionaire Micky…
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
This story made me both sad and hopeful, which is why it’s made this list. I found Pandita’s struggle to come to peace with the death of her mother really moving, especially when she turns her grief into advocating for a cause that she truly believes in.
Perkins’ writing is exquisite, and the themes of preserving and respecting the past while adjusting to and addressing the needs of the future are very relevant today. Seeing Pandita slowly find her voice is also oh-so inspiring.
Hope in the Valley, from National Book Award Nominee Mitali Perkins, is a middle-grade novel exploring grief, friendship, family, and growing up in a community facing a housing crisis.
Twelve-year-old Indian-American Pandita Paul doesn't like change. She's not ready to start middle school and leave the comforts of childhood behind. Most of all, Pandita doesn't want to feel like she's leaving her mother, who died a few years ago, behind. After a falling out with her best friend, Pandita is planning to spend most of her summer break reading and writing in her favorite secret space: the abandoned but majestic…
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
This sequel to From the Desk of Zoe Washington shines a light on a topic I haven’t read about in children’s literature: the reintroduction of former prisoners into society. Author Janae Marks approaches it through the POV of a very relatable and determined heroine, 12-year-old Zoe Washington.
I loved how Zoe worked through her own misconceptions and biases around this sensitive topic, then turned around to help her former prisoner father fulfill his dreams of running his own restaurant by advocating for his rights through her podcast. Plus, reading this book made my mouth water as I imagined all the yummy food her exonerated father wanted to cook in his new restaurant.
An empowering and big-hearted sequel to the bestselling and critically acclaimed From the Desk of Zoe Washington by Janae Marks!
Two years ago, Zoe Washington helped clear Marcus’ name for a crime he didn’t commit. Now her birth father has finally been released from prison and to an outpouring of community support, so everything should be perfect.
When Marcus reveals his dream of opening his own restaurant, Zoe becomes determined to help him achieve it—with her as his pastry chef of course. However, starting a new place is much more difficult than…
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
Lupe Wong needs to get straight A's in order to meet her favorite baseball player, but it’s a losing battle against the horror of square dancing for gym class! I loved how full of humor, heart, and conviction the sports-loving Lupe is, and I connected with Lupe’s struggles as she tries to fight her school, only to discover what’s actually worth fighting for—and what she’s truly capable of accomplishing.
There’s also a wit to Lupe that I found immensely appealing, and I laughed out loud at her sharp observations about adults, kids, and the state of the world she’s fighting to change.
My gym shorts burrow into my butt crack like a frightened groundhog.
Don't you want to read a book that starts like that??
Lupe Wong is going to be the first female pitcher in the Major Leagues.
She's also championed causes her whole young life. Some worthy...like expanding the options for race on school tests beyond just a few bubbles. And some not so much...like complaining to the BBC about the length between Doctor Who seasons.
Lupe needs an A in all her classes in order to meet her favorite pitcher, Fu Li Hernandez, who's Chinacan/Mexinese just like her. So…
Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.
I first discovered this book as a kid in my early twenties. It was the first novel to really blow my mind, to make me realize just how powerful the written word could be, how simple words on a page could so entirely engage the senses. It was, I tell you, an epiphany.
Loggers in Oregon. A union strike. A stubborn, independent family. Nothing was complex about the plot, but the characters stepped out of the book and wandered around my bedroom like I’d taken hallucinogens. Their attitudes and emotions poured out from between the covers. The growl of chainsaws filled my ears, and the smell of gasoline filled my nostrils. Grease and woodchips somehow found their way under my fingernails.
The magnificent second novel from the legendary author of One Flew Over the Cuckoo's Nest and Sailor Song is a wild-spirited and hugely powerful tale of an Oregon logging clan.
A bitter strike is raging in a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers: Henry, the fiercely vital and overpowering patriarch; Hank, the son who has spent his life trying to live up to his father; and Viv, who fell in love with Hank's exuberant machismo but now finds it wearing thin. And then there is Leland, Henry's bookish younger…
My great uncle was an eccentric book collector who lived in an old, rambling house stuffed floor-to-ceiling with thousands and thousands of books. After he died, I inherited a tiny portion of his collection: a set of state guidebooks from the 1930s and 40s. These were the American Guides created by the Federal Writers’ Project, the New Deal program that put jobless writers to work during the Great Depression. I dipped into these weird, rich, fascinating books, and I was hooked immediately. Some years later, I quit my job in publishing to research and write my own account of the FWP’s unlikely rise and lamentable fall, Republic of Detours.
When I was researching my book, I spent hours and hours in the National Archives and the Library of Congress, poring over the records of the Federal Writers’ Project. But I turned up few documents that offered as much insight into the FWP as this absorbing novel from 1941. Its author, Jack Balch, worked for the project in Missouri—one of the most dysfunctional and tumultuous outposts anywhere in the country. His thinly fictionalized account describes how the project’s idealistic workers came up against the machinations of a local political machine and, eventually, went out on strike. Balch’s memories, and his anger, are still fresh as he takes stock of both the FWP’s promise and the obstacles it faced in carrying out its mission.
The Federal Arts Projects were created by FDR in the summer of 1935. A year later, a handful of writers employed in the St. Louis office of the Missouri Writers' Project, including Jack Balch, went out on strike. Lamps at High Noon is the only novel about this strike and the only one to treat comprehensively any aspect of the Federal Writers' Project, whose participants included some of the country's most accomplished and promising authors.
Charlie Gest, the wide-eyed and well-intentioned protagonist of the novel, confronts firsthand the project's sometimes underhanded efforts to monitor the political views of its writers.…
For those who enjoy fantasy adventure, the Faerie Tales from the White Forest series offers a new twist on the traditional faerie tales so loved by young readers.
From devastating curses to death-defying quests, Brigitta and her growing collective of misfit friends face greater and greater challenges when destiny calls…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
The most gaping hole in most people’s knowledge of American history is labor history. Everyoneknows the wars and the civil rights movement, but few people know the bloody, grindingstruggles that went into giving us all the eight-hour workday and basic protections on the job.
Erik Loomis’s book builds a coherent vision of how major strikes have shaped this nation everybit as much as better-known movements have. This is one book that will open your eyes to thebattles that went into many things we all take for granted.
Powerful and accessible, A History of America in Ten Strikes challenges all of our contemporary assumptions around labour, unions, and American workers.
Growing up middle-class, white, progressive, and repeatedly exposed to the mediated crises and movements of the Sixties left me with a lifelong challenge of making sense of the American dilemma. My road was long and winding–a year in Barcelona as Spain struggled to emerge from autocracy; years organizing for the nuclear freeze and against apartheid; study under academics puzzling through the possibilities of nonviolent and democratic politics. My efforts culminated in the publication of a volume that won the Organization of American Historians Liberty Legacy Award, for the “best book by a historian on the civil rights struggle from the beginnings of the nation to the present.”
When I read this book, I knew plenty about Martin Luther King’s ties to the labor movement. What I did not know—and what it took Honey twenty years to piece together—was an understanding of the 1,200 workers whose desperate straits and courageous creative nonviolence called King to Memphis in 1968. Honey uncovers the small triumphs hidden from view if we only look at the large tragedy of King’s assassination. Sanitation workers fought for safer working conditions, adequate wages, and trade union recognition from a city administration that literally treated them like garbage. A labor dispute transformed into a nonviolent community revolt. I remain in awe of the book’s richly textured portraits, among them Reverend Ralph Jackson, a peaceful protester brutalized by police, who forged a "campaign to end police brutality and improve housing, jobs, wages, and education across the city."
Memphis in 1968 was ruled by a paternalistic "plantation mentality" embodied in its good-old-boy mayor, Henry Loeb. Wretched conditions, abusive white supervisors, poor education, and low wages locked most black workers into poverty. Then two sanitation workers were chewed up like garbage in the back of a faulty truck, igniting a public employee strike that brought to a boil long-simmering issues of racial injustice.
With novelistic drama and rich scholarly detail, Michael Honey brings to life the magnetic characters who clashed on the Memphis battlefield: stalwart black workers; fiery black ministers; volatile, young, black-power advocates; idealistic organizers and tough-talking unionists;…
I’ve been fascinated by how ordinary people can change the course of their own lives since I was a child. However, I had no idea until later in life that there were entire fields of study devoted to understanding how this process works historically. When I discovered “new labor history” many years ago, I knew I wanted to be part of it. It was the privilege of a lifetime to study under some of the best labor historians in the world at the University of Chicago. And I can’t describe how I felt when my dissertation won the Herbert Gutman Prize in Labor History. I hope these books spark your interest!
I’ve always been a sucker for a good labor strike.
But a labor strike of Black women in the South—only a decade removed from slavery—demanding dignity, equality, and a living wage so they could simply “enjoy their freedom” in a region where a rich, white, slaveholding regime was just recently toppled? That’s next-level stuff.
Hunter tells the story of this Black female majority who worked in domestic labor in the years following the Civil War. Can you imagine going to work as a wage-earning domestic laborer in the home of your former owner? And then collectively organizing to demand that “freedom” actually means something in this godforsaken region?
Come for the organized labor protests. Stay for the moment these women pack their bags and move to the North seeking the joy and pleasure they deserve.
As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta--the economic hub of the newly emerging urban and industrial south--in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization.
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
I first saw Angkor, capital of the Khmer Empire, in 1969 as a teenager and was bowled over by the place. I kept coming back as a journalist and author. They say you should write about things that truly crank your engine, and I found mine—imperial conquest, Hindu and Buddhist spirituality, astounding architecture, and the lives of the millions of people who inhabited and built the place. I’ve now written three non-fiction books and two historical novels set in the civilization’s twelfth-century peak. The novels are an effort to recreate life in the old days. They draw heavily on my years in Southeast Asia, experiencing what life is like in the present day.
I love how this novel veers between the comic (the preening self-importance of a British family that runs a trading company) and the tragic (death and mayhem as Japanese troops set Singapore on fire in 1942). Father cynically manipulates markets; daughter carries on with unsuitable men; approved suitor arrives from Europe to reveal himself as an idealist who spouts praise for the League of Nations. You’ll learn a thing or two about how colonial companies of the time built enormous wealth by squeezing it from impoverished plantation workers, and how the war turned everything upside down.
NOW A MAJOR ITV DRAMA, THE SINGAPORE GRIP IS A MODERN CLASSIC FROM THE BOOKER-PRIZE WINNING J.G. FARRELL
'Brilliant, richly absurd, melancholy' Observer
'Enjoyable on many different levels' Sunday Times
'One of the most outstanding novelists of his generation' Spectator
Singapore, 1939: Walter Blackett, ruthless rubber merchant, is head of British Singapore's oldest and most powerful firm. And his family's prosperous world of tennis parties, cocktails and deferential servants seems unchanging. No one suspects it - but this world is poised on the edge of the abyss. This is the eve of the Fall of Singapore.