100 Books Like A Portrait of the Artist as a Young Woman

In the year after my father’s death in a car crash, I was a young person in New York, trying to break into the world of magazine journalism.

I had been given half of an insurance settlement after my dad’s crash, which I used to survive while I applied for jobs every day. I was too zoned out to work at the time. But one thing I did do a lot of was read. I started with a book recommended by Sharon Stone on Oprah. The Alchemist.

What I loved the most about Santiago’s journey was the unexpected lessons that reveal his true path, the omens he finds along the way, and the belief he develops that when you go after your heart’s desire, the universe supports you.

All of these ideas would end up in my book, 20 years later, and this is because The Alchemist saved my… show more.

This book was an integral resource when I began to write my book. It helped me shape the structure of my book.

F. Scott Fitzgerald once said, “If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter—as indissolubly as if they were conceived together.”

This, and other books I've read, did this. My favorite books of all time have inventive structures. And reading these helped me find mine.

I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.

Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.

He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees. 

When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,… show more.

Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.

I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.

Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.

I… show more.

I find this to be the perfect book about an artist’s coming of age in a different time and place. Thea, a young woman living long ago on the American prairie, is discovered to have musical genius. She nurtured, pushed, and even loved while everyone around her knew that her destiny lay out in the wider world, onstage. 

This is pure, classic fantasy with dragons and wizards. Full of magic and gripping action scenes, including aerial battles between dragons, this is also a beautifully written coming-of-age story.

Le Guin’s world building is utterly believable; there are tense moments of human doubt and despair, evil antagonists, and a story that has kept me turning the pages for years – even though I know what is going to happen. Another example of top class, classic fantasy that offers more on each reading. 

This book made me want to write a book of my own.

So many stories of the mountains are about bravado, grit, or conquest. Yet I go to the mountains for beauty and connection. Those are values that the Italian writer Paolo Cognetti prizes. His gentle novel uses the mountains as a setting for the relationship between two people.

The book chronicles a lifetime of friendship between a pair of boys who grow apart over the years. For a time, their shared history in the outdoors and love of the alpine is enough to maintain a connection. And then life intervenes. Yet the steady majesty of the Italian Alps remains a constant. I took my novel’s epigraph from this book: “It was impossible to convey what it feels like up there to those who have stayed below.” 

It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.

At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.

It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.

A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at… show more.

I fell for this book because of its lyrical sentences, multiple narratives uncovering long-buried secrets, and exploration of the tensions and traumas of family, friendship, romantic love, and the immigrant experience. The people in this novel are all memorable and well-developed—even the adults, which can sometimes be hard to come by in YA books.

I was swept up in the world of the high-pressure Cupertino suburbs, and I love that nearly all the characters were Asian American. It also didn’t hurt that it’s narrated by a talented and troubled teen artist.

The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.

There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.