Books like A Moonless, Starless Sky

Written well after the event, this is a memoir of Orwell’s experiences right in the thick of the Spanish Civil War. What I liked most was the way I got a fulsome, heads-down immersion into the action. Orwell describes with harrowing detail the skirmishes across hostile territory, the injuries of battle, and the comradery, as well as the suffering where food was in short supply and guns did not always fire.

It is only at the end of the book that I had a chance to see all this activity in context, with fifty-three pages of appendices to explain the various factions involved. But you could skip that if you wanted in order to enjoy a record of on-the-ground reporting of the complex conflict that was the Spanish Civil war. 

This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.  

If you, like me, believe in the universality and power of ordinary people’s lives, then this book is essential. LeBlanc spent 11 years reporting it, practically living with the people who would become its main characters and who she followed as they sold drugs, went to prison, got pregnant, committed murder, and went on with their lives.

The only downside to reading this as a fellow journalist is that it is so awe-inspiring as to be intimidating and makes you want to hang it up and do something else.

Before his untimely and tragic death, Anthony Shadid was one of the brightest foreign correspondents working in the Middle East, and his prose reads, at times, like poetry.

This book is beautiful, haunting, and unique. It taught me the value of covering war not by looking at what happens on the frontline but by turning towards society and the people affected by it—something I sought to do in my own book about the Afghan war nearly two decades later.

This book is an incredible story of the behind-the-scenes efforts to locate and free the 276 young Nigerian [Chibok] schoolgirls kidnapped by Boko Haram in 2014, a kidnapping which attracted worldwide media attention. 

It’s a story of 2 tales: first, of the incredible courage and Christian faith of those young girls, which in many cases, sustained them, keeping them alive physically, psychologically, and spiritually as they underwent immense hardships and tortures. Second, it’s a tale of two other heroes, a Nigerian lawyer, Zanna Mustapha, and a Swiss diplomat, Pascal Holiger, who worked tirelessly over many years to free many of the hostages. 

A gripping read about Nigeria, Christian faith, hostage negotiation, terrorism, and redemption.

All right, so a Nobel laureate doesn’t need any encomiums from me, but what the hell. Soyinka’s first book in nearly half a century is revealing, enlightening, satirical, gleeful and just plain damn funny, while telling you more about the chaotic politics and sociology of his native Nigeria than you ever thought possible, a wonderful window into Africa’s most populous country.

This is far more than a colonial era whodunit, a recounting of yet another colonial atrocity – though it is that in spades. Yes, in 1897 the British occupation army reacted to the killing of a a few colonial officials by razing an empire to the ground, careless of its causes and its effects. So much, so commonplace. But what an empire! The Benin artworks the army looted, subsequently dispersed to museums around the globe, were and still are a revelation to those whose notions of African art were to that point limited to masks and fetishes. A mere catalogue of the pieces would be enough to explain why Picasso, among other artists, was captivated by the art of Africa, but Philips has done more than that – he puts the looted artifacts into their context and into their culture. There is nothing didactic or preachy about this book, but… show more.

War Girls is YA sci-fi that takes place in war-torn Nigeria at the end of the 22nd century.

The world as we know it has ended because of runaway climate change and nuclear disaster, and two sisters, Onyii and Ify, live together in a makeshift colony of traumatized former child soldiers. After a devastating raid on their camp, the sisters are separated—each believing the other was killed—only to find themselves on opposing sides of the conflict.

This is a book about the world-shattering horrors of war, but it’s also about colonial violence, about sisterhood and solidarity, and about small moments that forever shape how the protagonists view each other and themselves. It’s also a complex, character-driven story that tenaciously searches for hope in ruins and aftermaths.

The idea to adapt Conrad’s Heart of Darkness came from my teaching of modern world history every semester. Later in that course, I would have students read Achebe’s novel as a foil or answer to Heart of Darkness. The Congolese in Heart are barely people: they have no names, and they are only really described by parts of their bodies.

This book presents the West African world–the communities, the customs, the emotions, the families–that colonialism destroys. While it is easy to be swept away by the story’s momentum in the last two dozen pages, take some time early in the novel to enjoy the world that Achebe lovingly paints. I think it is among the most human expressions of fiction you can read.  

Visceral, immediate, and engrossing, Adenle’s debut novel features two main characters embroiled in a murder in Lagos. British journalist Guy Collins, an alien in a dangerous, fast-paced city is implicated in a gruesome crime. Amaka, a woman who has devoted herself to the protection of the city’s working girls, speaks for him, hoping that her intervention will be re-payed by Collins in the form of global publicity for her campaign against the people traffickers and body-parts smugglers. Both out of their depth, at great peril, and at the mercy of Nigeria’s mega-city and its huge cast of characters, they find themselves caught in a maze from which there appears no escape.