Here are 100 books that Night Draws Near fans have personally recommended if you like
Night Draws Near.
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Like the characters in this list, I am a stranger living in Spain. Well, not quite a stranger! Although born and raised in Oxford, UK, I shared a childhood with my Spanish grandmother, who couldn’t speak English and was almost completely deaf! So, from an early age, I became her translator. Over two decades, I have communed, collaborated, and sometimes collided with all manner of people and places in this country, and my all-consuming love for this nation has led me to investigate its history. The books I recommend here address issues that affect ordinary people in extraordinary times and have brought me great joy. I hope they will for you too.
Written well after the event, this is a memoir of Orwell’s experiences right in the thick of the Spanish Civil War. What I liked most was the way I got a fulsome, heads-down immersion into the action. Orwell describes with harrowing detail the skirmishes across hostile territory, the injuries of battle, and the comradery, as well as the suffering where food was in short supply and guns did not always fire.
It is only at the end of the book that I had a chance to see all this activity in context, with fifty-three pages of appendices to explain the various factions involved. But you could skip that if you wanted in order to enjoy a record of on-the-ground reporting of the complex conflict that was the Spanish Civil war.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
If you, like me, believe in the universality and power of ordinary people’s lives, then this book is essential. LeBlanc spent 11 years reporting it, practically living with the people who would become its main characters and who she followed as they sold drugs, went to prison, got pregnant, committed murder, and went on with their lives.
The only downside to reading this as a fellow journalist is that it is so awe-inspiring as to be intimidating and makes you want to hang it up and do something else.
Part 'EastEnders', part 'NYPD Blue', 'Random Family' is compelling and tense. It teems with passion, pain and pleasure, and shows us teen drug dealers with incredible organisational and financial skills, thirteen-year-olds having babies to keep their boyfriends interested, and incarcerated men who find life's first peace in solitary confinement. It's 1985 in the Bronx and teenagers Jessica and Coco are dating drug dealers and getting pregnant. Fifteen years later, they each have five children, Jessica is a grandmother and her drug-dealer boyfriend is serving a life sentence. Welcome to their world. Adrian Nicole LeBlanc, a prize-winning investigative journalist, has spent…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is classic literary journalism from a reporter who, at the time, had no business writing this beautifully at such a young age. It’s a great example of how ordinary lives caught up in conflict when told with enough flair and sensitivity, contain sufficient drama and universal appeal to rival any fictionalized character.
Okeowo’s geographic sweep is impressive, as she brings us to Uganda, Mauritania, Somalia, and Nigeria, weaving a unifying narrative of ordinary people fighting extremism.
Being an Iraq War veteran and former Army officer, I cringe at the prevailing Hollywood cliché that stereotypes everyone that served in Iraq as Special Forces with crazy PTSD or being some broken human being. It’s apparent that popular movies and books on this war were produced without any veteran input, usually done by authors completely unfamiliar with the military and this region. I wrote my book Dodgebombto insert reality into the narrative—that most servicemembers were regular men and women who expertly fought jihadists, rebuilt this country, and tried to instill democratic self-determination while reconciling impossible political and strategic goals that muddled completing the job.
This compelling history of the U.S. Army’s 3rd Infantry Division’s armored spearhead into Baghdad details the coup de main that broke the Saddam’s regime’s grip on Iraq. Rich with exploits of individual soldiers, tank operations, and combat this nonfiction work relates the initial success in the war when victory seemed obtainable in months not years. I thoroughly enjoy this history because it illustrates the early war’s events accurately without politicized narrative and details just how daring and complicated this decisive attack was. If more people read this history, then our society could remember and have a fairer discourse on the Iraq War.
“A Pulitzer Prize–winning reporter provides a brilliant account of the harrowing drive into Baghdad by an American armor brigade.” —Seattle Post-Intelligencer
Based on reporting that was a finalist for the Pulitzer Prize, Thunder Run chronicles one of the boldest gambles in modern military history: the surprise assault on Baghdad by the Spartan Brigade, the Second Brigade of the Third Infantry Division (Mechanized). Three battalions and fewer than a thousand men launched a violent thrust of tanks and Bradley Fighting Vehicles into the heart of a city of five million people—and in three days of bloody combat ended the Iraqi war.…
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
I have recommended this novel as it is one of the few to come out of the Iraq war written by an Iraqi writer, telling its story from the point of view of the local Iraqis.
Hadi, an old junk dealer, dismayed by the hasty burials of incomplete bodies after the daily bombings, puts together a body from the parts he finds. This composite body, he calls “Whatsitsname,” becomes possessed with the soul of a bombing victim and sets about killing those responsible for turning Baghdad into a slaughterhouse.
Blending its style between war fiction, horror, and fantasy, this darkly effective satire of the fatal logic of sectarianism follows Whatsitsname as he expands his scope, claiming: “There are no innocents who are completely innocent, and no criminals who are completely criminal.”
"Gripping, darkly humorous . . . profound." -Phil Klay, bestselling author and National Book Award winner for Redeployment
"Extraordinary . . . A devastating but essential read." -Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds
From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi-a scavenger and an oddball fixture at a local cafe-collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I began studying Arabic language in middle school in Utah. While I was in university, I read history and politics to understand what was happening in Israel and Palestine, and widened my interest to the entire Middle East. The major question that compelled my interest was how things have changed in the region and why.
I was fortunate to live in Iran, Tunisia, Morocco, and Egypt and to travel through much of the Middle East. During my time in these countries, I saw warning signs of political trouble, the involvement of the US, and the Arab Awakening of 2011. Change in the region has brought much that is good, but it has come in many areas at a high cost.
First, I need to explain that the title of this book is deceptive as Riverbend, an Iraqi tech expert, is a well-educated young woman, not a girl. The book is taken from her blog, written from August 2003 through September 2004, and details the changes that war between Saddam Hussein and American forces brings to Iraq.
I lived in the US during these years and followed the news closely as the US organized and launched its attack on Saddam Hussein’s regime with “shock and awe”. However, Riverbend’s account taught me far more than all the media accounts. Her formerly quiet life as a computer tech ends as a woman is no longer allowed to come into the office, or even be safely seen on the street. Almost every page contains contrasts of Iraqi everyday life as lived by her family with the changes the invasion brings—changes no U.S. reader was…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
A sequel to The Good Soldiers, which told the story of an infantry battalion through some of the bloodiest fighting of the war during the “Surge” in Baghdad, David Finkel’s Thank You for Your Service follows the soldiers on their return to the United States.All are marked forever by the experience of combat; many have devastating physical wounds while others struggle mentally and emotionally with what they have seen and done at their country’s call. Life after war can be harder than life in war, and Finkel unpacks how and why with an unsparing but compassionate eye. This book should be read by every politician with responsibility for sending troops to combat—before they start America’s next war.
No journalist is better situated to reckon with the psychology of war than New York Times bestselling author David Finkel. In Thank You for Your Service he weaves a masterly, compelling narrative out of the troubling stories of a US infantry battalion as they return home from Iraq and attempt to survive peace.
Finkel writes frankly and compassionately about the soldiers, and about their partners and children: the heartbroken wife who wonders privately whether her returned husband is going to get better, or kill her; and the heroic victims, with the fresh taste of gunmetal in their mouths, who will…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Frequent visits to my parents’ Maltese homeland from the time I was very young piqued my interest in the island’s opulent history. Life under the rule of the Knights of St John fascinated me most. The Maltese Islands lend themselves very well to literary descriptions—gifted with four compass points of natural beauty, the smell of the sea constant no matter how far inland one might venture, ancient temples that predate the pyramids of Egypt. It was during a pre-college trip to Malta in July 2000 that the idea to write a novel based on the Siege of 1565 took root, thanks to a visit to the Malta Experience in Valletta.
This powerful graphic novel illustrates—literally and figuratively—the many casualties of religious conflict. Set in Baghdad in 2003 and told from the perspective of a pride of lions, this book captures the struggle for survival, the loss of innocence, and the collateral damage inflicted by war. A clear allegory, this book has proven an excellent teaching tool. The Pride of Baghdad raises important questions about clashing viewpoints, loyalty, sectarian violence, the true price of war, and who, ultimately, pays it. Although narrated by four lions, the story offers a heartbreakingly realistic glimpse into Iraq during the US-led invasion, the consequences of which reverberate still. As I watch the terrible events playing out daily in Ukraine, my mind drifts back to this book, and I am reminded that past is prologue. We are witnesses right now. And may we all be on the right side of history.
Written by Brian K. Vaughn Art by Niko Henrichon In the spring of 2003, a pride of lions escapes from the Baghdad Zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation - can it be given, or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live in captivity?