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I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
This is exploration literature at its very best. Heinrich Barth was inclined to pedantry, but he was thorough and meticulous (his maps were models of their kind); he was also a skilled linguist (fluent in Arabic, he later published vocabularies of eight African languages including Tamashek and Hausa, and learned enough Hausa on a single journey from Ghat to Agadez to be able to converse freely).
He stayed in the Sahara for six years in the 1840s, and returned with massive journals packed with priceless ethnographic and geographic information, only to find fame passing him by. His contemporary, David Livingstone, was much more suited than the stolid German to a life of the celebrity traveler, and spoke much more eloquently at revival meetings and at conventions of Geographical Societies. (Livingstone met Barth once, and gave him an inscribed copy of his Missionary Travels, which must have grated). Barth’s massive…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
African exploration has a rich history of intrepid women travelers (I think particularly of Mary Kingsley, who had once ascended Mount Cameroon in a day, Victorian petticoats notwithstanding. Kingsley finally died of typhoid in South Africa while she was administering to Boer prisoners of war, but before that, she made many an expedition among the Fang of Gabon and, as she put it, “danced many a wild dance with the wild river.”) Mary Anne Fitzgerald is the best modern example. Jailed by the dictatorship of Kenya’s Daniel Arap Moi and subsequently expelled, she then reported from hotspots all over Africa, including Liberia, the Central African Republic, and Cote d'Ivoire, coming under fire and under threat more than once, facing down guerrillas and governments in turn.
She also has an eye for the piquant detail. She was once an eyewitness to a mass circumcision of an age cohort of young Samburu…
A South-African-born journalist who was exiled from her home in Kenya describes her return to the continent of Africa and her experiences dodging bullets in Ethiopia, dining with aristocracy in Nairobi, and seeing the victims of famine. 15,000 first printing.
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
At first glance, a difficult read. Griault shares many of the faults of French academic writing, opaque and ambiguous in turn. But it is worth the effort. The elderly sage, Ogotemmêli, is patient with outsider obtuseness, and the book is a fascinating look into the complicated and sophisticated cosmology of African spirituality, so different in tone and structure from those we are familiar with in the west. In the end, this book easily puts the lie to commonplace western notions of African religions, that they are mere animism, or obsessed with ancestors. As the Times Literary Supplement put it at the time, ‘… [this] will prove of interest and enlightenment to those still inclined to underestimate African subtlety and sophistication." Too true.
Originally published in 1948 as Dieu D'Eau, this near-classic offers a unique and first-hand account of the myth, religion, and philosophy of the Dogan, a Sudanese people.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
All right, so a Nobel laureate doesn’t need any encomiums from me, but what the hell. Soyinka’s first book in nearly half a century is revealing, enlightening, satirical, gleeful and just plain damn funny, while telling you more about the chaotic politics and sociology of his native Nigeria than you ever thought possible, a wonderful window into Africa’s most populous country.
'Soyinka's greatest novel ... No one else can write such a book' - Ben Okri 'A lion of African literature' - Financial Times 'Chronicles is many things at once: a caustic political satire, a murder mystery, a conspiracy story and a deeply felt lament for the spirit of a nation' - Juan Gabriel Vasquez, New York Times A FINANCIAL TIMES AND SPECTATOR BOOK OF THE YEAR To Doctor Menka's horror, some cunning entrepreneur has decided to sell body parts from his hospital for use in ritualistic practices. Already at the end of his tether from the horrors he routinely sees…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
I sometimes think of memoir as a modern genre, but the truth is that people have been writing about their own lives for thousands of years.
This 1789 account begins with Olaudah Equiano’s day-to-day life growing up in the kingdom of Benin, Africa, and then describes his crossing the Atlantic Ocean via the Middle Passage and subsequent enslavement.
When I first read this book in college, it was the beginning of my realization that the people in history were people with whom I share all the same range of emotions and motivations that comes with being human. This book instilled in me a desire to understand the people of the past.
A first-person narrative of Olaudah Equiano's journey from his native Africa to the New World, that follows his capture, introduction to Christianity and eventual release. His story is an eye-opening depiction of personal resilience in the face of structural oppression.
Olaudah Equiano's origins are rooted in West Africa's Eboe district, which is modern-day Nigeria. He details the shocking events that led up to his kidnapping and subsequent trade into slavery. His journey starts at 11 years old, forcing him to come of age in a society that abuses him at every turn. During his plight, he attempts to find…
I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.
In this riveting account, Agbiboa dispels the myth that corruption is a culturally accepted norm in Nigeria.
He spent months behind the wheel as a minibus conductor in the informal settlements of Lagos, Nigeria, and experienced first-hand the stark realities of the corrupt interactions between drivers, police, and members of the transport workers union.
Nigerians reject, and simultaneously have little choice, but to participate in the petty corruption that arises from the systematic, violent, and exploitative relationship between the state and union on the one hand, and transport operators and passengers on the other.
Agbiboashows that binary understandings of formality/informality, public/private, and legal/illegal derived from Western thought do not adequately capture the way that petty corruption is embedded in the state and is driven by elite corruption.
This resonated strongly with my research on the informal economy in Tanzania.
Accounts of corruption in Africa and the Global South are generally overly simplistic and macro-oriented, and commonly disconnect everyday (petty) corruption from political (grand) corruption. In contrast to this tendency, They Eat Our Sweat offers a fresh and engaging look at the corruption complex in Africa through a micro analysis of its informal transport sector, where collusion between state and nonstate actors is most rife. Focusing on Lagos, Nigeria's commercial capital and Africa's largest city, Daniel Agbiboa investigates the workaday world of road transport operators as refracted through the extortion racket and violence of transport unions acting in complicity with…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
I am a scholar of African and African American literature with interests in the cultures, histories, and philosophies of Africa and the diaspora. Currently, I teach and research at Texas A&M University. The history of the transatlantic slave trade and its legacies are huge components of my current research; it is also the topic of my doctoral research which I completed in 2017 at The School of Oriental African Studies (SOAS), The University of London.
The transatlantic slave trade was, historically, the most organized and sophisticated system of dependence, but it was not the only form of enslavement. In Africa, prior to it, and even proceeding it, were systems of bondage. This is the heart of Emecheta’s novel: set in the early 20th century, it tells the story of a young Igbo woman who loses her parents and is then sold into slavery. As characteristic of Emecheta, it is beautifully written and developed in characterization. Specifically, what I love about this novel is its perspective on the African female in situations that are physical, psychological, and cultural enslavement.
"Her graphically detailed pictures of tribal life make the novel memorable."―Chicago Tribune
The Slave Girl follows the fortunes of Ogbanje Ojebeta, a Nigerian woman who is sold into slavery in her own land after disease and tragedy leave her orphaned as a child. In her fellow slaves, she finds a surrogate family that clings together under the unbending will of their master. As Ogbanje Ojebeta becomes a woman and discovers her need for home and family, and for freedom and identity, she realizes that she must ultimately choose her own destiny.
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
What I appreciate most about this story is that it offered me painstaking clarity on the emotional journey to and through motherhood. I was shaken by how quickly Nnu Ego went from sought-after bride to castoff to competitor for her husband’s affections—and how, through it all, her ability to bear children was the only metric society valued her for.
Even more harrowing to me was how thanklessly her daughters and sons treated her. This book gave me a wholly new appreciation for my mother and motherhood.
A feminist literary classic by one of Africa’s greatest women writers, re-issued with a new introduction by Stéphane Robolin.
First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people. Emecheta “writes with subtlety, power, and abundant compassion” (New York Times).
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I wrote my first novel in a quest to create a story about a girl who loves girls surviving a violent, repressive world. Reading novels pertinent to the life I’ve lived was both affirming and life-saving. After graduate school, I developed a class at UC Berkeley where I focused on novels written by and about women of color, knowing compelling stories gave the students a chance to live in someone else’s universe. I still believe books can change hearts and minds, and reading them propels me to continue seeking well-told stories by authors—particularly writers of color—who have the courage to put their words on the page.
This compelling and beautifully written story begins in 1968 during the Biafran civil war in Nigeria, creating a unique setting of hardship, hunger, and death afflicting the people living in the area. Ijeoma, the 11-year-old protagonist, is sent away after a life-changing event and lives in a squalid hut when a young girl from another tribe comes to stay. Despite the difficulties surrounding them, the girls fall in love and the intensity of their desire continues as they grow. I enjoyed how Okparanta writes of the naturalness of this first love and how they cared for each other. Though the girls are separated, they reunite, but face religious repression from their community, which uses the Bible against them. The girls move on with their lives and Ijeoma finds another love, but this too, suffers from cultural and religious constraints. According to Okparanta (who lives in NY), Nigeria is a very…
"Okparanta is major new voice not only because of her mesmerizing storytelling, but for her bravery and originality. She is a truth teller and soothsayer... Under the Udala Trees is breathtaking, rich with history and heart" - Tayari Jones
One day in 1968, at the height of the Biafran civil war, Ijeoma's father is killed and her world is transformed forever. Separated from her grief-stricken mother, she meets another young lost girl, Amina, and the two become inseparable. Theirs is a relationship that will shake the foundations of Ijeoma's faith, test her resolve and flood her heart.