Here are 100 books that A Memory of the Future fans have personally recommended if you like
A Memory of the Future.
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Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
The originality of the language and voice was stunning to me.
Peeling back the layers, I was at the heart of one poet’s humanity. It points to the essential work of humankind as we “vacillate between killing/everything we see and trying/to have a conversation with the clouds,” trying to balance cruelty and beauty, destruction and the wonders of the imagination, reality, and poetry.
"Bob Hicok is a spectrum... I’d love to see an MRI of his brain while he’s writing, as the neurons show us what’s possible, how a human can be a thought leader, taking us into the future… Hicok interrogates the world with mercy and wit and style and intelligence and modest swag. He’s one of America’s favorites―and to make the reader want to share the poet’s reality fulfills poetry’s finest aspiration." ―Washington Independent Review of Books
"In his ninth collection, Hicok navigates a world bereft of empathy and kindness, leading by example with a charm and emotional intelligence that speaks…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
I love how crystalline and to the absolute point these poems are. “Where do I begin/being a minimalist?” the poet writes. These poems make me see the world in a fresh but very relatable way. “What would I/think, coming/up after/my world/had evaporated?/I’d wish/I were water."
So much said, so few words. The longing is implicit. This book is home to breathtaking lyricism–as well as narrative poems of mystery, loss, and wonder. It is a book I keep coming back to.
About Andrea Cohen’s poems, Christian Wiman has said: “One is caught off guard by their cumulative force. This is work of great and sustained attention, true intelligence, and soul.” In The Sorrow Apartments, Cohen’s eighth collection, those signature gifts are front and center, along with sly humor, relentless economy, and the hairpin curves of gut-punch wisdom. How quickly Cohen takes us so far:
Bunker
What would I think, coming
up after my world
had evaporated? I'd wish
I were water.
The Sorrow Apartments is home to spare and uncanny lyricism––as well as leaping narratives…
Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
I loved how the book transported me into a world of dumpster–diving, and train-hopping, and I cared for the plight of this unusual protagonist. The poems have a narrative pull and take us into the uneasy relationship between two friends who live on the fringes of society and teach us that from little there can be plenty, from shame there can rise fulfillment, from silence there can arise poetry.
I learned more about who I am by reading about who I am not and found poetry in the most surprising of places.
In poems bursting with narrative power, Disease of Kings explores the tender yet volatile friendship between two young scammers living off the fat of society. Here are stories of an odd couple who scrounge, con, hustle, and steal, alternately proud of their ability to fabricate a life at the margins and ashamed of their own laziness and greed.
Rich with a specificity of voices, these poems locate themselves in a midwestern city at once gritty with reality and achingly anonymous. Here, the central speaker and his best-only-friend, North, come together and apart, nursing a sense of freedom that is…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
I love the simplicity of the language and how close the poet feels to the natural world. In her plainspoken language, Oliver’s poems transport us through nature and, by the way, teach us what it is to be human. Herons, sparrows, owls, and kingfishers flit across the pages in meditations on love, artistry, and impermanence.
It is the smallest element that counts the most in Oliver’s poems because it contains so much in so little, stripping the poet’s and our powers of observation down to an essential moment. Who doesn’t love Mary Oliver’s work?
Maybe our world will grow kinder eventually. Maybe the desire to make something beautiful is the piece of God that is inside each of us.
In this stunning collection, Mary Oliver returns to the imagery that has defined her life's work.
Herons, sparrows, owls and kingfishers flit across the page in meditations on love, artistry and impermanence. Whether considering a bird's nest, the seeming patience of oak trees or the paintings of Franz Marc, Mary Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.
As a bestselling ghostwriter, I spend a lot of time reading what everyone’s reading—the chart-toppers and book club favorites. But when I stepped out of the shadows to write my own memoir about love and loss, I leaned on less obvious writers to inspire me forward. I believe that everyone has a story to tell and a unique way to tell it, and one of the more magical aspects of being a reader is discovering those voices that speak directly to you, who make you laugh when you want to cry, and allow you to breathe again. I hope my favorites list similarly lifts you up!
This exquisite memoir validated for me what I already know but sometimes resist in my own writing: let it bleed onto the page. The grief, the heartache, the anger, the resolve.
I read this book nestled safely in bed and caught myself thinking: Yes! Do more of this. Throw off the damn blankets and tell the truth! That’s how we heal.
"[Smith]...reminds you that you can...survive deep loss, sink into life's deep beauty, and constantly, constantly make yourself new." -Glennon Doyle, #1 New York Times bestselling author
The bestselling poet and author of the "powerful" (People) and "luminous" (Newsweek) Keep Moving offers a lush and heartrending memoir exploring coming of age in your middle age.
"Life, like a poem, is a series of choices."
In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins…
One salient feature of my life has been integration: of the personal and professional, the inner and the outer, the spiritual and the material, the east and the west. Though I didn’t know it at the time, that template was set when I was in my twenties by the people I knew and the books I read. These five helped give me direction, meaning, and purpose, and to this day, they continue to inform and inspire. I sometimes refer to them explicitly in my writing, lectures, online courses, and counseling work; anytime I hear that someone read one because of me, it gives me enormous pleasure.
Salinger’s post-Catcher in the Rye stories blew the minds of spiritual seekers, especially those who loved great prose. These related stories about a sister and brother introduced the Glass family and foreshadowed the journey upon which countless people embarked: smart, sensitive college student in an existential crisis tries to unlock the secrets to life with the help of mystical teachings.
The location is not India but a Manhattan apartment; the spiritual guide is not a guru but her brother, who imparts the wisdom of their deceased older sibling, Seymour, who is basically the family Zen master. The Glass kids are social misfits trying to be authentically spiritual in the midst of modern life. So was I, and they made me feel less weird and less alone.
"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker.
"Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."
A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
For whatever reason, I have always been interested in sad men. Successful men can be boring. It is failure, and how men manage it when success is the primary marker of masculinity, that I find interesting as a subject for fiction. Even when I was in my 20s, I liked reading novels about men suffering mid-life crisis. And now that I am squarely in middle age, novels that were about the future are now novels about the present.
I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar.
John Cheever's Collected Stories explores the delicate psychological frameworks of 20th century suburbia.
WITH AN INTRODUCTION BY HANIF KUREISHI
This outstanding collection by Pulitzer Prize-winning novelist John Cheever shows the power and range of one of the finest short story writers of the last century. Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
I originally read Thayer Hamann when I was in high school and identified so deeply with Evie, the protagonist, and also saw in her the person I yearned to become. Evie shares the intricacies of the teenage girl experience, beginning with her high school career in East Hampton and spanning through her undergraduate years at NYU.
Her perspective is graceful, smart, and deeply feeling, with her heart fully exposed on her sleeve—much in the way mine was as a teenager (and still is, in many ways). There’s an epic love story at the heart of the novel, as well (even though I wrote a thriller, I am a romantic to my core), and I’m not too proud to say that the love interest, Roarke, continues to be one of my favorite “book boyfriends.” I reread this every couple of years and can confirm it stands the test of time.
This is what it’s like to be a high-school-age girl. To forsake the boyfriend you once adored. To meet the love of your life, who just happens to be your teacher. To discover for the first time the power of your body and mind.
This is what it’s like to be a college-age woman. To live through heartbreak. To suffer the consequences of your choices. To depend on others for survival but to have no one to trust but yourself.
This is Anthropology of an American Girl. A literary sensation, this extraordinarily candid novel about the experience of…
Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.
I’m not going to lie: this is not for everyone. You really have to be interested - and conversant - in the cultural world of post-war Manhattan (and beyond) for this to sink in. Lerman, who was features editor at Vogue and editor at Vanity Fair among other jobs, was at the center of it all. I could name drop from the book for days, but trust me, everyone from Marlene Dietrich to William Faulkner were regular guests at his parties. More importantly, his position allowed him to champion the careers of artists in every field - writers, singers, painters, etc. An astute social critic, the book offers a dazzling look at a very specific time and place in American culture. Surprisingly, I found that passages regarding his adolescence to be among the most lyrical and moving.
A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994.
Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.
I recommend this series because it was the first that I read where there were intelligent zombies. I also found it fascinating that this series realized that humans could be the monsters, even in a zombie outbreak. There are a lot of people who continue to get excited at the thought of a zombie outbreak, but I am not excited because I worry that the human monsters will be more frightening.
It's one month after a global disaster. The most "developed" nations of the world have fallen to the shambling zombie masses. Only a few pockets of humanity survive -- in places rife with high-powered weaponry, such as Somalia. In New York City, the dead walk the streets, driven by an insatiable hunger for all things living. One amongst them is different; though he shares their appetites he has retained his human intelligence. Alone among the mindless zombies, Gary Fleck is an eyewitness to the end of the world -- and perhaps the evil genius behind it all. From the other…
