Here are 83 books that A Memory of Light fans have personally recommended if you like
A Memory of Light.
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I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
In the early 70s I was a pop singer/recording artist in Paris with a dinner show at a restaurant/discotheque/bar called Jacky’s Far West Saloon. Located in the trendy Montparnasse area, it was popular with the US embassy personnel. As such, it was also a magnet for spooks looking to score contacts with the Americans. I witnessed a lot of intrigue there, some of it major, most of it minor, and developed a passion for international espionage. I also developed a passion for international finance and went on to author or co-author ten books and over a hundred journal articles on the subject.
I like the Jack Ryan concept, a spy whose dad is the president. I like the campus one-for-all-all-for-one esprit de corps.
The starting point is nothing new – a diabolic plan to start a civil war. The Balkan venue is what makes it interesting. Serbs, Croats, Bosnians, Turks, Chechens, Syrians, Russians, Bulgarians, Czechs, Muslim fanatics – what a mix! The reason this particular book is special is because I read it twice.
I have a Serbian colleague, which made the story more relevant to me, personally. We often discuss world events. The first time I read the book I did not know him. The second time I read it was after we had met and discussed extensively. I saw things in a different light and enjoyed it much more the second time.
A stunning thriller in the internationally bestselling series that inspired the smash-hit Amazon Prime TV Show JACK RYAN
Jack Ryan Jr is in an assassin's sights . . .
Sent to the Balkans on an analytical mission, Jack Ryan Jr visits Sarajevo to meet Aida, the girl his mother saved in the war. He finds a selfless, attractive woman helping refugees in a restless country where a new war is brewing.
Coming to her aid, Jack is soon tangling with the Serbian mafia while dodging assassins from the mysterious Iron Syndicate. Alone and defying recall orders, he believes this is…
One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.
I loved this book for so many reasons. The world-building is beautiful, the plot line is intriguing, and the main female character has a lot of depth to her. She’s beautiful and courageous, kind but strong, and she does anything for those she loves.
I saw much of myself in her character, which helped immerse me in the book as I read it. I’m a sucker for any book with a female protagonist that has a lot of depth; I feel it makes them more real, as we all have different sides to our personalities.
THE INSTANT SUNDAY TIMES BESTSELLER
'Epic, romantic, and enthralling from start to finish' Stephanie Garber
The stunning conclusion to the Celestial Kingdom Duology
After winning her mother's freedom from the Celestial Emperor, Xingyin thrives in the enchanting tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon, and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power.
While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a perilous confrontation. Forced to flee her…
What if the gods could be FORCED to answer our prayers? Amelia and her friends were once DnD-style fantasy adventurers, who found themselves launched into science fiction when they discovered their medieval world’s “gods” just have access to space-age biomech.
Since ascending to "godhood" herself—that is, earning a place on…
Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”
Rarely do I find a sequel as good as the first book.
When clever ideas from the first book peter out, sequels lose their freshness and sense of wonder, turning them into stale, unremarkable remakes. Then, my fandom for the author diminishes as well. Despite my enthusiastic admiration of Sanborn’s creative prowess, I couldn’t finish the Mistborn sequel for that very reason.
Words of Radiance worldbuilding is a notable exception. It keeps digging deeper and grows more and more complex. Similarly, the characters continue to evolve.
For me, character growth and worldbuilding drive a story more than any other factors. Thus, the plot resolution to Words of Radiance was surprisingly satisfying precisely because of this strong foundation.
From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the Stormlight Archive, continues the immersive fantasy epic that The Way of Kings began.
Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
Sometimes fiction, with its knack for getting under the skin, is the best way of grasping the human impact of something as psychologically earth-shaking as mass murder. Set in the early 1990s, this novel’s narrator is the son of a French father and Rwandan mother, living in Bujumbura, just across the border from Rwanda. Inevitably the mass killings spill over into Burundi, exacerbating existing tensions between Hutus and Tutsis there and shattering an already precariously-poised family. I get the impression this book sold well in both French and English, and I’m not surprised. Under its deceptively simple surface, it packs a punch.
An international sensation, Small Country is a beautiful but harrowing tale of coming-of-age in the face of civil war.
'A luminous debut novel...Faye dramatises the terrible nostalgia of having lost not only a childhood but also a whole world to war' Guardian
Burundi, 1992. For ten-year-old Gabriel, life in his comfortable expat neighbourhood of Bujumbura with his French father, Rwandan mother and little sister, Ana, is something close to paradise. These are happy, carefree days spent with his friends sneaking cigarettes and stealing mangoes, swimming in the lake and riding bikes in the streets they have turned into their kingdom.…
I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!
The oldest book on the list and easily the most influential I’d suggest, the Black Company’s effect on fantasy goes way beyond books about mercenaries. The prose style isn’t for everyone (including me, I do find his style off-putting at times) but this is fantasy without dreamy illusions written by a man who knew first-hand what soldiers were really like. It’s grim and it’s dark, but he’s not playing for cheap or lurid shocks any more than he’s idealising anything.
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
My name is Jenny Harrison and my writing career started in 1997 in South Africa with Debbie's Story, which to my astonishment, became a bestseller. Thinking this was going to be an easy route to fame and fortune, I continued writing after migrating to New Zealand. Alas, the road to a bestseller is rife with disappointment but that didn't stop me from writing a bunch of paranormal and humorous novels. Circumstances led me to writing about families caught up in World War II. I don’t write about battles or generals, I write about ordinary people who face the unimagined cost of war and survive.
This book is by Alan Furst whose research is impeccable. His storytelling can be jerky and maybe chaotic but that’s how things were in the time he writes about. His characters are drawn from the sinister underbelly of war, the men and women who work in the shadows. His writing is intense, I remember the scenes as chaotic, with no character arc or happy ending, but a mirror of the times when life was lived moment by moment.
September 1939. As Warsaw falls to Hitler’s Wehrmacht, Captain Alexander de Milja is recruited by the intelligence service of the Polish underground. His mission: to transport the national gold reserve to safety, hidden on a refugee train to Bucharest. Then, in the back alleys and black-market bistros of Paris, in the tenements of Warsaw, with partizan guerrillas in the frozen forests of the Ukraine, and at Calais Harbor during an attack by British bombers, de Milja fights in the war of the shadows in a world without rules, a world of danger, treachery, and betrayal.
I have been fortunate to write and publish three books on America’s service academies: two on the U.S. Naval Academy, and one on the U.S. Military Academy at West Point. The two nonfiction books were appealing photographic and narrative presentations of academy life at Navy and West Point. The third, my debut novel happening at the Naval Academy, is an inspiring tale of moral courage and dedication to duty with war and peacetime conflicts. Each book was a rewarding creative project.
Nelson DeMille has written one of the finest fictional works about America’s military justice system operating sometimes fairly, sometimes not to address crimes during war. A riveting present-day story where former U.S. Army lieutenant Ben Tyson is charged with allowing soldiers under his command, years ago in Vietnam, to commit alleged murderous atrocities against innocent civilians. The plot’s general court-martial and backstories are compelling. Lieutenant Tyson and his men’s conduct reveal complex decisions made during combat when taking an individual’s life is either justified or it’s cold-blooded murder. DeMille, a decorated Army officer who deployed for combat tours in Vietnam, knows this firsthand. His book inspired my own military novel presenting questions of moral and ethical courage.
Read the gripping story of a Vietnam vet whose secret past threatens his family, career, and honor, from the #1 New York Times bestselling author whose books have sold over 50 million copies worldwide, and is "a true master" (Dan Brown).
He is a good man, a brilliant corporate executive, an honest, handsome family man admired by men and desired by women. But sixteen years ago Ben Tyson was a lieutenant in Vietnam.
There, in 1968, the men under his command committed a murderous atrocity-and together swore never to tell the world what they had done. Not the press, army…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Rather than examining Henry VIII’s wars as military engagements or part of international politics, this book looks at the impact war had on the English people. How were towns and villages affected by the need to provide men for the royal army? What was the impact of war on trade and agriculture? How were ordinary men persuaded to enact the violence required by war, and what was the physical and mental impact on them? How were wars justified and linked to a sense of Englishness? Originally given as a series of lectures, the chapters are connected but can be dipped into as stand-alone articles.
Henry VIII fought many wars, against the French and Scots, against rebels in England and the Gaelic lords of Ireland, even against his traditional allies in the Low Countries. But how much did these wars really affect his subjects? And what role did Henry's reign play in the long-term transformation of England's military capabilities?
The English People at War in the Age of Henry VIII searches for the answers to these questions in parish and borough account books, wills and memoirs, buildings and paintings, letters from Henry's captains, and the notes readers wrote in their printed history books. It looks…
This is a multicultural epic fantasy with a diverse cast of characters. Sickly fifteen-year-old Prince Psal, the son of warrior-king Nahas, should have been named Crown Prince of all Wheel Clan lands. But his clan disdains the disabled.
When the mysterious self-moving towers that keep humans safe from the Creator's…
I was born and spent my childhood living under a tyrannical regime that indiscriminately used violence against innocent civilians. Such cruelty made a lasting impact on me. For the past thirty-two years, I have been teaching philosophy at Seton Hall University. Given my childhood experiences, I have chosen to write on issues related to social and political philosophy and applied ethics. After the catastrophic event of 9/11, I wondered about the motivations, explanations, justifications, or excuses for this kind of unprecedented act of war against civilians. I have spent a great deal of my research exploring the relationship between justified acts of war and terrorist acts.
Fotion has written a short and accessible book for a general audience defending the relevance of just war theory to address issues of war. He distinguished between two different conceptions of just war: one that applies to interstate armed conflicts and one that applies between states and non-state actors. While the distinction between interstate armed conflicts and those between state and non-state actors might be useful at times, the principles of jus ad bellum (the right to wage war) based on the right of self-defense and jus in bello (the right way to wage war) based on respecting the immunity of innocent civilians remains constant in both types of armed conflict. Yet since he explores the nuances of both approaches, his book is a welcome development illustrating the relevance of the just war tradition nowadays.
The US-led invasion of Iraq in 2003 prompted unprecedented public interest in the ethics of war, a debate that has raged furiously in the media, in politics and in the public consciousness ever since. In this fascinating and informative book, Nicholas Fotion, an expert on the ethics of military action, explores the notion of developing an ethical theory that guides the behaviour of those who are at war. Fotion gives a clear account of just war theory, presenting it as a useful device in helping us make decisions about what we should do when war appears on the horizon. Examining…
