Here are 86 books that The Dragon's Path fans have personally recommended if you like
The Dragon's Path.
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My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
As with the previous book recommendations, I find myself drawn to a resilient female protagonist who overcomes incredible odds in an empire crumbling under the weight of forces beyond any of the characters’ control.
In this book, Nona Grey, a young girl trained by the Sisters of Sweet Mercy convent as an assassin, has to contend with both political and existential threats as the powerful rulers of Abeth squabble over resources on their dying planet. I was also drawn to the intricacy of the storyline because I loved watching Nona navigate this complex world.
It's not until you're broken that you find your sharpest edge.
"I was born for killing - the gods made me to ruin."
At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.
But even the mistresses of sword and shadow don't truly understand what they have purchased when Nona Grey is brought…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Sometimes we think we are reading fiction as an exercise in entertainment, and fantasy as a guilty pleasure. Abercrombie is a favorite writer of mine because his work does all that, but he also surprises with sharp insight every single time. Last Argument of Kings ends his First Law Trilogy with the most surprising reveal of all—that the moral center does not exist. Not at all. All the blood and death that his characters have dealt out and survived are not in service to some higher good. More than just an exercise in cynicism or a service to violence, this story shines a light on power, politics and the people who stand atop the heap. And somehow Abercrombie does this all while making you laugh and shake your head in amazement.
Logen Ninefingers might only have one more fight in him - but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home.
With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him.…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
Generally speaking, I hate anything that hints at theory. But this slim volume, which investigates the relationship between states of war and how we understand time, is grounded solidly in reality and does not require mental gymnastics to understand.
Using the examples of World War II, the Cold War, and the Global War on Terror, Dudziak made me rethink how we define when it’s “wartime” vs. when it’s “peacetime” and why that matters. Her argument is about how war has not been a time out of time or aberration, so treating war as a period when different rules apply has real consequences.
The book pushed me to rethink how and when I silo ideas, time, and events and how dangerous silo’ing can be.
When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," when it is no longer easy to distinguish between wartime and peacetime. In this inventive meditation on war, time, and the law, Mary Dudziak argues that wartime is not as discrete a time period as we like to think. Instead, America has been engaged in some form of ongoing overseas armed conflict for over a century. Meanwhile policy makers and the American public continue to view…
I've always been a reader. In my childhood, I read Hardy Boys novels by the bucketload. I loved scholastic book fairs, pouring over the lists to find new books to read. Then my uncle gave me The Hobbit followed by giving me a hardback set of Lord of the Rings for Christmas of the 6th Grade. After that, my mother gave me Pawn of Prophecy, which cemented my love of the genre. I write fantasy because of all the books I listed. Each one led me down a path that ended with me publishing my first novel.
I picked this book up as a lark at the SeaTac Borders Bookstore while waiting to fly down to my grandparents' 50th wedding anniversary celebration. I can't really say why I bought it, but I have never had a book series that challenged me more.
The philosophy and metaphysics of this world had me thinking like no other books did. It pushed me to write far more gray characters and to see a human as a flawed yet beautiful amalgamation of strengths and weaknesses. Bakker is fearless in his subject matters, and I try to be as well. I write about the best and worst of humanity because of the depths of Bakker's broken characters.
The Darkness That Comes Before is the first book in R. Scott Bakker’s epic fantasy trilogy The Prince of Nothing. Set in a world scarred by an apocalyptic past, four people are swept up in the launch of an imminent crusade, during which they are ensnared by mysterious traveler Anasûrimbor Kellhus, whose magical, philosophical, and military talents have origins in a distant time.
“[An] impressive, challenging debut . . . [the book’s] willingness to take chances and avoid the usual genre clichés should win many discriminating readers.” —Publishers Weekly
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.
I loved this book for so many reasons. The world-building is beautiful, the plot line is intriguing, and the main female character has a lot of depth to her. She’s beautiful and courageous, kind but strong, and she does anything for those she loves.
I saw much of myself in her character, which helped immerse me in the book as I read it. I’m a sucker for any book with a female protagonist that has a lot of depth; I feel it makes them more real, as we all have different sides to our personalities.
THE INSTANT SUNDAY TIMES BESTSELLER
'Epic, romantic, and enthralling from start to finish' Stephanie Garber
The stunning conclusion to the Celestial Kingdom Duology
After winning her mother's freedom from the Celestial Emperor, Xingyin thrives in the enchanting tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon, and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power.
While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a perilous confrontation. Forced to flee her…
Simo Laakkonen is director of Degree Program in Digital Culture, Landscape and Cultural Heritage, University of Turku, Finland. He is an environmental historian who has specialized among other things on the global environmental history of warfare during Industrial Age. He has coedited on this theme two special issues and three books, the latest one is The Resilient City in World War II: Urban Environmental Histories. He has selected five books that cover some main phases of the long environmental history of wars and mass violence.
How has nature influenced war and how have these changes presented? These kinds of basic questions make everyone interested in environmental history of war think.
This comprehensive book is easy to read but it provides valuable insights to the interaction between societies and nature from pre-colonial India to post-war Japan and serves as an excellent introduction to the field.
Contributors to this volume explore the dynamic between war and the physical environment from a variety of provocative viewpoints. The subjects of their essays range from conflicts in colonial India and South Africa to the U.S. Civil War and twentieth-century wars in Japan, Finland, and the Pacific Islands. Among the topics explored are: - the ways in which landscape can influence military strategies - why the decisive battle of the American Civil War was fought - the impact of war and peace on timber resources - the spread of pests and disease in wartime.
I was born and spent my childhood living under a tyrannical regime that indiscriminately used violence against innocent civilians. Such cruelty made a lasting impact on me. For the past thirty-two years, I have been teaching philosophy at Seton Hall University. Given my childhood experiences, I have chosen to write on issues related to social and political philosophy and applied ethics. After the catastrophic event of 9/11, I wondered about the motivations, explanations, justifications, or excuses for this kind of unprecedented act of war against civilians. I have spent a great deal of my research exploring the relationship between justified acts of war and terrorist acts.
Fotion has written a short and accessible book for a general audience defending the relevance of just war theory to address issues of war. He distinguished between two different conceptions of just war: one that applies to interstate armed conflicts and one that applies between states and non-state actors. While the distinction between interstate armed conflicts and those between state and non-state actors might be useful at times, the principles of jus ad bellum (the right to wage war) based on the right of self-defense and jus in bello (the right way to wage war) based on respecting the immunity of innocent civilians remains constant in both types of armed conflict. Yet since he explores the nuances of both approaches, his book is a welcome development illustrating the relevance of the just war tradition nowadays.
The US-led invasion of Iraq in 2003 prompted unprecedented public interest in the ethics of war, a debate that has raged furiously in the media, in politics and in the public consciousness ever since. In this fascinating and informative book, Nicholas Fotion, an expert on the ethics of military action, explores the notion of developing an ethical theory that guides the behaviour of those who are at war. Fotion gives a clear account of just war theory, presenting it as a useful device in helping us make decisions about what we should do when war appears on the horizon. Examining…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
After writing the Dilemma, I was struck by how many readers’ feedback posed this question, What would I have done?In the process of writing the book, whilst I created the story around this one particular big fat problem, I little realised how it would resonate with so many, and also have such divided – and deeply personal responses. I’ve since become increasingly fascinated by the many ‘sliding door’ moments we experience in our lives requiring split-second decisions which may (in retrospect) have been ill-considered but by then it’s too late to ‘wind back time.’ All we can do is learn to live with consequences, however damaging they may be.
Another novel set in WW2, this dark story delves into how far a man will go to secure his survival – and the guilt (and unhappiness) he must subsequently live with as a result of his arrogance in believing his money and status gives him certain privileges. Wealthy lawyer Chavel is a prisoner in occupied France. His Nazi gaolers decree three men are to be executed, at the prisoners’ discretion. The men draw lots and when Chavel’s name is drawn he offers his fortune to anyone who will take his place. A dying man agrees. What unravels after war’s end, and Chavel is released, offers him a chance for redemption for his cowardice.
From the author of the classics Brighton Rock and The Power and the Glory, a morally complex tale about a man at the mercy of deadly forces while being held in a German prison camp during World War II. Featuring an introduction by the author and two other story ideas from his archives.
When Jean-Louis Chauvel, a French lawyer incarcerated in a German prison camp, is informed by his captors that three prisoners must die, he devises a plan for survival. Offering everything he owns to a fellow prisoner if he will take Chauvel’s place, he manages to escape the…
