Here are 72 books that A Hall of Mirrors fans have personally recommended if you like
A Hall of Mirrors.
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I’ve always been interested in books that explore themes of identity, with characters either discovering who they are under extreme pressure or who they’re not. I also love books that work on several different levels, especially ones that seem as if they’re "just" a thriller, but there’s so much more going on underneath. This list has some great examples of that. Can characters in a novel have more than one identity? And do they - and we as readers - always know who we are? I’m a pseudonym, so I should know...
No list of mine would be complete without a Graham Greene novel on it.
My favourite author, the one I return to time and again. I reread this novel while I was writing my book, and it had lost none of its power or, indeed, glory since the last time I read it.
The story of a whisky priest on the run in the anti-Catholic purges in South America, it’s about faith, hope, self-worth, and fear. And redemption? Maybe. Maybe not. No one writes tortured souls like Greene. No one makes you care for them more.
During an anti-clerical purge in Mexico, a priest is hunted like a hare. Too human for heroism, too humble for martyrdom, the little worldly priest is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As an author, I love reading books that feature writers and explore their daily ups and downs as well as their larger successes and failures. Working on a novel or an article is already a harrowing task, but throw in other complications like writer’s block, dangerous fans, and sources who won’t give you the information you need, and life gets a lot more challenging. These twisty tomes explore what happens when these writers find their own stories taking some perilous turns.
The once-promising writer Jacob Finch Bonner is out of ideas and down on his luck. When his student Evan Parker proclaims that his work-in-progress is sure to be a runaway hit, Bonner waits to see if this bold proclamation comes to fruition.
After Bonner learns Parker has died, he decides he’ll usher that story into the world—as his own. But someone knows Bonner isn’t the original author. Shame and suspense intertwine and heighten as this book speeds along. I enjoyed Korelitz’s exploration of how far an author will go for praise or even relevancy.
This novel also explores an idea that fascinates me: Who “owns” a story? Just because something happened to you or your family, does that mean no one else can tell it or embellish it? Author Anne Lamott says you own everything that happened to you, but how much should you tell, and how will others react…
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
I was born in a dormitory town in Kent that serves London, but was brought up in the Midland city of Birmingham. I was an avid reader from my early days and much enjoyed espionage novels of that period, as depicted by Geoffrey Household and Eric Ambler. I was in the insurance industry for 35 years, and have woven stories around insurance investigators who became involved in situations by virtue of a routine investigation that inadvertently uncovered criminal or international activities.
This is a book which lodges between the chase type of plot, and the "who dunnit."
The chase aspect revolves around a retired MI5 agent who is brought in to investigate a realised data leakage, and the painstaking process of eliminating suspects until the perpetrator is found. Not so much a "who dunnit," as a "who’s doing it."
The story has authenticity inasmuch as the author was a member of the security services during the war.
From the New York Times bestselling author of A Legacy of Spies.
The man he knew as "Control" is dead, and the young Turks who forced him out now run the Circus. But George Smiley isn't quite ready for retirement-especially when a pretty, would-be defector surfaces with a shocking accusation: a Soviet mole has penetrated the highest level of British Intelligence. Relying only on his wits and a small, loyal cadre, Smiley recognizes the hand of Karla-his Moscow Centre nemesis-and sets a trap to catch the traitor.
The Oscar-nominated feature film adaptation of Tinker Tailor Soldier Spy is directed…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Sheldon Horowitz, an aging widower suffering from dementia, has been removed from New York to Oslo, so he can live with his granddaughter, his only relative, and her new husband.
Confused but wily, Horowitz is soon on the run in a country he does not know, hiding the neighbor boy being pursued by the thug who murdered the boy’s mother. This book was a total surprise to me, and seemed an unlikely amalgam of elements that could never work together—but did.
He will not admit it to Rhea and Lars - never, of course not - but Sheldon can't help but wonder what it is he's doing here...Eighty-two years old, and recently widowed, Sheldon Horowitz has grudgingly moved to Oslo, with his grand-daughter and her Norwegian husband. An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam. When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
Prior to this book, most works on the long history of terrorism applied contemporary definitions of the term to various incidents throughout world history. Wilson turned the page on this framework.Killing Strangersanalyzes the gamut of political violence in Western Europe and North America since the late eighteenth century to explain how we’ve arrived at a contemporary reality characterized, in part, by recurring fear of impersonal atrocities carried out in public gathering spaces. Wilson shows how, on one hand, the rise of the modern bureaucratic state’s “monopoly” on legitimate force pushed most violent challengers to the fringes of society. On the other hand, various technological innovations—from dynamite and automobiles to commercial airlines and satellite television—offered new possibilities for those intent on violent havoc.
A bewildering feature of so much contemporary political violence is its stunning impersonality. Every major city centre becomes a potential shooting gallery; and every metro system a potential bomb alley. Victims just happen, as the saying goes, to 'be in the wrong place at the wrong time'.
We accept this contemporary reality - at least to some degree. But we rarely ask: where has it come from historically? Killing Strangers tackles this question head on. It examines how such violence became 'unchained' from inter-personal relationships. It traces the rise of such impersonal violence by examining violence in conjunction with changing…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I was born in Washington, D.C., in a hospital not far from the U.S. Capitol. I remember being awestruck walking through its halls on tours as a kid. As a journalist, I covered some hearings and interviewed Congress representatives and staff there. The attack on January 6, 2021, was more than a breach of a landmark, historic building representing the top legislative body in the country; it was an assault on the fabric of democracy itself. A tragic crime occurred there that left several people dead and many injured, both physically and emotionally. We must hold everyone involved, especially those at the top who planned this invasion, accountable for what occurred that day.
U.S. Rep. Jamie Raskin was not only inside the Capitol on January 6 when it was stormed, he had just tragically buried his 25-year-old son the previous day. His book, a cathartic exercise for himself and a shocked nation, drills down to the heart of what happened, showing in graphic detail how violent and terrifying that day was from an insider’s perspective.
As a former constitutional law professor at American University who later became a Trump impeachment manager and member of the U.S. House Select Committee investigating the attack, Raskin eloquently explains the underlying events and issues that led to the violent breach. He argues forcefully why the former president himself must be held accountable before the country can begin a crucial, difficult healing process.
In this searing memoir, Congressman Jamie Raskin tells the story of the forty-five days at the start of 2021 that permanently changed his life-and his family's-as he confronted the painful loss of his son to suicide, lived through the violent insurrection in our nation's Capitol, and led the impeachment effort to hold President Trump accountable for inciting the political violence.
On December 31, 2020, Tommy Raskin, the only son of Maryland Congressman Jamie Raskin, tragically took his own life after a long struggle with depression. Seven days later on January 6, Congressman Raskin returned…
I guess it would be true to say I am one of the first generation of white, English-speaking South Africans who identify as African. I got that red dust in my veins at an early age, and it hit me hard. I have spent almost all my professional life as a travel journalist and writer of natural history books, all about South Africa and beyond. I have traveled the world, but I really only love and can live in this place. Also, it’s the only place I ever want to write about. So, as you can guess, I like to read about it too. And I hope you do as much.
The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.
Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The…
'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?'
Darling and her friends live in a shanty called Paradise, which…
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Craib’s Renegade uses a biographical approach to explore larger cultural and transnational politics—this time in early twentieth-century Chile. Again, migration—so crucial to the history of Latin American anarchism—plays a central role in understanding the multinational dimensions of anarchism in countries across the region. Craib uses the life and death of the anarchist poet Domingo Gómez Rojas, along with his friends and comrades, to explore the Chilean anarchists and their relations with student rebels. The book illustrates how anarchists in Chile created urban “transnational communities” of anarchists born in Santiago, anarchists who moved to the capital, and anarchists who immigrated to Chile. They then used their culture and multinational experiences to forge transnational connections beyond Chile.
On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of Jose Domingo Gomez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade", Gomez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
A searing account by a retired Chinese journalist of the impact of social unrest and factional clashes in a rural area of central Hunan province in the late 1960s during the Cultural Revolution. Tan’s haunting account starts with his memories of passing through this area around the time the events he goes on to recount as a young journalist decades before. With research and investigation, he finds that the quiet but unsettling place he remembers witnessing was in fact consumed by murder and bloodshed. Some of these events he documents. A book that describes but does not judge, making its impact even more powerful.
A spasm of extreme radicalism that rocked China to its foundations in the mid- to late 1960s, the Cultural Revolution has generated a vast literature. Much of it, however, is at a birds-eye level, and we have very few detailed accounts of how it worked on the ground. Long after the event, Tan Hecheng, now a retired Chinese writer and editor, was sent to Daoxian, Mao's home county, to report on the official investigation into the massacre that took place there during the Cultural Revolution.
In The Killing Wind, Tan recounts how over the course of 66 days in 1967,…