Here are 74 books that A Hall of Mirrors fans have personally recommended if you like
A Hall of Mirrors.
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I’ve always been interested in books that explore themes of identity, with characters either discovering who they are under extreme pressure or who they’re not. I also love books that work on several different levels, especially ones that seem as if they’re "just" a thriller, but there’s so much more going on underneath. This list has some great examples of that. Can characters in a novel have more than one identity? And do they - and we as readers - always know who we are? I’m a pseudonym, so I should know...
No list of mine would be complete without a Graham Greene novel on it.
My favourite author, the one I return to time and again. I reread this novel while I was writing my book, and it had lost none of its power or, indeed, glory since the last time I read it.
The story of a whisky priest on the run in the anti-Catholic purges in South America, it’s about faith, hope, self-worth, and fear. And redemption? Maybe. Maybe not. No one writes tortured souls like Greene. No one makes you care for them more.
During an anti-clerical purge in Mexico, a priest is hunted like a hare. Too human for heroism, too humble for martyrdom, the little worldly priest is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As an author, I love reading books that feature writers and explore their daily ups and downs as well as their larger successes and failures. Working on a novel or an article is already a harrowing task, but throw in other complications like writer’s block, dangerous fans, and sources who won’t give you the information you need, and life gets a lot more challenging. These twisty tomes explore what happens when these writers find their own stories taking some perilous turns.
The once-promising writer Jacob Finch Bonner is out of ideas and down on his luck. When his student Evan Parker proclaims that his work-in-progress is sure to be a runaway hit, Bonner waits to see if this bold proclamation comes to fruition.
After Bonner learns Parker has died, he decides he’ll usher that story into the world—as his own. But someone knows Bonner isn’t the original author. Shame and suspense intertwine and heighten as this book speeds along. I enjoyed Korelitz’s exploration of how far an author will go for praise or even relevancy.
This novel also explores an idea that fascinates me: Who “owns” a story? Just because something happened to you or your family, does that mean no one else can tell it or embellish it? Author Anne Lamott says you own everything that happened to you, but how much should you tell, and how will others react…
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
I was born in a dormitory town in Kent that serves London, but was brought up in the Midland city of Birmingham. I was an avid reader from my early days and much enjoyed espionage novels of that period, as depicted by Geoffrey Household and Eric Ambler. I was in the insurance industry for 35 years, and have woven stories around insurance investigators who became involved in situations by virtue of a routine investigation that inadvertently uncovered criminal or international activities.
This is a book which lodges between the chase type of plot, and the "who dunnit."
The chase aspect revolves around a retired MI5 agent who is brought in to investigate a realised data leakage, and the painstaking process of eliminating suspects until the perpetrator is found. Not so much a "who dunnit," as a "who’s doing it."
The story has authenticity inasmuch as the author was a member of the security services during the war.
From the New York Times bestselling author of A Legacy of Spies.
The man he knew as "Control" is dead, and the young Turks who forced him out now run the Circus. But George Smiley isn't quite ready for retirement-especially when a pretty, would-be defector surfaces with a shocking accusation: a Soviet mole has penetrated the highest level of British Intelligence. Relying only on his wits and a small, loyal cadre, Smiley recognizes the hand of Karla-his Moscow Centre nemesis-and sets a trap to catch the traitor.
The Oscar-nominated feature film adaptation of Tinker Tailor Soldier Spy is directed by…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Sheldon Horowitz, an aging widower suffering from dementia, has been removed from New York to Oslo, so he can live with his granddaughter, his only relative, and her new husband.
Confused but wily, Horowitz is soon on the run in a country he does not know, hiding the neighbor boy being pursued by the thug who murdered the boy’s mother. This book was a total surprise to me, and seemed an unlikely amalgam of elements that could never work together—but did.
He will not admit it to Rhea and Lars - never, of course not - but Sheldon can't help but wonder what it is he's doing here...Eighty-two years old, and recently widowed, Sheldon Horowitz has grudgingly moved to Oslo, with his grand-daughter and her Norwegian husband. An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam. When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
Prior to this book, most works on the long history of terrorism applied contemporary definitions of the term to various incidents throughout world history. Wilson turned the page on this framework.Killing Strangersanalyzes the gamut of political violence in Western Europe and North America since the late eighteenth century to explain how we’ve arrived at a contemporary reality characterized, in part, by recurring fear of impersonal atrocities carried out in public gathering spaces. Wilson shows how, on one hand, the rise of the modern bureaucratic state’s “monopoly” on legitimate force pushed most violent challengers to the fringes of society. On the other hand, various technological innovations—from dynamite and automobiles to commercial airlines and satellite television—offered new possibilities for those intent on violent havoc.
A bewildering feature of so much contemporary political violence is its stunning impersonality. Every major city centre becomes a potential shooting gallery; and every metro system a potential bomb alley. Victims just happen, as the saying goes, to 'be in the wrong place at the wrong time'.
We accept this contemporary reality - at least to some degree. But we rarely ask: where has it come from historically? Killing Strangers tackles this question head on. It examines how such violence became 'unchained' from inter-personal relationships. It traces the rise of such impersonal violence by examining violence in conjunction with changing…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is a meditation on the ways in which violence has come to shape everyday life in the modern age, from the international political stage to scenes of our own daily routines.
Particularly poignant and thought-provoking are Žižek’s considerations of how inactivity, passivity, and reluctance to engage may ultimately be the most violent courses of action to adopt.
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
The Shining Path war was the bloodiest episode in modern-Peruvian history, claiming the lives of nearly 70,000 people. While there are a number of excellent books on the Shining Path, I have never read an account of the war as captivating as this—and I doubt I ever will. Gavilán, an Indigenous peasant from the Andean region at the heart of the conflict, recounts his harrowing journey from child soldier in the guerrilla ranks to teenaged soldier in the Peruvian military. Along the way, the author invites readers to share the innermost struggles of a young man driven to survive against incredible odds. The writing is notable for its quick pace and brutal honesty. A must-read for anyone wishing to understand Peru’s political backdrop and contemporary history.
When Rains Became Floods is the gripping autobiography of Lurgio Gavilan Sanchez, who as a child soldier fought for both the Peruvian guerrilla insurgency Shining Path and the Peruvian military. After escaping the conflict, he became a Franciscan priest and is now an anthropologist. Gavilan Sanchez's words mark otherwise forgotten acts of brutality and kindness, moments of misery and despair as well as solidarity and love.
My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared.
This was the first book I read when researching Argentina’s military dictatorship over twenty years ago. It was gifted to me by the head of the graduate program in international affairs at The New School. It explores the use of language in the context of the human rights atrocities that occurred during this dark period of Argentina’s history.
Marguerite Feitlowitz's marrying of investigative narrative with human storytelling makes the work accessible and richly informative.
Tanks roaring over farmlands, pregnant women tortured, 30,000 individuals "disappeared"--these were the horrors of Argentina's Dirty War. A New York Times Notable Book of the Year and Finalist for the L.L. Winship / PEN New England Award in 1998, A Lexicon of Terror is a sensitive and unflinching account of the sadism, paranoia, and deception the military junta unleashed on the Argentine people from 1976 to 1983.
This updated edition features a new epilogue that chronicles major political, legal, and social developments in Argentina since the book's initial publication. It also continues the stories of the individuals involved in the…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
A searing account by a retired Chinese journalist of the impact of social unrest and factional clashes in a rural area of central Hunan province in the late 1960s during the Cultural Revolution. Tan’s haunting account starts with his memories of passing through this area around the time the events he goes on to recount as a young journalist decades before. With research and investigation, he finds that the quiet but unsettling place he remembers witnessing was in fact consumed by murder and bloodshed. Some of these events he documents. A book that describes but does not judge, making its impact even more powerful.
A spasm of extreme radicalism that rocked China to its foundations in the mid- to late 1960s, the Cultural Revolution has generated a vast literature. Much of it, however, is at a birds-eye level, and we have very few detailed accounts of how it worked on the ground. Long after the event, Tan Hecheng, now a retired Chinese writer and editor, was sent to Daoxian, Mao's home county, to report on the official investigation into the massacre that took place there during the Cultural Revolution.
In The Killing Wind, Tan recounts how over the course of 66 days in 1967,…