100 Books Like Dispatches

I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.

I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.

My interests lie in the personal experiences of war and revolution and their aftermaths. Radicalism and the Origins of the Vietnamese Revolution is a tribute to my parents' generation of young Vietnamese who sought to combine their attempts to free themselves of the shackles of oppressive tradition with the struggle to win independence from French colonial rule before the introduction of competing ideologies.

Who can really claim that they know everything about the human heart, the mind, the soul? The infinite mysteries and complexities of what makes someone who we can call “human.” I'm betting no one. Certainly not me. But what's important is the passion to keep exploring, to keep digging through the mind in an effort to understand myself. That effort, along with what I discover, is one of the most tangible things that not only enriches my living life, but also gives me comfort facing the inevitable end. These books were passionate companions, inspiring me, for however long, to further my efforts in self-discovery.

The Vietnam War was a life changing experience for those who fought it and lived through those times; one that will end only when the last one of them dies. Like so many wars, Vietnam will fade into the distant memory of history as a name, some dates, and a historian’s impersonal commentary. My preparation for that war, my infantry training at Fort Polk, and later as a paratrooper with the 82nd Airborne Division as well as my subsequent experience with friends returning from Vietnam have given me the unique ability to experience it through many different perspectives. My goal is to ensure the reader will experience as closely as possible the things they saw.

When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.

I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.

My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions. 

I am a Bangkok-based journalist from San Francisco, California, reporting news from Asia since 1978 and winner of Columbia University's Foreign Correspondent's Award. My work, including this book, has taken me to Tibet, India, Nepal, Laos, Vietnam, Afghanistan, Sri Lanka, New York, and elsewhere. Fragments of people and their distant voices are the behavior and quotes that inspire. Slices, starting at random moments and ending in bleak locations, fascinate and hypnotize. And transcribing handwritten notes, impressions, and exclusive interviews, create my RocknRolla lyrics.

I’ve devoted most of my life as a writer, historian, and teacher to understanding and connecting the events of the 20th century and their origins in the deep past. I believe World War I stands as one of the greatest human tragedies because the bloodiest events of the past century were directly caused by it. The tyrants Hitler and Stalin who thrived on mayhem and parasitized their societies were simply inconceivable without the destruction wrought by the Great War. I’m sometimes asked how I get up in the morning. I reply, ‘writing 20th-century history is a dirty job but some of us have gotta do it.’