Books like A Good Night Walk — picked by fans

I chose these books because they each approach big feelings with a kind of gentle honesty and expressive clarity. These classics use powerful, earnest text and heartfelt illustrations that help name, normalize, and, at times, create an adventure around feeling new, big emotions. Each of these treasured titles offers more than just a story—they give children tools for emotional resonance and resilience. They strike a delicate balance between lyrical prose, whimsical art, and emotional honesty. The Mood Swing is a charm bracelet of these different stories, woven into one. Many gave me comfort as a kid, and helped me feel supported and empowered to explore—and name—my deepest feelings.

I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that. 

I’ve spent my whole life working with children’s books. Firstly, as a listener–I was lucky enough to be read to frequently as a child. Then, as a reader. Later, I shared books as a teacher, editor, and publisher. But perhaps my favorite moments with books have been as a mother and now as an author. That’s a lot of books read, written, edited, shared, and loved! And for me, bedtime is the best time of day to share a book with a child. So, snuggle up and enjoy a favorite book with a favorite little person–they won’t be little for long!

My first memories are of sitting in the garden munching strawberries off the vine as my grandfather picked vegetables. Dad’s days off meant a trip to the nature reserve or sledding the town slopes. Vacations were for jumping in waves and exploring tidepools. Mom collected antique children’s books and instilled a passion for reading. When not exploring the woods across the railroad tracks with friends, I was reading. Childhood and my passion for nature intersect in my writing in two of my other books, A Beach Tail and Circles of Hope. Nowadays, my routine includes writing in my woodland cabin and daily hikes with my flat-coated retriever, Lowani.

As a children's book writer, I want my books to be infused with S.T.E.A.M (science, technology, engineering, art, and science), imaginative adventure, and empowering words. These 3 elements are important for cultivating their minds. Great inventions and discoveries have come from people who were curious. I believe that it's our responsibility as parents to expose them to new interests and speak empowering words to their developing minds. Parents play a key role in how their children see themselves. I hope that my books encourage unity, spark the imagination, build strong parent-child relationships, initiate dialogue, and promote learning.

When I was pregnant for the first time, I knew exactly the sort of mother I was going to be. I had read all the articles, bookmarked all the tastefully filtered Instagram posts. But then I had my son, and I realized almost immediately how little I knew. It turns out that while those tender Instagram moments do happen (and they truly are magic), there are just as many moments that can only be described as: WTF? My novel, The Perfect Ones, goes deep behind the screens of two Instagram influencers and their messy, conflicting, and fundamentally human feelings on motherhood. Here are five more books about the parts that don’t make the Instagram grid.

I never read much urban history until I wrote one. For me, the problem was that most urban histories felt repetitive – they presented the same story over and over, just set in different locations. This was because most narrated the results of deeper, structural shifts (in spheres such as federal strategies of home finance, technological developments, demographic shifts, the rise or decline of manufacturing, political realignments, etc.) without sufficiently illuminating the causes. Regardless of whether they focus on Las Vegas or Philadelphia or Chicago or Dallas, each of these books – which I am presenting in order of publication date, not quality, as they are all excellent – will leave you smarter about the forces that shape our cities.  

My mother was the child of immigrants from Finland with grade-school educations who grew up in a small Alaskan town with no roads in or out. She came down to the “lower 48” during the Second World War to work her way through the University of Washington, where she met my father. He was a multigenerational American with two college-educated parents. His mother graduated from Whitman College in 1919 and looked down on my mother as a child of poorly educated immigrants. She was also openly hostile toward Catholics, Blacks, and Jews and probably didn’t think much of Finns either. Witnessing my grandmother’s disdain for minorities and the poor including my mother, I learned about racism and class prejudice firsthand. But I am my mother’s son, and I resented my grandmother’s self-satisfied posturing. Therefore I’ve always been on the side of the underdog and made it my business to learn all that I could about how inequalities are produced and perpetuated in the United States, and to do all I can to make the world a fairer, more egalitarian place.

I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.

I am a comparative urban specialist who came to Japanese urban history through my aspiration to place Russian urban studies within a comparative context.  Several Japanese and Western Japan specialists encouraged me to advance this exploration by examining capitalist industrial urbanization in Japan.  Historians and political scientists -- particularly at Kyoto National University -- provided a platform for me to expand my engagement with Japanese urbanization; relations which have continued for some three decades.  More recently, I included Kabuki in The Muse of Urban Delirium, a collection of essays that seeks answers to the challenges of urban diversity, conflict, and creativity using various performing arts – opera, dance, theater, music – as windows onto urban life.