Here are 100 books that A Gentleman Never Keeps Score fans have personally recommended if you like
A Gentleman Never Keeps Score.
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I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
No, this isn't the title of a B-movie—it's the fun, sexy, and surprisingly sweet start of a series with wonderful world-building and likable characters.
This book is about how a group of human women abducted by evil aliens crash-land on a planet full of hunky, endearing aliens and the adventures they share.
I loved how the aliens cherished and celebrated the women in this story instead of reviling their humanity, as I've seen in other sci-fi stories. The spicy scenes are hot, and the heroine is a natural leader who doesn't passively wait around to be rescued.
This is a dual-POV story, and the alien hero's confusion over human quirks is quite funny. Escapism at its best!
You'd think being abducted by aliens would be the worst thing that could happen to me. And you'd be wrong. Because now, the aliens are having ship trouble, and they've left their cargo of human women - including me - on an ice planet.
And the only native inhabitant I've met? He's big, horned, blue, and really, really has a thing for me...
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
I’m a sucker for stories about two outcasts who find belonging together, and this book does that beautifully.
It’s about a ballerina who haunts her beloved home after being murdered in the 1920s. She’s bored and desperately lonely until a crazed vampire becomes imprisoned in her mansion.
Because he’s not human, the vampire can see the beautiful ghost, and sparks fly.
This book is a master class in writing sexual tension since the characters can’t touch initially. Once they could touch, I loved how the heroine was fully comfortable in her sexuality and assertive with her less experienced vampire partner.
The author also does a great job of showing how the two progress and change through their own character arcs, with love being the catalyst for their growth.
On the night lovely Neomi Renate, a famous ballerina at the turn of the century, was murdered, an evil force turned her into a spectre - a phantom that's neither alive nor dead - and cursed her to relive her harrowing death every month during the full moon. Unable to leave her home, she has managed to scare away any trespassers, until she encounters an inhabitant even more terrifying than Neomi herself.
When Conrad Wroth, a vampire warlord who's been half-mad for centuries, first beholds Neomi, he knows nothing will stop him from claiming the ethereal beauty as his own…
I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
Have you ever dreamed about escaping all your problems by picking up and moving to Scotland to become a sword-maker?
That’s exactly what the heroine does in this book. Contemporary romance isn’t my favorite, but everything Alyssa Cole writes is full of emotional depth, diverse characters, and chemistry for days.
The hero of this book is a sexy, lovable grouch, and the heroine battles her own insecurities and struggles with ADHD in a way that makes you want to cheer by the end of the book.
I loved the themes of finding your own path despite family expectations, and how the hero never tried to rein in the heroine but stepped up his own self-growth to meet her.
An NPR Best Book of the Year - A Bookish Favorite Book of the Year - A Bookpage Best Romance of the Year
Award-winning author Alyssa Cole's Reluctant Royals series continues with a woman on a quest to be the heroine of her own story and the duke in shining armor she rescues along the way...
New York City socialite and perpetual hot mess Portia Hobbs is tired of disappointing her family, friends, and-most importantly-herself. An apprenticeship with a struggling swordmaker in Scotland is a chance to use her expertise and discover what she's capable of. Turns out she excels…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
For fans of slow-burn, enemies-to-lovers fantasy, this book is gold.
With Beauty and the Beast and Hades and Persephone vibes, this book tells the story of a human woman who is kidnapped and wed to the Frost King, a brooding immortal.
The writing is beautiful, and I appreciated how it took a long time for the heroine and hero to trust each other and break down their walls. Both characters are deeply flawed, yet you still root for their happiness.
The world-building is lovely and folkloric. Getting into the steamy parts takes a while, but it’s worth the wait!
Lush. Dark. Romantic. Introducing a newly reimagined tale written in the vein of Beauty and the Beast and Hades and Persephone.
Long before civilization, there were the gods. And before the gods, there was the earth, the celestial bodies, and air given flesh. They are the Anemoi-the Four Winds-and they have been banished to the four corners of the world.
Wren of Edgewood is no stranger to suffering. Her parents are gone. Survival is all she knows. For three hundred years, the land known as the Gray has been encased in ice, surrounded by a great barrier called the Shade,…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
Whenever I read a Cat Sebastian, I sigh in envy at how well she writes nuanced characters with nuanced emotions.
InSoldier’s Scoundrel, two heroes from very different backgrounds unite around a single goal.
From Jack’s perspective, we see the challenges of poverty and classism. From Oliver, we see a veteran trying to adjust to everyday life.
Together, they try to protect and defend women from physical, emotional, and economic abuse. Their love story is beautiful, requires them to pierce layers of their psyches to find vulnerability, and makes you feel all of the feels.
Even better, by the end of the novel, I had a new perspective on how the patriarchy works in societal systems. This is a read that made my empathy grow like the Grinch’s heart!
Jack Turner grew up in the darkness of London’s slums, born into a life of crime and willing to do anything to keep his belly full and his siblings safe. Now he uses the tricks and schemes of the underworld to help those who need the kind of assistance only a scoundrel can provide. His distrust of the nobility runs deep and his services do not extend to the gorgeous high-born soldier who personifies everything Jack will never be.
A soldier untarnished by vice
After the chaos of war, Oliver Rivington craves the…
Two people (or more!) who find a home in each other when they don't have a home in the world make my heart leap. I love romance, and I've been writing and drawing them professionally for over 20 years. I got my start writing and drawing sexy comics when I was out of college, my work has been featured in the Museum of Sex in NYC and various anthologies focused on queer and intersectional feminist stories about love and sex. I love stories about queer people, or outcasts, or people who don't quite understand themselves yet.
I love stories about outcasts, persistent f*ck-ups, people who’ve been told a story about themselves their whole lives that somewhere along the line they started to believe. I love when they find someone who’s been told a similar story, and they help each other to not believe in those stories anymore.
Lawrence Browne, the Earl of Radnor, is mad. At least, that’s what he and most of the village believes. A brilliant scientist, he hides himself away in his family’s crumbling estate, unwilling to venture into the outside world. When an annoyingly handsome man arrives at Penkellis, claiming to be Lawrence’s new secretary, his carefully planned world is turned upside down.
A swindler haunted by his past . . .
Georgie Turner has made his life pretending to be anyone but himself. A swindler and con man, he can slip into an…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Sylvia Barry is our invention, a solitary witch who writes queer romance from her lighthouse keep. As a pair of co-authors, one of us grew up with the dry humor of Terry Pratchett and Douglas Adams, and the other grew up with fanfiction and romance tropes. We came together to write quirky, queer romances that are playful and ironic but also deal with deeper themes of self-discovery, trauma healing, and community. Rivals-to-lovers and grumpy/sunshine are our favorite tropes to write, especially in dual (or more!) POV, because the Yearning is always juicy, and we play off each other’s energy as we write our opposing characters.
It’s Oscar Wilde and the cast of Monty Python having an orgy on the set of Bridgerton–what’s not to love?
Alexis Hall is an auto-buy author for us, and Something Fabulous is one of our favorites. It’s a hysterical romp–sexy and romantic but also deeply irreverent and laugh-out-loud funny. Chock full of shenanigans, relatable and diverse characters, and a fresh reimagining of Regency romance.
We love a grumpy duke. We love a chaotic, wide-eyed ward. We LOVE Sir Horley Comewithers and his questionable cabin in the woods. There’s a scene with a bee that has caused irreparable damage to our lungs and ribs.
From the acclaimed author of Boyfriend Material comes a delightfully witty romance featuring a reserved duke who’s betrothed to one twin and hopelessly enamoured of the other.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has…
I’ve been a longtime reader of romantic historical and fantasy fiction, and I love to see positive queer representation in those genres. Regardless of who we love, we all need a little escapism in our lives, and it’s even better when it has heart and depth as well as romance and humor and happy ever afters (and plenty of plot). My favorite relationship dynamic is not quite enemies-to-lovers and not quite opposites-attract…it’s more direct-vs-sneaky. I hope you enjoy my five favorites in this very specific niche!
The descriptive writing in this book is beautiful and full of evocative metaphors and similes. Still, it’s the central relationship between the forthright Robin and the secretive, standoffish Edwin that keeps me re-reading it repeatedly.
Unlike the first few recommendations, we see Edwin’s POV, so we know straightaway why he feels the need to hide his true intentions and desires. We also get to experience his quiet, almost reluctant yearning as his and Robin’s shaky friendship turns into more. This one is a lovely, well-developed romance and generally an excellent historical fantasy with an interesting world-building and magic system.
Set in an alternative Edwardian England, this is a comedy of manners, manor houses, and hedge mazes - including a magic-infused murder mystery and a delightful queer romance.
'Lush historical fantasy . . . A delightful book, with richly developed characters' - New York Times
'Mystery! Magic! Murder! . . . This book is a confection, both marvellous and light' - Alix E. Harrow, author of The Ten Thousand Doors of January
For fans of Georgette Heyer or Julia Quinn's Bridgerton, who'd like to welcome magic into their lives . . .
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
This extraordinarily candid memoir is about the complex relationship between the author and his businessman father, both of whom had a secret life.
A self-confessed gay man, young Joe spent much of his life searching for his Ideal Friend in the twilight of homosexual London, but never admitted as much to his father. And only after the latter’s death did his son discover that for many years he had maintained a mistress and their three daughters in a house in Barnes.
The author unravels this complicated tale with impressive honesty and compassion, charting his own feelings of inadequacy, waste, and loss, and lamenting the fact that both he and his father remained ignorant of each other’s hearts and minds.
NYRB CLASSICS: An adult son and acclaimed author offers a heartfelt gay memoir about uncovering his late father's secrets.
“A cross between Dickens's David Copperfield, Rousseau's Confessions, and the new pornography.” —Donald Windham, novelist and memoirist
When his father died, J. R. Ackerley was shocked to discover that he had led a secret life. And after Ackerley himself died, he left a surprise of his own—this coolly considered, unsparingly honest account of his quest to find out the whole truth about the man who had always eluded him in life.
But Ackerley's pursuit of his father is also an exploration…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
I read this while researching my novel and what an eye-opener it turned out to be. It draws on a rich source of resources and the personal testimonies of gay men in the mid-20th century. These are touching and sometimes upsetting as well as illuminating and clearly demonstrate how much more tolerant our culture has become.
I was really moved as well as fascinated and educated by this beautifully put together book.
Drawing on a rich array of source materials including previously unseen, fascinating (and often quite moving) oral histories, archival and news media sources, 'Curing queers' examines the plight of men who were institutionalised in British mental hospitals to receive 'treatment' for homosexuality and transvestism, and the perceptions and actions of the men and women who nursed them. It examines why the majority of the nurses followed orders in administering the treatment - in spite of the zero success-rate in 'straightening out' queer men - but also why a small number surreptitiously defied their superiors by engaging in fascinating subversive behaviours.…
