Here are 100 books that Shakespeare for Squirrels fans have personally recommended if you like
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I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealer…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
I loved this swashbuckling tale of Shakespeare’s fight master because it took me back to Elizabethan England and right on to the stage at The Globe theater. There’s plenty of action and intrigue (the main character’s not only an actor and fight master but a spy!) that inspired me when I was writing the action scenes in my book. The author fills the pages with an impressive amount of historical detail while maintaining a brisk, page-turning pace.
A gripping historical adventure packed with intrigue, deception, rebellion, politics, love and war, that fans of C.J. Sansom will love.
London 1599, a city on the brink of revolution...
He is Queen Elizabeth's last, perhaps her greatest, love - Robert Deveraux, Earl of Essex. Champion jouster, dashing general...and the man that John Lawley, England's finest swordsman, most wishes to avoid. For John knows the other earl - the reckless melancholic - and has had to risk his life for him in battle one time too many.
All John wants is to be left alone to win back the heart of…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Tracy Chevalier writes the novels I want to write! I’ve read just about all of them and was particularly excited to discover Burning Bright.Chevalier’s depiction of London in the early 19th century is masterful, and hugely inspiring for me. Burning Brightis a coming-of-age story that centers around two children’s interactions with the great poet William Blake. I met Tracy Chevalier at the Historical Novel Society Conference in Oxford where she made my day by graciously agreeing to accept a copy of my first novel The Towers of Tuscanywhich was heavily inspired by her novels and even insisting that I sign it!
From the author of the international bestseller Girl With a Pearl Earring and At the Edge of the Orchard, comes a stirring eighteenth-century coming-of-age tale
In the waning days of eighteenth-century London, poet, artist, and printer William Blake works in obscurity as England is rocked by the shock waves of the French Revolution. Next door, the Kellaway family has just moved in, and country boy Jem Kellaway strikes up a tentative friendship with street-savvy Maggie Butterfield. As their stories intertwine with Blake's, the two children navigate the confusing and exhilarating path to adolescence, and inspire the poet to create the…
A frozen road trip. Relentless secret agents. And a Jack Russell Terrier who just drank from the Holy Grail.
Hidden for centuries, an ancient cup possessing divine grace was tucked away to protect it from a shadowy power known as the Organization. But the secret is shattered one winter day…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
This academic work rarely left my side when I was writing The Muse of Fire. It provides an in-depth and well-researched overview for readers who want to know more about the Old Price Riots of 1809—the central historical event in the novel. For me, a huge bonus was that the author, Marc Baer, very graciously consented to read and provide feedback on my book before it was published to ensure I got my facts right about the longest-running and most disruptive riot in British theatrical history.
In September 1809, during the opening night of Macbeth at the newly rebuilt Covent Garden theatre, the audience rioted over the rise in ticket prices. Disturbances took place on a further sixty-six nights that autumn and the Old Price riots became the longest running theatre riots in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics and the book concentrates on the theatricality of audiences, the role of…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to…
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
An electrician and his wife rescue an orphaned baby house sparrow and raise him into adulthood and beyond. This beautifully and at times hilariously told story is full of precious revelations about the rich personality of a bird routinely overlooked by us.
“There’s a special providence in the fall of a sparrow.” --William Shakespeare, Hamlet
B fell twenty-five feet from his nest into the life of Chris Chester. The encounter was providential for both of them. B and Chester spent hours together playing games like bottle-cap fetch or hide-and-seek. They learned “words” in each other’s vocabularies. B developed a fetish for nostrils and a dislike of the color yellow. He grew anxious if Chester came home late from work. At bedtime he would rub his sleepy eyes on Chester’s thumb and settle to sleep in his palm. Chester ended up turning part…
When Walter Shore is murdered by Armenian mobsters, he returns as a Chihuahua seeking good karma while his shady producer brother Barry entangles a screenwriter in dangerous schemes.
I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.
Renaissance writers were trained in rhetoric: how to use language to work through a problem or convey a state of mind.
Today, theories of cognition explore how linguistic devices relate to processes in the brain; for example, metaphor replicates how the mind understands something by associating or comparing it with something else. Lyne’s radical innovation is to bring together these historical and contemporary frameworks for understanding thought and language.
He explores points of contact between Renaissance rhetorical theories and present-day cognitive theories, then applies his insights to analyse works by Shakespeare. This offers a wholly fresh approach to understanding how Shakespeare translates thoughts – his own and those of his characters – into words; and how those words in turn work on our minds as readers or listeners.
Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive…
I have always been fascinated with the macabre and things that go bump in the night. My parents took me to see my first horror movie when I was a month old. It was the 1974 version of It’s Alive. I have been a horror lover ever since. I read my first Stephen King novel, Pet Semetary, at age nine. Then I moved on to Salem’s Lot and The Shining, devouring all three books before I was ten. I have had experiences of things moving in my bedroom when I am the only one there. I believe in the things that go bump in the night.
This book has all of his tales and poems in it. Even his poems get your heart racing and reference things that go bump in the night. Never read it before bed, you will be listening for every little sound, wondering just what may be coming to visit you in the dark.
From Edgar Allan Poe - "Those who dream by day are cognizant of many things which escape those who dream only by night."
The Essential Edgar Allan Poe Collection Contains 76 Poems Written by Poe from 1824 - 1849, as well as 23 of his most Popular and Well-Loved Stories and Tales.
Tales In This Collection Includes:
Morella The Devil in the Belfry The Fall of the House of Usher The Murders in the Rue Morgue The Masque of the Red Death The Pit and the Pendulum The Black Cat The Tell-Tale Heart The Purloined…
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
Written from an actor’s perspective, Shakespeare The Player researches acting companies in Stratford-on-Avon and England during Shakespeare’s youth and adolescence. Southwark explores the possibilities of Shakespeare spending those “Lost Years” from 1585-1592 as an apprentice with acting companies. Shakespeare The Player provides otherwise obscure information about the world of the theater during Shakespeare’s formative years as an actor and writer.
How else did Shakespeare learn the crafts of writing, playing, and directing for which Robert Greene lambasted that “upstart crow…the only Shakes-scene in a country” in 1592?
Shakespeare the Player overturns traditional images of the Bard, arguing that Shakespeare cannot be separated from his profession as actor any more than he can be separated from his works.
Blood From a Rose is a collection of light horror and dark fantasy with a dollop of humor that takes the reader into the dark spaces between dusk and dawn, serving up dark fantasy, paranormal and supernatural short fiction. An exploration of our shadow sides, things that go slurp in…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
This volume of essays about Shakespeare and historical drama catalyzed my doctoral research and my first book. It has been, without a doubt, the single most influential book on my research and early career as an academic.
The contributions are all distinctive, engaging, and carefully researched–and the volume offers an excellent introduction to the contexts of historical drama and writing ‘history’ during the sixteenth and seventeenth centuries, covering a wide range of plays and other primary texts.
It is often one of my top recommendations for students who are starting to work on historical culture. After each encounter with this book, my mind is still left brimming with ideas to explore.
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare's plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume…
