100 Books Like A Boy of Good Breeding

This list could be full of Toni Morrison novels and be no worse for it.

I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.

Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.

Tom Drury has been called “the greatest writer you’ve never heard of” and when you discover his work, you’ll feel a thrill similar to the joy of knowing the gems hiding in plain sight throughout the Midwest (Get it? Plain sight?). The End of Vandalism, Drury’s first novel (you could read any of them- they’re all great, but start with this one as the same characters reappear in future books), takes place in a fictional Iowa town and follows the lives of three of its residents, who are involved in a love triangle. Drury writes real, beautiful, complicated, and thoroughly Midwestern characters. Although Grouse County is fictional, it could just as easily be a real place. And if you find you need more Iowa, read Shoeless Joe by W.P. Kinsella (this is my sneaky way of recommending more than 5 books).

Imagine waking up one morning to find brown, evil-smelling water flowing from your taps. This is what happened in Flint, Michigan, one morning in 2014. Some people blamed the residents of Flint for the debacle, but the city manager made the arbitrary decision to tap into the Flint River to save money. It's ironic that within a week, GM hooked themselves back up to the Detroit waterline as the untreated water was ruining their equipment. 

The story follows two families through generations, converging in the present. I found the flashback to the sit-down strike in 1936 at GM in Flint (Chevy in the Hole) especially interesting. It was the beginning of a strong UAW. 

The main characters, who are determined to coax life back into a city everyone else has given up on, are flawed, thus likeable and real. Gus, newly committed to sobriety, and Monae, an urban farmer, seem… show more.

A mix of coming of age in the first half of the twentieth century, and Bradbury’s peculiar brand of very earthly oddness and sci-fi strangeness, Dandelion Wine is full of all sorts of magic. It reminds you of what it is to be a small human again, when everything seems possible, and aliens and monsters are as likely (and as important) as long summer days spent outside, barefoot and sunburnt and a little feral. Even when we don’t recognise the details of the childhood described, we remember the feeling, and it reawakens a sense of wonder that’s incredibly precious.

I really love this study because it provides a crystal-clear example of how colonialism and dispossession have worked in Canada from the legal, cultural, political, and social angles. It also delves into the topic of the histories we, as a country, choose to remember and those we choose to forget, as well as the issue of who is forgotten in the process. 

I love history—not just historical fiction but actual history books—and this book skillfully weaves together an abundance of intriguing facts and true stories from that city’s history.

Why 1912? Because in that year, Winnipeg was one of the most important cities in North America, largely because it was (and is) located in the very center of the continent, which led to it developing the biggest rail yard in the world.

As we learn from this book, luminaries such as Charlie Chaplin, W.C. Fields, Charles Dickens, Harry Houdini, and many more passed through this thriving city. But that changed in 1914 when the Panama Canal opened, and suddenly, goods were shipped from one ocean to another through that waterway instead of through Winnipeg. In terms of commerce, Winnipeg never fully recovered. 

This book should be made into a movie! Yes, it is written by two legal historians and yes, it is about a court case, but it reads like a thriller. Great characters, twists and turns in the plot, prime ministers, feisty ladies, the whole nine yards. It is the story of how a British court decided that women were “persons” and thus could be appointed to the Canadian Senate. At the time, only certain “persons” were eligible and only men were considered “persons.” It is not about eugenics, but the events take place around 1929 and the authors do a great job of explaining what Canadian society was like then. This helps us appreciate why the ground was so fertile for eugenic ideas and why women like the “persons” involved in the story were also eugenicists.

Jenny Heijun Wills was born in South Korea and adopted by a white Canadian family. She not only had to navigate being Asian in a white world, but she also struggled to find her place within a family that sought to give her a safe home. In her twenties, she returned to Korea to meet her birth family. Told in diary form, Wills navigates her journey to find home while fighting language and cultural barriers. It is a raw and emotional story. It makes me think of my own struggles growing up in Detroit. The faces I saw at home were like my own but that also had its own set of problems.

This book was a safe haven for me. I was feeling uninspired to write nonfiction and unable to focus on the memoir that I had tasked myself with writing. I wanted to write something meaningful and vulnerable yet somehow keep my power and agency to myself. 

Truthfully, this book felt like a safety net. Habib manages to write about her upbringing as a Muslim woman and her relationship to her queerness while also allowing the story to meander between power and vulnerability. It taught me a lot, and I am thankful I got to read it. 

I love how this book weaves in discovering who she is, a humorous element, and winding hilarious stories where you never know what's going to happen next. It also talks honestly about being frustrated as a woman and trying to date, the expectations put on us as women, and how these discourage us from taking our own path.

Now writing on Only Murders in the Building, Newman has a lovely, comedic voice.