100 Books Like Growing a Race

This is the most important book to read if you want to understand (a) eugenics generally and (b) how it played out in Alberta, the part of Canada where these ideas got the most traction. Dyck is a great historian, but even better, she does not forget that history is about real people. Her history is detailed and thorough, but it is not dry. She uses all kinds of interesting sources including courtroom evidence and personal records to bring the issues to life. She also moves the story forward by writing about abortion in the 1970s and 1980s and shows us in a very thought-provoking way the connections between eugenic “fitness” and our notions of “disability” today.

It is important when trying to understand eugenics in Canada to compare how it played out in this country to its trajectory elsewhere. This helps us understand what the commonalities were in the ideas and also to see how and where specific environments resulted in local incarnations of these ideas. Dowbiggin does this for us with great insight by writing comparatively about psychiatry and eugenics in Canada and the U.S. I knew that psychiatrists had enthusiastically taken up the eugenic cause but this book explains really well how and why this happened on both sides of the border, showing us that the profession’s general support for eugenics was not necessarily (or only) because of the ideas themselves, but for professional and status-building reasons.

This is a book about how eugenic ideas were popularized in early movies. It focuses on one particular movie called The Black Stork which tells the true – and shocking – story of Harry Haiselden, a Chicago physician who was accused of allowing the deaths of so-called “defective” babies in the late 1910s. The book also includes fascinating background about the movie industry at the time, as well as about Pernick’s hunt for a copy of this old film. While it is not about Canada, it nevertheless really helps us understand the way eugenic ideas came before the public and their important relationship to pop culture. It is also a very engaging read which introduced me to the fun of learning about old movies.

This book should be made into a movie! Yes, it is written by two legal historians and yes, it is about a court case, but it reads like a thriller. Great characters, twists and turns in the plot, prime ministers, feisty ladies, the whole nine yards. It is the story of how a British court decided that women were “persons” and thus could be appointed to the Canadian Senate. At the time, only certain “persons” were eligible and only men were considered “persons.” It is not about eugenics, but the events take place around 1929 and the authors do a great job of explaining what Canadian society was like then. This helps us appreciate why the ground was so fertile for eugenic ideas and why women like the “persons” involved in the story were also eugenicists.

I loved this book for the author’s strong voice in telling one of pro wrestling’s greatest tragedies.

The book is heavily researched and provides not only a glimpse into the psyche of the central character, Chris Benoit, but reveals the dark side of wrestling and the crazy demands and unfair practices promoters use on pro wrestlers.

A Canadian of Polish and Ojibwe descent, you can tell that Talaga is an experienced journalist, as this moving book is a combination of clear narrative and incisive research.

Starting with Canada, but then widening her lens to Indigenous communities across the world, Talaga shows how the violence of colonialism, the rupture from land and community, and the loss of heritage – compounded by socioeconomic deprivation – has resulted in an epidemic of youth suicide and generational trauma across Indigenous communities.

Talaga’s analysis is devastating, but also gives hope of a possible future reconciliation, through examples of resilience and the recovery of Indigenous ways of knowing and being.

I first discovered Charles de Lint as a fantasy writer, so I was curious to see he had written a cyberpunk novel. While it is a bit of a departure for him, I was very happy to see that he still brings in fantasy touches. I liked this book because of the animist idea of spirits interacting with our world, even when that world is a futuristic dystopia. I also liked there’s a lot of hope, especially in his depiction of the indigenous Claver society.

I loved seeing this world through Gahzee’s eyes as he journeys from his own society (which is sort of proto-solar punk) to the dystopian city, as well as between the human world and the spirit world, as he finds his “Tribe of Three.”

George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.

Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.

With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization. 

Gabby Petito. Natalee Holloway. Laci Peterson. These names probably sound familiar. Lauren Cho, Stephany Flores, and Latoyia Figueroa might not. This illustrates what news anchor Gwen Ifill dubbed “missing white woman syndrome,” the disproportionate media coverage in missing persons cases that attractive, upper-middle-class white women receive.

McDiarmid’s moving book illustrates this phenomenon, following the cases of thousands of Indigenous women who have disappeared from a stretch of road in British Columbia dubbed “The Highway of Tears.” For decades, the cases garnered little media attention until a white woman named Nicole Hoar disappeared in 2002, bringing more resources and coverage.

In painstaking detail, this immersive and necessary book follows several of these previously ignored women’s lives, illustrating the systemic issues that failed the victims and their loved ones.

I love how this book weaves in discovering who she is, a humorous element, and winding hilarious stories where you never know what's going to happen next. It also talks honestly about being frustrated as a woman and trying to date, the expectations put on us as women, and how these discourage us from taking our own path.

Now writing on Only Murders in the Building, Newman has a lovely, comedic voice.