Here are 100 books that A Blessing on the Moon fans have personally recommended if you like
A Blessing on the Moon.
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I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
Millhauser’s stories are miracles. He combines the wonderstruck imagination of the fairy tale lover with surpassing technical expertise, and the result is beautiful art. This collection’s title story, for instance, is simultaneously a fairy tale, an exploration of group morality, a rigorous demonstration of the Freytagian dramatic structure, and a gripping story from start to finish.
Included in this short story collection is "The Sisterhood of the Night", now a major motion picture. From the bestselling author of Martin Dressler, this volume explores the magnificent obsessions of the unfettered imagination, as well as the darker, subterranean currents that fuel them.
With the panache of an old-fashioned magician, Steven Millhauser conducts his readers from the dark corners beneath the sunlit world to a balloonist's tour of the heavens. He transforms department stores and amusement parks into alternate universes of infinite plentitude and menace. He unveils the secrets of a maker of automatons and a coven of teenage…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This book lives up to its title in such unexpected, thrilling, and disturbing ways that I continue to marvel at its many accomplishments. It’s tempting to use certain genre terms to describe it: a fairy tale, horror story, thriller. It is all of those things, but it is also a brilliant psychological novel, a historical novel with few peers, and a work of such persuasive realism that it will shake you to the bone. Few books exceed their ambitions in the way this one does.
An international bestseller and winner of the Prix Goncourt, France's most prestigious literary award, The Ogre is a masterful tale of innocence, perversion, and obsession. It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
This is one of the best, most alive short fiction collections published in the 21st Century. Steinberg’s fictions are generally powerful, but the episodes and sentences that compose them tend to be compelling in their own right. So while the individual narratives in this book are brilliant short fictions on their own, the sentences or thoughts that construct them have an electrifying effect few writers can manage.
An inventive new collection from the author of Hydroplane and The End of Free Love
* A San Francisco Chronicle, Complex, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy and Slaughterhouse 90210 Best Book of the Year *
In these innovative linked stories, women confront loss and grief as they sift through the wreckage of their lives. In the title story, a woman struggles with the death of her friend in a plane crash. A daughter decides whether to take her father off life support in the Pushcart Prize-winning "Cowboys." And in "Underthings," when a man hits his girlfriend, she calls it…
I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.
After Gary’s death, reading became unexpectedly painful. We had both loved books and reading together. The loss of that connection, combined with the brain fog that often accompanies grief, made reading difficult for a good while.
Poetry, though, was different. It wasn’t that it was easier than prose; I was still capable of losing my way mid-sentence. But poetry’s spaciousness—its distilled economy of words surrounded by large and quiet margins—helped the pages feel less overwhelming.
I love this collection by Tess Gallagher, written after the death of her husband, the short story writer and poet Raymond Carver. It is luminous. These poems do what poetry does best: speak what seems unspeakable, and make room for us to breathe as it speaks.
Gallagher's seventh collection of poetry and the first to follow the powerful Moon Crossing Bridge, in which she eulogises her dead husband Raymond Carver. Dear Ghosts conjures the spirits of the past as a communion for the present day - the deceased beloved, a long-dead father and the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality and celebrates new love and friendship in spare lyrics and sprawling narratives, each punctuated by her feisty resilience and signature grace.
Both my parents were born in Leipzig, Germany and were survivors of the Holocaust. I grew up in Upstate New York with stories my mother recounted about her family’s dramatic escape and the many harrowing moments they endured. I was fortunate enough to interview her before her death and to acquire the memoirs of her two sisters. I've always wanted to publish their astonishing story, and I'm thrilled that my readership spans many countries.This book highlights the many individual, family, and village rescuers that saved the lives of my mother’s family. I have stayed connected to the descendants of many of these rescuers and am forever grateful for the risks these heroic people took to save the lives of the Kroch family.
This beautifully written and impeccably researched book is a spellbinding account of rescuers during the Holocaust. Coming from the perspective of a psychotherapist and social psychologist Dr. Fogelman explores the commonalities of rescuers and their motivations that compels them to risk their lives to save others. Dr. Fogelman paints in-depth accounts of some of the many rescuers she interviewed. One of them, Jean Kowalyk, is a Polish 19-year-old woman who hid and saved the lives of seven Jews. One of the men she hides in the attic of her small farmhouse later marries Jean and they move to America, where Dr. Fogelman continued to stay friends with both.
In this brilliantly researched and insightful book, psychologist Eva Fogelman presents compelling stories of rescuers of Jews during the Holocaust--and offers a revealing analysis of their motivations. Based on her extensive experience as a therapist treating Jewish survivors of the Holocaust and those who helped them, Fogelman delves into the psychology of altruism, illuminating why these rescuers chose to act while others simply stood by. While analyzing motivations, Conscience And Courage tells the stories of such little-known individuals as Stefnaia Podgorska Burzminska, a Polish teenager who hid thirteen Jews in her home; Alexander Roslan, a dealer in the black market…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Both my parents were born in Leipzig, Germany and were survivors of the Holocaust. I grew up in Upstate New York with stories my mother recounted about her family’s dramatic escape and the many harrowing moments they endured. I was fortunate enough to interview her before her death and to acquire the memoirs of her two sisters. I've always wanted to publish their astonishing story, and I'm thrilled that my readership spans many countries.This book highlights the many individual, family, and village rescuers that saved the lives of my mother’s family. I have stayed connected to the descendants of many of these rescuers and am forever grateful for the risks these heroic people took to save the lives of the Kroch family.
This fascinating account offers an in-depth look into the hearts and minds of ten Dutch people who saved the lives of thousands of Jewish children during the Nazi occupation of Holland. Less than 1 percent, 55,000 Dutch citizens stood up to the Nazis with active resistance, shouldering the responsibility of saving 140,000 innocent people. As he interviews rescuers, Mr. Klepner, himself a child of a Holocaust survivor, comes to understand the circumstances that led rescuers to make the choices to risk their lives to save Jews.
"You can't let people be treated in an inhuman way around you....Otherwise you start to become inhuman." So declares rescuer Hetty Voûte in this updated edition of THE HEART HAS REASONS, an acclaimed historical account that offers an in-depth look into the hearts and minds of the Holocaust rescuers and explores the meaning that their lives and deeds have for us today. Individually or in small "humanitarian cells," the ten Dutch people profiled in this Kindle book saved the lives of thousands of Jewish children during the Nazi occupation of Holland. How did they do what they did—and why did…
Figuring out who we are, figuring out our identity and where we fit in the scheme of things is one of the great themes in our lives, and in literature. In my life, I’ve gone through many identity crises, some recounted in my memoirs. These are five books that had a profound effect on me—sometimes emotionally, sometimes psychologically, and sometimes led me to think differently about my own life. In all of these books, characters have to make decisions, face struggles, and figure out who they are and how to find themselves and their authentic identity.
This book is about figuring out who one is and where one fits in an evil world. She reaches the conclusion that “In spite of everything, I still believe in the good of man.”
This led me to keep a journal for some years and to encounter the problem of evil when I read this as a 13-year-old. Anne’s vibrancy and desire for love and goodness showed how to keep one's own Spirit alive in one of the worst of circumstances.
One of the most famous accounts of living under the Nazi regime of World War II comes from the diary of a thirteen-year-old Jewish girl, Anne Frank. Today, The Diary of a Young Girl has sold over 25 million copies world-wide; this is the definitive edition released to mark the 70th anniversary of the day the diary begins.
'12 June 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support'
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As the daughter of two Holocaust survivors, I have experienced, observed, and researched inherited trauma. I have also noticed the dearth of works of fiction that focus on the second generation. I believe it is time for the voices of the second generation to be heard, and for the issues facing us to be explored.
Lila tells the story of two WW11 survivor families whose daughters are born on the same day in a Displaced Persons Camp, who immigrate to the United States around the same time, and take apartments in the same building in the South Bronx, New York. The immigrant neighborhood, full of busybody characters, is beautifully rendered. Everyone expects the two girls to be as close as sisters, their lives and fates happily intertwined. However, their growing-up years veer into dangerous territory. While one family manages to establish a home of love and caring, the other morphs into a den of dysfunction and perversion. Upending everyone’s expectations, the two girls embark on a path of jealousy and hatred. As secrets are revealed, their paths diverge, ending in tragedy. The novel is a shattering portrait of how trauma of the Holocaust and inherited trauma passed on to the next generation can destroy lives.
Sarah and Lila both born in 1946, 11 months after the war, on the same day, minutes apart, in a displaced persons camp in Germany, were seen by their parents, Holocaust survivors, as a miracle, and their lives destined to have a bond that would never be broken. They were ... wrong.Both families relocate to the United States, and settle in the South Bronx, in the same neighborhood and building, to start their new lives. By the end of the summer of 1960, everyone finds themselves in the turmoil of love, friendship, and competition. Secrets are disclosed; accusations are made…
