100 Books Like Outer Dark

While short book aimed at younger readers, there’s so much to learn for anyone regardless of age that wishes to exercise their terror-inducing writing muscles. I read this book so long ago that I would guess it was back in 2005. While the time frame is hazy, the details and lessons in the book are anything but. The way Zindel handles the horror parts is what gets this book on this list. The antagonist monster is horrendous of course, but it’s the mystery behind it that is what’s more chilling because it is vaguely hinted at but never outright explained.

Even on the final page, when you learn that this creature isn’t anything new nor anything going away, there are still so many mysteries that will not (and maybe should not) be solved. That is why this book is recommended. When things are over-explained, they tend to lose their magic.… show more.

A fun read, and while this book wasn’t the cause of a flooding of readers in bookstores when it was released, that does not diminish the quality of it. This story takes the Mythos from H.P Lovecraft and adds protagonists that put up a fight against the infamous Deep Ones that every horror aficionado should already know about from Lovecraft’s century-old short story “Dagon”. I recommended this book for the simple reason of writing a protagonist that doesn’t cower in fear doesn’t disqualify the terror if done correctly. As a matter of fact: I would argue it enhances the horror aspects, since showing violence toward a violent enemy early on, rather than a dramatic showdown, can get the hero in much hotter water than they initially planned on.

My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.

There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.

More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.

This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.

Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.

Millhauser’s stories are miracles. He combines the wonderstruck imagination of the fairy tale lover with surpassing technical expertise, and the result is beautiful art. This collection’s title story, for instance, is simultaneously a fairy tale, an exploration of group morality, a rigorous demonstration of the Freytagian dramatic structure, and a gripping story from start to finish.

There is one very excellent reason to read this book: It’s hilarious. Ms. King delivers her memoir of a 1950s-60s Southern childhood with searing, laugh-til-you-cry wit as she turns classic Southern tropes on their eccentric heads. Everything from the ubiquitous obsession with lineage (“Who are your people?”) to a mother’s nickname for a wayward child (“Mama Tried”) receives its due. It’s a must-read if you want to understand Southern culture or if only to make acquaintance with Ms. King’s most famous one-liner, an admission of the indelible effects of Southern training even in failed ladies: “No matter what sex I slept with, I never smoked on the street.” 

As a fiction author who investigates the Southern Jewish Experience as it transects with the African American one, I’ve found the work of Eli Evans indispensible. This collection of essays highlights Evans’ Civil Rights Era bona fides, his work in the LBJ administration as speech writer, his trip with Henry Kissinger to the Middle East. But it is also a book at its most personal and insightful when it celebrates small-town Southern life and the Southern Jew’s place in it. In the title essay Christian neighbors, both Black and white, are at church or enjoying Sunday supper after church, which leaves the often isolated Jewish children with little to do. An experimental fishing trip with his father on one such Sunday warms the heart and brings a smile. It’s worth the price of the book entire.

Dara Horn is a fabulous writer. A recent work, People Love Dead Jews, won the National Jewish Book Award, and for good reason. She is an exquisitely profound, solidly intellectual writer in Guide for the Perplexed. In All Other Nights, she proves herself as a master storyteller on matters of the heart and soul. Set during the Civil War, a young Jewish man volunteers for not-so-patriotic reasons in the Union Army and is set upon a mission of spying and assassination at the bosom of his Southern family. It’s a brilliant story of lovers and enemies separated and reunited with the tragedies of war in between. Beyond all that, it’s a meditation on loyalty and the cruel duplicity of man. Our hero faces innumerable moral choices that attempt to answer the question: What’s a nice Jewish boy doing in a war like this? Horn’s answers do not… show more.

For my money, Stern is the South’s premiere literary comic writer. In this one, he is a Southern Philip Roth with an I.B. Singer twist. A teenage boy discovers a frozen rabbi in the Kelvinator inside his parent’s Memphis basement. The rabbi’s been frozen for one hundred years. Bernie thaws him and what ensues covers a universe of incident: teenage hope and angst, Talmudic wisdom, kabbalistic film-flammery, the seduction of all of Memphis, from lowlifes to elite, by a rabbi (who can fly) selling himself as the font of all magic and knowledge. Stern obviously loves his Memphis and his Jews. At the same time he skewers them with the sleekest wit. Even Israel gets a gratuitous knock. It was the only thing I did not like in the book but it was fleeting, so I got over it. Such is the power of genius.

This book lives up to its title in such unexpected, thrilling, and disturbing ways that I continue to marvel at its many accomplishments. It’s tempting to use certain genre terms to describe it: a fairy tale, horror story, thriller. It is all of those things, but it is also a brilliant psychological novel, a historical novel with few peers, and a work of such persuasive realism that it will shake you to the bone. Few books exceed their ambitions in the way this one does.