Here are 100 books that 1949 the First Israelis fans have personally recommended if you like
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My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Yuri Slezkine’s classic book on the history of Russian Jewry is not a work of migration history strictly speaking. But there is no Jewish history without migration, and Slezkine shows us, among many other things, how Russian Jews ended up in the US, Israel, and the Soviet Union, representing three ideological choices—liberalism, nationalism, and communism.
I read this book back in university, and few works, if any, have had such a profound impact on my historical thinking.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Migration from Eastern Europe has played a defining role in US history and in the history of the region itself. It is all the more surprising that there was no comprehensive book on this “great departure” of tens of millions of people since the end of the 19th century until Tara Zahra wrote this magnificent monograph.
It covers more than a century of emigration, immigration, and return migration across the Atlantic, straddling the end of empires, wars, expulsion, the Cold War, and the end of communism in 1989. It always combines micro- and macro-levels, weaving individual stories in with great narratives of a "long twentieth century."
Between 1846 and 1940, more than 50 million Europeans moved to the Americas, irrevocably changing both their new lands and the ones they left behind. Their immigration fostered an idea of the "land of the free" and yet more than a third returned home again. In a ground-breaking study, Tara Zahra explores the deeper story of this movement of people.
As villages emptied, some blamed traffickers in human labour. Others saw opportunity: to seed colonies like the Polish community in Argentina or to reshape their populations by encouraging the emigration of minorities. These precedents would shape the Holocaust, the…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Histories of migration to Germany are often stories of problems and failure, of racism and troubled integration. This book does not negate these problems but consciously strives to develop a positive narrative of how migration–both emigration and immigration–is an integral part of German history.
Unlike most other scholars of migration, who envisage a post-national future of German society, Jan Plamper tries to develop a vision of positive national identification with a modern German nation that builds on the insight that “we are all migrants.” It is the last book the author, a dear friend of mine, wrote before his untimely passing in 2023 and will hopefully be his lasting legacy.
In 2015, Germany agreed to accept a million Syrian refugees. The country had become an epicenter of global migration and one of Europe's most diverse countries. But was this influx of migration new to Germany? In this highly readable volume, Jan Plamper charts the groups and waves of post-1945 mobility to Germany. We Are All Migrants is the first narrative history of multicultural Germany told through life-stories. It explores the experiences of the 12.5 million German expellees from Eastern Europe who arrived at the end of the Second World War; the 14 million 'guest workers' from Italy and Turkey who…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
I have only recently read this book, but I already count it among my favorites.
Sheila Fitzpatrick, the great social historian of the Soviet Union, turns to the topic of migration to tell the story of the “Russians”—an ambiguous category she problematizes in her book—who made it to Australia after the Second World War. Some came from Europe, others from China, and all of them had complicated and often dramatic journeys behind them.
Fitzpatrick writes this quite unknown history with the analytical mind of the social historian, a great sense of human touch and storytelling—and against the backdrop of her own recent return migration to Australia after decades abroad.
Over 20,000 ethnic Russians migrated to Australia after World War II - yet we know very little about their experiences. Some came via China, others from refugee camps in Europe.
Many preferred to keep a low profile in Australia, and some attempted to 'pass' as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia's resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its…
I’ve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes people’s lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present.
I loved this book because, while it is full of personal stories, it also looks at the big picture and asks why global migration is happening in the ways that it is.
The author centers colonialism in his explanation of why people are coming from the Global South to the North and why it is short-sighted to fear and loathe such newcomers. Mehta is a really excellent writer–I loved the way he weaved the forest and the trees together to help explain the politics of migration from the global to the local level.
An impassioned defence of global immigration from the acclaimed author of Maximum City.
Drawing on his family's own experience emigrating from India to Britain and America, and years of reporting around the world, Suketu Mehta subjects the worldwide anti-immigrant backlash to withering scrutiny. The West, he argues, is being destroyed not by immigrants but by the fear of immigrants. He juxtaposes the phony narratives of populist ideologues with the ordinary heroism of labourers, nannies and others, from Dubai to New York, and explains why more people are on the move today than ever before. As civil strife and climate change…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
I first came across this poet at a conference in Tennessee. You know you're legit when even the fiction writers are like, you need to read this guy.
The poem “Mexican Heaven” is about what heaven would be like if it were inhabited by all Mexicans. It’s hilarious and wise. He has this other poem about being disciplined by his dad, which captures the immigrant experience–how your dad beats you, but in the punishment is a strange form of love.
Olivarez is nice with it. His poems have rhythm and prowess, but they are also palatable in a way that doesn't sacrifice craft.
In this stunning debut, poet Jose Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Combining wry humour with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender,class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
Very Cold People is an atmospheric, sharply observed coming-of-age novel set in an old money town called Waitsfield, outside Boston. Ruthie, the narrator, is not wealthy at all, and her story is one of slights, deprivation, and wanting. Everyone is hiding something, including Ruthie and her family, and Sarah Manguso ratchets up the tension as the book unfolds, and their secrets are revealed.
The masterly debut novel from “an exquisitely astute writer” (The Boston Globe), about growing up in—and out of—the suffocating constraints of small-town America.
“Compact and beautiful . . . This novel bordering on a novella punches above its weight.”—The New York Times
“Very Cold People reminded me of My Brilliant Friend.”—The New Yorker
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Good Housekeeping
“My parents didn’t belong in Waitsfield, but they moved there anyway.”
For Ruthie, the frozen town of Waitsfield, Massachusetts, is all she has ever known.
I’m a children’s book writer from Frisco, Texas. I’ve published two middle grade chapter books, Pippa Park Raises Her Game and Pippa Park Crush at First Sight. I’ve always been captivated by novels that make me hungry; you can blame formative children’s books like If You Give a Mouse a Cookie or Stone Soup for that. That’s why today I’m sharing my top 5 favorite middle grade books that have a foodie twist. Some of them revolve entirely around food; others simply offer a notable scene. Either way, I hope you’ll find them as delectable as I do!
When 11-year-old Jingwen moves to a new country, he distracts himself from his loneliness by attempting to bake every cake on the menu of Pie in the Sky, the bakery his recently deceased father dreamed about opening.
Part prose, part graphic novel, and a hundred percent heartwarming, this book is studded with delightful bakes that you’ll want to try out at home.
When Jingwen moves to a new country, he feels like he's landed on Mars. School is torture, making friends is impossible since he doesn't speak English, and he's often stuck looking after his (extremely irritating) little brother, Yanghao.
To distract himself from the loneliness, Jingwen daydreams about making all the cakes on the menu of Pie in the Sky, the bakery his father had planned to open before he unexpectedly passed away. The only problem is his mother has laid down one major rule: the brothers are not to use the oven while she's at work. As Jingwen and Yanghao…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011.
I reviewed this novel, and I really loved it. Many folks think they know what migrants experience from the news, but this novel tells the story with a different spin: an Egyptian Bedouin who tries to get to Italy via Libya.
Living in Libya is as absurd as it is dangerous. The narrator is a hassler, but you still feel sorry for him when he almost gets killed by a customer for using cheap spray paint in a body shop in Libya. Besides the body shop, he works as a bootlegger, cook, and a concrete-block maker before he makes a harrowing crossing on a flimsy boat across the Mediterranean.
Once in Italy, he gets a few jobs in construction but then falls into a gang of drug dealers. He is Egyptian but pretends to be an Iraqi named “Baffo.” One crazy thing happens after another until he needs to make…
Abu Golayyel’s gritty tale of two men’s ill-conceived quest for a better life via the deserts of the Middle East and the cities of Europe is pure storytelling
Two Bedouin men from Egypt’s Western Desert seek to escape poverty through different routes. One—the intellectual, terminally self-doubting, and avowedly autobiographical Hamdi—gets no further than southern Libya’s fly-blown oasis of Sabha, while his cousin—the dashing, irrepressible Phantom Raider—makes it to the fleshpots of Milan.
The backdrop of this darkly comic and unsentimental story of illegal immigration is a brutal Europe and Muammar Gaddafi’s rickety, rhetoric-propped Great State of the Masses, where “the…
