I embody the âAmerican Dreamâ mythology: I came to the United States as a child who did not speak English and had few means. And now I am the Chair of the English Department at Harvard. But I am the exception, not the rule. So many migrants die on perilous journeys or survive only to live marginal lives under surveillance. Yet we donât always ask why people risk their lives and those of their children to migrate. And when we do, we donât often go beyond the first layer of answers. The list of books I recommend allows us to think deeply about the roots of forced migration.
I wrote
Migrant Aesthetics: Contemporary Fiction, Global Migration, and the Limits of Empathy
Drawing on a wide range of research, Shah counteracts the common assumption that contemporary human and nonhuman migrations represent an unprecedented global crisis.
She reframes migration as a biological and cultural necessity that has been a crucial part of human history and shows how it has been fueled by such factors as economic inequality, politics, nationalism, colonialism, etc. I learned so much from this meticulously researched, yet highly readable book.
I love how it asks readers to consider migration and its history from multiple perspectives and that it can help us think and prepare for an increase of migration due to climate change.
Finalist for the 2021 PEN/E.O. Wilson Literary Science Writing Award A Library Journal Best Science & Technology Book of 2020 A Publishers Weekly Best Nonfiction Book of 2020 2020 Goodreads Choice Award Semifinalist in Science & Technology
A prize-winning journalist upends our centuries-long assumptions about migration through science, history, and reporting--predicting its lifesaving power in the face of climate change.
The news today is full of stories of dislocated people on the move. Wild species, too, are escaping warming seas and desiccated lands, creeping, swimming, and flying in a mass exodus from their past habitats. News media presents this scramblingâŠ
This is a heart-felt but infinitely well-researched book that asks us to go beyond the usual answers one might give to the question of why migrants risk everything and leave their homes (i.e., gang violence, climate change, war, hunger).
Instead, Mehta shows how colonial and neo-colonial forces have and continue to cause migration flows. People migrate, Mehta says, âbecause the accumulated burdens of history have rendered their homelands less and less habitable.â
As someone who had to leave a country that was thrust into a four-decade-long civil war because of American intervention (the CIA), I appreciate the clear-eye and convincing argument Mehta makes about contemporary migration: it is directly due to American and European political interests (i.e., the Cold War) and their extraction and theft of gold, silver, cash crops, and human beings from the Global South. And it is fueled by black market demands for drugs and arms that involve Americans and Europeans with the countries they have held dominion over for so many centuries.
An impassioned defence of global immigration from the acclaimed author of Maximum City.
Drawing on his family's own experience emigrating from India to Britain and America, and years of reporting around the world, Suketu Mehta subjects the worldwide anti-immigrant backlash to withering scrutiny. The West, he argues, is being destroyed not by immigrants but by the fear of immigrants. He juxtaposes the phony narratives of populist ideologues with the ordinary heroism of labourers, nannies and others, from Dubai to New York, and explains why more people are on the move today than ever before. As civil strife and climate changeâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
In this book, Stoler rightly warns us against assuming that colonial violence existed only in the past. But she also shows that it is hard to grasp the effects of colonial power in our contemporary world.
This is because that power wraps âaround contemporary problems,â including âtoxic dumping in Africa, devastated âwaste lands,â precarious sites of residence, ongoing dispossession, or pockets of ghettoized urban quarters,â as well as migration crises the world over.
Imperial formations of power have transformed, adhering âin the logics of governance,â plaiting âthrough racialized distinctions,â and holding âtight to the less tangible emotional economies of humiliations, indignities, and resentments that manifest in bold acts of refusal to abide by territorial restrictions.â
Empires, old and new, intentionally conceal and silence their brutality, failures, and disorderliness and thus keep us in the dark while making us complicit in their violence.
How do colonial histories matter to the urgencies and conditions of our current world? How have those histories so often been rendered as leftovers, as "legacies" of a dead past rather than as active and violating forces in the world today? With precision and clarity, Ann Laura Stoler argues that recognizing "colonial presence" may have as much to do with how the connections between colonial histories and the present are expected to look as it does with how they are expected to be. In Duress, Stoler considers what methodological renovations might serve to write histories that yield neither to smoothâŠ
Cornejo Villavicencio renders the lives of the undocumented across America with razor-sharp clarity, intertwining her own story throughout.
She shows us how the undocumented struggle to find work, healthcare, and safety while also maintaining their families, integrity, and sanity. She becomes a medium for immigrant stories that might otherwise remain illegible except as fodder for ideological battles.
Cornejo Villavicencio was one of the first undocumented immigrants to graduate from Harvard and was a PhD candidate at Yale at the time of her bookâs publication; this marks her as an exceptional kind of speaker, and the bookâs marketing and reviews rarely failed to mention these facts.
And yet Cornejo Villavicencio vehemently rejects the American-dream mythology that would make her life exemplary. Even so, that mythology orbits around her book, showing how difficult it is to disentangle false themes of transcendence from migrant literature.
But Cornejo Villavicencio cuts through the sentimental or polarizing rhetoric of migration debates to deliver a searing indictment ofâšour current immigration system.
NATIONAL BOOK AWARD FINALIST âą One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.
âKarlaâs book sheds light on peopleâs personal experiences and allows their stories to be told and their voices to be heard.ââSelena Gomez
FINALIST FOR THE NBCC JOHN LEONARD AWARD âąÂ NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME
Social Security for Future Generations
by
John A. Turner,
This book provides new options for reform of the Social Security (OASI) program. Some options are inspired by the U.S. pension system, while others are inspired by the literature on financial literacy or the social security systems in other countries.
An example of our proposals inspired by the U.S. pensionâŠ
By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries.
Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.
This novel simulates the intimacy of immigrant memoir by seemingly giving readers access to his narratorâs interiority; it seems to cater to readerly expectation. And yet this is ultimately a ruse to obtain readerly investment, which Cole then redirects to the global history of forced migration and dispossession.
I love the combination of erudition and subtlety in a novel that, while ranging across three continents, allows readers to think simultaneously about dislocation across history and in our contemporary world.
The bestselling debut novel from a writer heralded as the twenty-first-century W. G. Sebald.
A haunting novel about national identity, race, liberty, loss and surrender, Open City follows a young Nigerian doctor as he wanders aimlessly along the streets of Manhattan. For Julius the walks are a release from the tight regulations of work, from the emotional fallout of a failed relationship, from lives past and present on either side of the Atlantic.
Isolated amid crowds of bustling strangers, Julius criss-crosses not just physical landscapes but social boundaries too, encountering people whose otherness sheds light on his own remarkable journeyâŠ
By most accounts immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Migrant narrators are usually cast as cultural guides who must appeal to readerly empathy. Migrant Aesthetics shows how authors like Teju Cole, Julie Otsuka, Junot DĂaz, Valeria Luiselli and others reject these conventions. Instead, they emphasize the limits of empathy and show how, like climate change, migration is driven by past and present colonial, imperial, and structural violence. They ask readers to recognize their own roles in the realities of migration, and to consider how migration shapes and is shaped by language.