Here are 15 books that When the Blood Is Up fans have personally recommended once you finish the When the Blood Is Up series.
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The anthology form unites diverse voices around a common themeâin the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationshipsâof mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributorâs notes enables the reader to see the story behind the story and how life informs artâlife furnishing the raw material or day residue of the story.
As a writer, I am always pondering the question of how our lives inform our work. As one of my fellow writers, Melissa Ostrom, put it, our experience is the rich compost from which we form our fictional narratives. To use a Freudian dream analogy, I like to think that our lives are the âday residueâ of the workâelements from daily life show up in different contexts or transformed in some other way. The twentieth-first century has witnessed an explosion of so-called auto-fiction, fiction that more consciously underscores this process of transforming life into artâthink of the work of Ben Lerner, Rachel Cusk, and Karl Ove Knausgard. This recently-released anthology, edited by Caitlin Forst, features work by established writers as well as new voices that interrogates the relationship between writer and text, between art and life.
An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming.
Collected autofictions from mainstays of literary, art, and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text.
Featuring: Aiden Arata Nathan Dragon David Fishkind Rindon Johnson Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvili BR Yeager
The anthology form unites diverse voices around a common themeâin the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationshipsâof mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributorâs notes enables the reader to see the story behind the story and how life informs artâlife furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impactedâthe adoptees themselves. As an adopteeâone who undertook a search for and was reunited with my first family, reassuming the name I was given at birthâI am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be âsplitâ between two families, to lose our roots and culture, andâperhaps most devastatingânot to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from oneâs culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adopteesâ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, andâŚ
The anthology form unites diverse voices around a common themeâin the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationshipsâof mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributorâs notes enables the reader to see the story behind the story and how life informs artâlife furnishing the raw material or day residue of the story.
Sheila Kohler, a mentor of mine whose work is featured in this thrilling collection, is fond of saying that suspense arises from putting a vulnerable character in a dangerous situation. A literary writer of the highest caliber, Sheila knows how to generate the suspense that keeps the page turning. Crime fiction has a long history going back to Dostoevsky and beyond, to the great tragediansâthe commission of a crime entails motive, means, and is inherently dramatic. This eclectic selection of mystery and female noir, edited by Joyce Carol Oates, features superstar writers like Edwidge Danticat, Margaret Atwood, Sheila Kohler, Elizabeth McCracken, and Joyce Carol Oates herself. The writing is luminous, the themes are variedâfrom domestic horror to the erotic to dark fairy talesâand the tales keep the reader turning the page.
A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors.
Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylisticallyâŚ
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. Thereâs a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
These stories are tied to some of Minnesotaâs most famous events, back to 1830, and tell stories of fur trappers, pioneers, train robbers, and gangsters. Minnesota is the setting of my upcoming novel. I read novels and stories like this help fix the setting into my mind as I wrote. Â
''Minnesota nice'' casts a long shadow. Dark emotions and even darker thoughts seep from these murky depths, harvested by writers whose stories take us down in flames, up in smoke, and leave us helplessly entranced by the haunting call of the loon.
Foreword by Ellen Hart, award-winning author of the Jane Lawless and Sophie Greenway series, and MWA Grand Master.
Stories by Lori L. Lake, Marlene Chabot, Michael Allan Mallory, Carol Huss, Marcia Adair, Natalie Fowler, Barbara Merritt Deese, A.W. Powers, Cheryl Lewis, Christine Husom, Cheryl Ullyot, Karl W. Jorgenson, Marcie Rendon, Sherry Roberts, Midge Bubany, M.E. Bakos, Greg Dahlager,âŚ
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. Thereâs a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
This book features stories by different authors who envision the crowds of people passing through Grand Central Station in New York and choose to tell ten stories of people returning from Europe at the end of World War II. Itâs a time of upheaval and great change in the world and in their lives. I love when the macrocosm of the world can be distilled down to a single personâs story.
Ten bestselling authors inspired by New York City's iconic Grand Central Terminal have created their own stories, set on the same day, just after the end of World War II, in a time of hope, uncertainty, change, and renewalâŚ.
A war bride awaits the arrival of her GI husband at the platformâŚA Holocaust survivor works at the Oyster Bar, where a customer reminds him of his late motherâŚA Hollywood hopeful anticipates her first screen test and a chance at stardom in the Kissing Room⌠ On any particular day, thousands upon thousands of people pass through Grand Central, through the whisperingâŚ
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. Thereâs a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
The stories in this book all take place on the same day in 1915, when over a million women marched in New York for the right to vote. Stories like this appeal to me because so many of the women who worked tirelessly for this achievement are not familiar names. These stories give them a voice. One of my own ancestors was a suffragette. Maybe she was part of this march!
Stories From Suffragette City is a collection of short stories from the leading voices in historical fiction that all take place on a single day. The day one million women marched for the right to vote in New York City in 1915. A day filled with a million different stories, and a million different voices longing to be heard. Taken together, these stories from writers at the top of their bestselling game become a chorus, stitching together a portrait of a country looking for a fight, and echo into a resounding force strong enough to break even the most stubbornâŚ
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. Thereâs a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
Diana Gabaldon is a powerhouse in the historical fiction genre. Her Outlander series is one of my absolute favorites. In between the release of books in the main series, I content myself with stories about Lord John, an important but secondary Outlander character. This book includes three stories about Lord John.
âDeftly written, pleasantly concise stories about the ghosts of desire, each with its own discrete merits . . . [Diana] Gabaldonâs strengths are on full display.ââKirkus Reviews
Diana Gabaldon, #1 New York Times bestselling author of the celebrated Outlander series, delivers three mesmerizing tales of war, intrigue, and espionage that feature one of her most popular characters: Lord John Grey.
In Lord John and the Hellfire Club, Lord John glimpses a stranger in the doorway of a gentlemanâs clubâand is stirred by a desperate entreaty to meet with him in private. It is an impulse that will lead Lord JohnâŚ
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. Thereâs a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
Amazonâs Point in Time series is a unique approach to a collection of stories from seven well-respected historical novelists. Each story is available separately as a $.99 ebook, or on Kindle Unlimited as a free collection. A Wild Rose is one of my favorites because the fabulous Fiona Davis wrote it, and I have to read everything she writes.
A troubled concert pianist searches for a new inspiration among the hidden back hallways of Carnegie Hall in bestselling author Fiona Davisâs bold short story of artistic ambition in 1950s New York.
World-renowned pianist Gloria Banderas is at the height of her career when a curious ailment forces her to cancel a sold-out performance at Carnegie Hall. The same day, she befriends one of the many free-spirited artists inhabiting the warren of apartments above the theater. With her career and marriage at a standstill, Gloria moves into an empty studio and convalesces among the poets, photographers, and dancers who ekeâŚ
The anthology form unites diverse voices around a common themeâin the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationshipsâof mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributorâs notes enables the reader to see the story behind the story and how life informs artâlife furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writersâ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these talesâheroes, villains, and in betweenâare more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the schoolâs tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.
When I lounge on the beach at an exclusive Caribbean resort, I typically lift my Pina Colada in a toast to my ancestors before taking my first sip. Vanessa Rileyâs book increased my respect for the exploited and enslaved black women who lived in the Caribbean during the late 18th and early 19th centuries.
My heart broke with the emotional and psychological trauma and physical dangers that Doll endured to save herself and her children. The intrigue and suspense kept me riveted, constantly wondering how Doll would overcome her challenges. Riley tells a beautiful story of the least likely underdog, Dorothy "Doll" Kirwan Thomas, who survived despite the injustices and became one of the Caribbean's wealthiest and most influential entrepreneurs.
"Riveting and transformative, evocative and immersive...by turns vibrant and bold and wise, discovering Dorothy's story is a singular pleasure."--The New York Times
A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free Black woman who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies.
Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom-and that of her sister and her mother-from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, andâŚ
