Here are 87 books that Grand Central fans have personally recommended if you like
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We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
Amazon’s Point in Time series is a unique approach to a collection of stories from seven well-respected historical novelists. Each story is available separately as a $.99 ebook, or on Kindle Unlimited as a free collection. A Wild Rose is one of my favorites because the fabulous Fiona Davis wrote it, and I have to read everything she writes.
A troubled concert pianist searches for a new inspiration among the hidden back hallways of Carnegie Hall in bestselling author Fiona Davis’s bold short story of artistic ambition in 1950s New York.
World-renowned pianist Gloria Banderas is at the height of her career when a curious ailment forces her to cancel a sold-out performance at Carnegie Hall. The same day, she befriends one of the many free-spirited artists inhabiting the warren of apartments above the theater. With her career and marriage at a standstill, Gloria moves into an empty studio and convalesces among the poets, photographers, and dancers who eke…
Actress Katherine Parr narrates the audiobook of Only Charlotte, speaking as Lenore James and a whole cast of eccentric characters, her voice rich with mystery and menace, ardor and innuendo.
In post-Civil War New Orleans, Lenore suspects her brother, Dr. Gilbert Crew, has been beguiled by the lovely and…
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
Diana Gabaldon is a powerhouse in the historical fiction genre. Her Outlander series is one of my absolute favorites. In between the release of books in the main series, I content myself with stories about Lord John, an important but secondary Outlander character. This book includes three stories about Lord John.
“Deftly written, pleasantly concise stories about the ghosts of desire, each with its own discrete merits . . . [Diana] Gabaldon’s strengths are on full display.”—Kirkus Reviews
Diana Gabaldon, #1 New York Times bestselling author of the celebrated Outlander series, delivers three mesmerizing tales of war, intrigue, and espionage that feature one of her most popular characters: Lord John Grey.
In Lord John and the Hellfire Club, Lord John glimpses a stranger in the doorway of a gentleman’s club—and is stirred by a desperate entreaty to meet with him in private. It is an impulse that will lead Lord John…
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
The stories in this book all take place on the same day in 1915, when over a million women marched in New York for the right to vote. Stories like this appeal to me because so many of the women who worked tirelessly for this achievement are not familiar names. These stories give them a voice. One of my own ancestors was a suffragette. Maybe she was part of this march!
Stories From Suffragette City is a collection of short stories from the leading voices in historical fiction that all take place on a single day. The day one million women marched for the right to vote in New York City in 1915. A day filled with a million different stories, and a million different voices longing to be heard. Taken together, these stories from writers at the top of their bestselling game become a chorus, stitching together a portrait of a country looking for a fight, and echo into a resounding force strong enough to break even the most stubborn…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
These stories are tied to some of Minnesota’s most famous events, back to 1830, and tell stories of fur trappers, pioneers, train robbers, and gangsters. Minnesota is the setting of my upcoming novel. I read novels and stories like this help fix the setting into my mind as I wrote.
''Minnesota nice'' casts a long shadow. Dark emotions and even darker thoughts seep from these murky depths, harvested by writers whose stories take us down in flames, up in smoke, and leave us helplessly entranced by the haunting call of the loon.
Foreword by Ellen Hart, award-winning author of the Jane Lawless and Sophie Greenway series, and MWA Grand Master.
Stories by Lori L. Lake, Marlene Chabot, Michael Allan Mallory, Carol Huss, Marcia Adair, Natalie Fowler, Barbara Merritt Deese, A.W. Powers, Cheryl Lewis, Christine Husom, Cheryl Ullyot, Karl W. Jorgenson, Marcie Rendon, Sherry Roberts, Midge Bubany, M.E. Bakos, Greg Dahlager,…
I am an aviation historian and writer, a defense analyst, and a retired, combat-experienced, Marine Corps fighter pilot. I am one of the lucky ones. Since early childhood, I wanted nothing more than to become a fighter pilot. It was a combination of good fortune, hard work, and a bit of talent that made it possible for me to realize that dream. I was inspired by the memoirs and recollections of World War II fighter pilots, and I read every book on the topic that I could find. Following my military service, I transitioned from a reader to a writer; my experience as a military pilot helps to make my books real and credible.
The archetypal combat flying story, this is an easy, fun, and eye-opening book that Scott wrote only months after returning from the war. Scott clearly loved to fly and had done so since the early 1930s after graduating from West Point. Resourceful and tenacious, he received command of a fighter group in China after having been officially told the previous year that he was too old (at the ripe old age of 33) to fly fighters. This is a rollicking read that will be enjoyed by readers of all ages.
This book was issued during World War II, in conformity with all government regulations controlling the use of paper and other materials (so stated on copyright page). The author, Colonel Robert L. Scott, Jr., consistently scheduled himself as a pilot on all possible missions. He led all types of combat missions, but specialized in the most dangerous, such as long-range flights to strafe from minimum altitudes Jap airdromes, motor vehicles, and shipping deep in enemy territory. Colonel Scott’s group of fighters always operated against greatly superior numbers of the enemy. Often the odds were five to one against them. This…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
As the first in his series of novels on the 1930sin Europe, Alan Furst's Night Soldiertends to earn the most critical praise, but Dark Starremains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.
Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues.
Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when…
I’m a political scientist who specializes in US foreign policy. I’ve been interested in war and peace – and avoiding the former – for as long as I can remember. More than anything else, I wish I could convince Americans of how safe they are, relatively speaking, and how safe they can remain if only we make wise decisions moving forward. The future is brighter than we think.
This controversial book was a Rorschach Test for the security community.
Some read it as a critique of the United States; others saw it as a call for pacifism; others saw it as an attack on Franklin Roosevelt or Winston Churchill. In fact, it was none of those things and all of them. Baker is a novelist who purchased a newspaper archive from the 1930s and 1940s and simply reprinted some of the stories contained therein. He offers little additional comments or interpretation.
The book is an anecdote to the idea that the Second World War was somehow the “good war.” Like all others, it was barbarism; unlike all others, it was barbarism on a scale never seen before or since. And like all wars, it was, at its root, the story of common people victimized by their governments.
At a time when the West seems ever more eager to call on military aggression as a means of securing international peace, Nicholson Baker's provocative narrative exploring the political misjudgements and personal biases that gave birth to the terrifying consequences of the Second World War could not be more pertinent. With original and controversial insights brought about by meticulous research, Human Smoke re-evaluates the political turning points that led up to war and in so doing challenges some of the treasured myths we hold about how war came about and how atrocities like the Holocaust were able to happen. Baker…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively.
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.
Finalist for the Pulitzer Prize * Winner of the Council on Foreign Relations Arthur Ross Book Award * One of the New York Times' Ten Best Books of the Year
"Impressive . . . Mr. Judt writes with enormous authority." -The Wall Street Journal
"Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history." -The Boston Globe
Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers…
