Here are 33 books that Urth: Book of the New Sun fans have personally recommended once you finish the Urth: Book of the New Sun series.
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As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).
The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.
“A major work of twentieth-century American literature...Wolfe creates a truly alien social order that the reader comes to experience from within...once into it, there is no stopping.” ―The New York Times on The Book of the New Sun
Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by the Washington Post.
THE BOOK OF THE NEW SUN is unanimously acclaimed as Wolfe’s most remarkable work, hailed as “a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis” by Publishers Weekly and “one of the most ambitious works of…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.
This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.
Set among the post-apocalyptic remnants of a far-future earth, this book combines the “forgotten technology” trope common to science fiction with archetypal fantasy characters.
Civilisations relying on technology so advanced it’s incomprehensible to them, is one of my favourite concepts in science fiction. Harrison uses this to create a world I thought was magical, melancholic, and nostalgic–effecting a tone more common to epic fantasy.
However, it is the imagery that sets this book apart, with Harrison depicting battlefields and blasted landscapes with a colourful yet eerily retro and forlorn beauty. It was like reading T.S. Eliot’s The Waste Land in a 70s disco, complete with knights fighting among rusted metal swamps, with lightsaber-like baans, against brain-eating bioengineered creatures from humanity’s former technological apex.
I was hooked by the setting and drawn along by knights, queens, and old warriors interacting with androids and futuristic weapons as they attempted to save their…
The first book in the Viriconium series: In the distant future, a medieval system rises from the ruins of a technology that destroyed itself. Armored knights ride their horses across dunes of rust, battling for the honor of the Queen. But the knights find more to menace them than mere swords and lances. A brave quest leads them face to face with the awesome power of a complex, lethal technology that has been erased from the face of the Earth--but lives on, underground.
Librarian Note: This edition has ISBN 0380000571 printed on the inside cover.
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
Monstress is an awful lot of things: An epic fantasy that confronts the horrors of modern war; a work of fusion that marries Western and Eastern aesthetics and the epic scale of George R. R. Martin with the cosmic and body horror of Junji Ito; an incredible trove of beautiful visual art; a stage for women of all kinds, young and old, beautiful and monstrous, weak and powerful, with and without shark heads; and a story about a girl coming to grips with a dark family legacy and what it means for her place in a bloody, painful world.
More than anything else, it’s about what happens when people use each other. For my money, the best epic fantasy currently being published in any form.
2018 Eisner Award winner, Best
Writer 2018 Eisner Award winner, Best
Painter/Multimedia Artist 2018 Eisner
Award winner, Best Continuing Series 2018
Eisner Award winner, Best Publication for
Teens 2018 Eisner Award winner, Best Cover
Artist 2018 Harvey Award winner, Book of
the Year 2018 Hugo Award winner, Best
Graphic Story 2018 British Fantasy Award
winner, Best Comic/Graphic Novel 2018,
2016, 2015 Entertainment Weekly's The Best Comic Books of the
Year 2018, Newsweek's Best Comic
Books of the Year 2018, The Washington
Post's 10 Best Graphic Novels of the
Year 2018, Barnes & Noble's Best Books
of the Year 2018, YALSA's…
I am an astronomer and college professor who loves science fiction. For many years, I have kept a webpage recommending science fiction stories and novels that are based on good astronomy. I love explaining astronomy to non-scientists, and I am the lead author of OpenStax Astronomy, a free online textbook for beginners, which is now the most frequently used textbook for astronomy classes in the U.S. I actually learned English at age 11 by reading science fiction comics and then books for kids, After many decades as a fan, I have recently realized a long-held dream and become a published SF author myself.
I discovered Alastair Reynolds, who is now my favorite science fiction writer, by reading this book, which was a mind-opening experience. I especially enjoy his combining a kind of “film noir” sensibility with realistic science ideas (the latter is not surprising since he has a Ph.D. in astronomy.)
This first novel in his series is an excellent way to delve into his marvelously imagined Universe, where humanity exists in a number of genetically modified variants, and intelligences have to contend with ancient and powerful machines that deem organic life too war-like to be permitted to live.
The legendary space opera that kicked off the ground-breaking, universe-spanning series.
Nine hundred thousand years ago, something wiped out the Amarantin. For the human colonists now settling the Amarantin homeworld Resurgam, it's of little more than academic interest, even after the discovery of a long-hidden, almost perfect Amarantin city and a colossal statue of a winged Amarantin. For brilliant but ruthless scientist Dan Sylveste, it's more than merelty intellectual curiosity - and he will stop at nothing to get at the truth. Even if the truth costs him everything. But the Amarantin were wiped out for a reason, and that…
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
I thought this book (another by the king of quirk, Backman) was hysterical. The relationship between the precocious seven-year-old main character, Elsa, and her nutty grandmother is laugh-out-loud funny yet poignant.
I also liked that the story included a bit of magical realism, so I was never quite sure what would happen next.
A must-read for fans of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry and Maria Semple's Where'd You Go, BernadetteHeartbreaking and hilarious in equal measure, by the author of the New York Times bestselling phenomenon A Man Called Ove will charm and delight anyone who has ever had a grandmother. Everyone remembers the smell of their grandmother's house. Everyone remembers the stories their grandmother told them.But does everyone remember their grandmother flirting with policemen? Driving illegally?Breaking into a zoo in the middle of the night? Firing a paintball gun from a balcony in her dressing gown?Seven-year-old Elsa does.Some might call…
I’m a Canadian science fiction writer who writes very, very slowly. I’m interested in experimental fiction and books that are unique, both thematically and stylistically. I’d like to think my books fall into this category, or at least that’s what I aspire to. I used to read science fiction exclusively, and the five books I’ve listed here were all read during those formative years; they were fundamental stepping-stones for me, as a writer, and each of them left a profound mark on my idea of how good, or effective, novels can be.
Hand’s sentences are always beautiful, and this novel, her first, is dense with new ideas and original imagery. She evokes a bizarre future in a post-apocalyptic city where twins go on a hallucinogenic quest. Reads like a somewhat disturbing mythology. Gods and talking animals, autistic prophets, feral children, and death is personified. Unforgettable.
The “sensuous and evocative” debut of the Nebula Award–winning author of Waking the Moon: A dystopian journey through a world unburdened by moral taboos (Library Journal). Set in the surreal, post-apocalyptic City of Trees, Winterlong centers on Wendy Wanders, a girl who can tap into the dreams and emotions of the people around her, and her long-lost twin brother, Raphael, a seductive, sacred courtesan to the City’s decadent elite. During their voyage, they encounter man-made and godlike monstrosities—both hideous and gorgeous—in their effort to stop an ancient power from consuming all. Blending science fiction and fantasy, Winterlong is a dark…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable.
Jason Taverner has a glittering TV career, millions of fans, great wealth and something close to eternal youth. He is one of a handful of brilliant, beautiful people, the product of top-secret government experiments forty years earlier. But suddenly, all records of him vanish. He becomes a man with no identity, in a police state where everyone us closely monitored. Can he ever be rich and famous again? Or was that life just an illusion?
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.
A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.
Time and perspective seem fluxive, inconstant, and looping.
This is beautiful, destabilized world building. Dhalgrenanswers no questions yet evokes a time, place, and milieu that shifts as you read.
I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…