Here are 38 books that Time series fans have personally recommended once you finish the Time series series.
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I love horror, as a writer and a reader, especially books where something or someone is changed. It could be a change to some unknown entity, or to a loved one that the main character knows inside and out. The question remains: what do we do when someone or something comes back to us, but they’re not the same? How do we navigate the unease that comes from an uncomfortable blend of the familiar and unfamiliar? The books in this list left me asking these and many other questions. I hope you enjoy them.
The stress of not knowing if someone is who they claim to be makes this book a fast, compelling read. I thoroughly enjoyed the way Finney introduced the problem as a possible medical or psychiatric condition. It’s stated so simply—Uncle Ira isn’t really Uncle Ira—and it turns into so much more.
I love the suspense of not knowing exactly what was going on and uncovering it along with the characters. Even better is the suspicion that increases throughout the book about who can be trusted.
Celebrate one of the earliest science fiction novels by rediscovering Jack Finney’s internationally acclaimed Invasion of the Body Snatchers—which Stephen King calls a story “to be read and savored for its own satisfactions,” now repackaged with a foreword by #1 New York Times bestselling author, Dean Koontz.
On a quiet fall evening in the peaceful town of Mill Valley, California, Dr. Miles Bennell discovers an insidious, horrifying plot. Subtly, almost imperceptibly, alien life-forms are taking over the bodies and minds of his neighbors, friends, family, the woman he loves, and the entire world as he knows it.
Since I was a young boy, I’ve been fascinated with the concept of time. I’ve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
I recommend this book, not because it’s an excellent literary work, it’s not, but because of its unique time travel theme that’s Rip Van Winkleesque and its imaginative presentation of a future society. The author wrote this in 1887, and he imagined technological advancements unheard of at that time.
Things like radio, credit cards, and ordering products through simply the push of a button. Bellamy presents this picture through a future utopian socialism of the year 2000. I found reading a nineteenth-century man’s extraordinary glimpse of moving through time revelatory for my own addiction to understanding the mystery of time.
First published in 1888, Looking Backward was one of the most popular novels of its day. Translated into more than twenty languages, its utopian fantasy influenced such thinkers as John Dewey, Thorstein Veblen, Eugene V. Debs, and Norman Thomas. Writing from a nineteenth century perspective and poignantly critical of his own time, Bellamy advanced a remarkable vision of the future, including such daring predictions as the existence of radio, television, motion pictures, and credit cards. On the surface, the novel is the story of time traveler Julian West, a young Bostonian who is put into a hypnotic sleep in the…
Since I was a young boy, I’ve been fascinated with the concept of time. I’ve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
Although this is a non-fiction book, I included it in my choices because it was a contributing factor in enabling me to understand time and time-travel from a scientific perspective.
I enjoyed Davies's opening historical vignettes, which introduced the theoretical and actual facts scientists have accumulated over the centuries concerning the mystery of time.
In About Time: Einstein's Unfinished Revolution Paul Davies confronts the puzzles and paradoxes of time that have bemused the world's greatest thinkers throughout the ages.
When Albert Einstein formulated his theory of relativity it brought about a revolution in our understanding of time, yet also presented a new set of mysteries. Einstein's time can be warped, leading to bizarre possibilities such as black holes and time travel, while making a nonsense of our perception of a 'now' or a division of time into past, present and future.
In About Time Paul Davies tackles the tough questions about time, including the…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Richard Matheson’s “Button, Button” is a classic story of a couple given a box with a button on it that, if pressed, will yield them great riches…but will also kill someone unknown to them. Matheson’s most famous acolyte, Stephen King (who has said, “without Richard Matheson, I wouldn’t be around”), joins forces with master storyteller Richard Chizmar to create a short novel that is a fascinating variation and extension of Matheson’s tale.
'A resonant novella set in one of King's signature locales: the small town of Castle Rock, Maine' Washington Post
The small town of CASTLE ROCK, MAINE has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told...until now.
There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974 twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zig-zag up the cliffside.
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
If someone asked me to name the greatest American horror story writer of the second half of the twentieth century, I would say “Richard Matheson” without hesitation. But if I were allowed two names, the other—equally without hesitation—would be Dennis Etchison, a writer who resembles Matheson in his economy of language, Southern California settings, and intense, twisty plots. His stories are as dark and disturbing as Matheson’s—and that’s really saying something.
In this second printing, Cycatrix Press is proud to bring the highly acclaimed collection Dennis Etchison's It Only Comes Out at Night, previously only available as a limited-edition hardcover (out of print) from Centipede Press to an affordable trade paperback with the addition of previously uncollected fiction, new illustrations, and unpublished appreciations by fellow authors.
More about It Only Comes Out at Night: Few writers of horror fiction are held in such high regard as Dennis Etchison. This career retrospective takes his best fiction, culled from nearly fifty years in the field.
Dennis Etchison (1943-2019) was an American writer and…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
The Ritual of Illusion is a brilliant short novel by Richard Christian Matheson (Richard Matheson’s son). Written entirely in dialogue from the points of view of numerous different witnesses, it tells the story of Hollywood star Sephanie Vamore’s strange rise and bizarre fall. This is Sunset Boulevard Matheson-style…another generation of Matheson, that is.
A sinister love letter to the movies, acclaimed author Richard Christian Matheson’s The Ritual of Illusion is a novella of modern fear about where stars truly come from. Oscar-winning film siren, Sephanie Vamore, meteors to iconic fame … but like cinema itself, nothing is as it appears. The fifty witnesses to her mythic ascent and bizarre fate are film royalty … many based on Hollywood glitterati; directors, stars, agents, studio heads, screenwriters, lovers, producers.
Widescreen with lies and revelation, Vamore’s story is told Rashomon-style with dialogue alone—each hypnotic character adding poignant or lurid details to the shocking truth of what…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.
That Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone is only natural: for his was an imagination so limitless it must have emerged from some other dimension. So take one uneasy step and fall headlong into his world: a world where lions stalk the plains, classics cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. Perchance to Dream contains a selection of Beaumont's finest stories, including five stories that he later adapted for Twilight Zone episodes.
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim.
The sheer volume of historical research evident in Quicksilvereclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome.This is rapture for a bibliophile.Mr. Stephenson is a genius.
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox.
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
I first read 1919by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.
We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.
The USAtrilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.
“A Depression-era novel about American tumult has—perhaps unsurprisingly—aged quite well.”—The New Yorker
In 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his “vigorous and sweeping panorama of twentieth-century America” (Forum).
Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of the era with a cinematic touch and unparalleled nerve.1919 opens to find America and the world at war, and Dos Passos’s characters, many of whom we met in the first volume, are thrown into the snarl. We follow…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.
Larson limns Captains Turner of the Lusitania, and Schweiger of theU-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story.
The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read.
On May 1, 1915, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were anxious. Germany had declared the seas around Britain to be a war zone, and for months, its U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era's great transatlantic "Greyhounds" and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. He knew, moreover,…