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Since I was a young boy, I’ve been fascinated with the concept of time. I’ve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
This book did something amazing to me. I was mesmerized by Finney’s narrative of the past, which negated the method of self-hypnosis he used to bring the protagonist from the future to the past, so it no longer seemed far-fetched.
The narrative recreation of the late 19th century captivated my imagination, enabling me to feel the protagonist’s awe at seeing, feeling, and smelling the past as actual reality. Isn’t this every writer’s dream?
Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden,…
Joth Proctor is an under-employed, criminal defense lawyer based in Arlington, Virginia, where a mix of southern charm, shady business dealings, and Washington, D.C. intrigue pervade the story. Upon the suspicious death of the wife of a close friend, Proctor enters a tangled web of drug and alcohol abuse, real…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.
That Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone is only natural: for his was an imagination so limitless it must have emerged from some other dimension. So take one uneasy step and fall headlong into his world: a world where lions stalk the plains, classics cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. Perchance to Dream contains a selection of Beaumont's finest stories, including five stories that he later adapted for Twilight Zone episodes.
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
The Ritual of Illusion is a brilliant short novel by Richard Christian Matheson (Richard Matheson’s son). Written entirely in dialogue from the points of view of numerous different witnesses, it tells the story of Hollywood star Sephanie Vamore’s strange rise and bizarre fall. This is Sunset Boulevard Matheson-style…another generation of Matheson, that is.
A sinister love letter to the movies, acclaimed author Richard Christian Matheson’s The Ritual of Illusion is a novella of modern fear about where stars truly come from. Oscar-winning film siren, Sephanie Vamore, meteors to iconic fame … but like cinema itself, nothing is as it appears. The fifty witnesses to her mythic ascent and bizarre fate are film royalty … many based on Hollywood glitterati; directors, stars, agents, studio heads, screenwriters, lovers, producers.
Widescreen with lies and revelation, Vamore’s story is told Rashomon-style with dialogue alone—each hypnotic character adding poignant or lurid details to the shocking truth of what…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
If someone asked me to name the greatest American horror story writer of the second half of the twentieth century, I would say “Richard Matheson” without hesitation. But if I were allowed two names, the other—equally without hesitation—would be Dennis Etchison, a writer who resembles Matheson in his economy of language, Southern California settings, and intense, twisty plots. His stories are as dark and disturbing as Matheson’s—and that’s really saying something.
In this second printing, Cycatrix Press is proud to bring the highly acclaimed collection Dennis Etchison's It Only Comes Out at Night, previously only available as a limited-edition hardcover (out of print) from Centipede Press to an affordable trade paperback with the addition of previously uncollected fiction, new illustrations, and unpublished appreciations by fellow authors.
More about It Only Comes Out at Night: Few writers of horror fiction are held in such high regard as Dennis Etchison. This career retrospective takes his best fiction, culled from nearly fifty years in the field.
Dennis Etchison (1943-2019) was an American writer and…
Steven Ramirez is a lifelong fan of the movies—especially gripping thrillers and nail-biting horror. An award-winning author, he wrote the supernatural suspense series, Sarah Greene Mysteries, and the horror-thriller series, Tell Me When I’m Dead. His latest novel is Faithless, a thriller. A former screenwriter, Steven lives in Los Angeles with his family. He enjoys Mike and Ikes with his Iced Caffè Americano, doesn’t sleep on planes, and wishes Europe were closer.
The way the author describes Sammy’s state of mind as he tells the story—accompanied often by wry, even side-splitting observations—drew me into this strange family, wanting more than anything to learn how they would extricate themselves from their collective morass. If you like ghost stories that are fresh and modern and feature plenty of humor, then I highly recommend From Away.
Sammy Kehoe, his sister, Charlotte, and her four-year-old daughter, Maggie, are all each other have left since the car accident that killed the rest of their family. When they visit their beloved old family home on remote Fox Island, Maine, Sammy and Charlotte each have relationship sparks with island locals. But the budding idyll is shattered when Sammy and Maggie’s unexplained abilities to “see things” are put to the test when dangerous ghosts from the past resurface. At first, this novel about an unusual and loving family draws readers in with warmth and intrigue―and then it builds with suspense that…
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.
I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.
Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic.
A rich collection of classic American literature potraying the beauty of a 19th-century New England town.
A female writer comes one summer to Dunnet Landing, a Maine seacoast town, where she follows the lonely inhabitants of once-prosperous coastal communities. Here, lives are molded by the long Maine winters, rock-filled fields and strong resourceful women.
Throughout Sarah Orne Jewett’s novel and stories, these quiet tales of a simpler American life capture the inspirational in the everyday: the importance of honest friendships, the value of family, and the gift of community.
“Their counterparts are in every village in the world, thank heaven,…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Ketchum’s classic survival horror novel about cannibals attacking a cabin of vacationers is pure 80s slasher goodness. It was perhaps the darkest book of its kind for a long time and pulls no punches with the intensity of its chase scenes. Ketchum’s economical writing style makes it a very easy read, one where you will root for the good guys, and be left emotionally drained by the end.
September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall…
And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive.
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.
His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.
Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community.
Winner of the PEN/Robert W. Bingham Prize, National Book Critics Circle John Leonard Prize, American Academy of Arts & Letters Sue Kaufman Prize, The New England Book Award, and the National Book Foundation 5 Under 35 Honoree
A Finalist for the Andrew Carnegie Medal for Fiction, the Chautauqua Prize 2023, and Barnes & Noble Discover Book Prize
Named a Best Book of the Year by The New York Times, NPR, Esquire, Oprah Daily, and more
Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.
Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.
From the Pulitzer Prize-winning, Number One New York Times bestselling author of Olive Kitteridge and My Name is Lucy Barton
'A terrific writer' Zadie Smith
'A superbly gifted storyteller and a craftswoman in a league of her own' Hilary Mantel
'A novel to treasure' Sunday Times
Olive, Again follows the blunt, contradictory yet deeply loveable Olive Kitteridge as she grows older, navigating the second half of her life as she comes to terms with the changes - sometimes welcome, sometimes not - in her own existence and in those around her.
Carol Golden isn't her real name. She doesn't remember her real name or anything that happened before she was found in a Dumpster, naked and unconscious, on the beautiful Palos Verdes Peninsula in Southern California.
After helping her get some initial medical treatment, government at all levels officially declares her…
I love books about everyman/everywoman characters facing danger, puzzles, and romance with a sense of humor. I love the suspense that builds throughout a whole book and the tension that can develop in just a paragraph. It’s easier for me to imagine I’m the protagonist and lose myself in the pages if I’m not reading about a superhero or a serial killer. With so many choices out there, it’s easier to find another person who’s seen the same TV show, for instance, but books are my true love because they are limitless and offer so many choices. It’s a privilege to be able to share some favorites.
While I love Parker’s Spenser series, I love the stronger emotional payoff I often get more of in stand-alone books, which this book is. Plus, Parker brings some of his humor to the table. (To me it’s a very rare book that can’t carry some humor along with life-and-death stakes.)
While I loved the whole idea of a married couple working together to extricate themselves from big trouble, the confrontation with the cops at the end of the book was a terrific cherry on top.
“A novel of violence, crisp dialogue, and suspense. . . . The reader is immediately caught up in the ambience of danger.”—The Boston Globe
At forty-six, Aaron Newman was enjoying the good things in life—a good marriage, a good job—and he was in good shape himself. Then he saw the murder. A petty vicious killing that was to plunge him into an insane jungle of raw violence and fear, threatening and defiling the things he cared about.
