Books like Quicksilver — picked by fans

This book is prophecy, power, and paranoia wrapped in a sandstorm.

It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.

It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.

I like the psychological nature of this book. It pits human beings against an idea–a computer model of society. Having a degree in economics the concept particularly intrigued me.

It showed no matter how big and important we think we are there are forces outside of our control. This was one of the most innovative books I have read.

Patrick O’Brian’s beloved Aubrey-Maturin novels are as much about music as they are about the navy.

Captain Jack Aubrey and surgeon Stephen Maturin meet at a chamber music concert in the opening pages of this first novel in the series. The scene prefigures the way they will one day play duets at sea on their cello and violin.

I love how the opening scene uses music to establish their contrasting personalities. Jack, who is all enthusiasm, can’t help himself but beat time to Locatelli’s String Quartet in C Major. Stephen insults Jack by telling him he is ruining the concert; if he’s going to beat the measure, he should at least not rush. What could have led to a duel ends in a lifetime of friendship.

This book did something amazing to me. I was mesmerized by Finney’s narrative of the past, which negated the method of self-hypnosis he used to bring the protagonist from the future to the past, so it no longer seemed far-fetched.

The narrative recreation of the late 19th century captivated my imagination, enabling me to feel the protagonist’s awe at seeing, feeling, and smelling the past as actual reality. Isn’t this every writer’s dream?

Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.

Larson limns Captains Turner of the Lusitania, and Schweiger of the U-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story. 

The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read. 

I first read 1919 by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.

We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.

The USA trilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.

This omnibus collects eleven short stories about space merchant Nicholas Van Rijn. Van Rijn (no coincidence that he’s Dutch) is literate, clever, eccentric in speech, archaic in dress, and occasionally valiant in battle – but he’d much rather trade than fight, and although he describes trade as “swindling each other,” he characteristically strikes deals that benefit all parties.

Van Rijn’s trade-in spices (he is CEO of the Solar Spice and Liquors Company) is a callout to the history of the Dutch East India Company. The great early modern companies (and specifically, the British East India Company) are one of the inspirations in my book: they founded some fortunes and give to startling adventure stories, but the contradictions inherent in their nature also led to corruption and oppression.

I found this book, the first of four in the series, to be fascinating in its portrayal of a race of intelligent, upright-walking lions. Cherryh’s ability to invent believable and fully fleshed-out alien races is delightful.

In this series, humans are the aliens. I loved how Cherryh made the reader root for the lions and their strange but understandable culture. It's a great concept by a great writer.

I’m a sucker for good dialogue and this is about as good as it gets. This book nails sarcasm, wit, and humor. You can hear every quip and see every facial expression as you spend the entire book wishing you could have a seat in that spaceship—even if they are facing certain doom. I basically wanted to be best friends with every character… and the authors. (So umm *clears throat* if anyone has Amie or Jay’s number…hook a girl up.)

This book is different from the rest on the list in a few ways. It doesn’t transport the characters to new, magical realms. There are no whimsical beasts or mystical creatures. And, perhaps most significantly, I read this one as a “grown-up.” I had the honor of reading this book aloud to my children, along with its sequels, over the course of several months. My kids were delighted by these bright, young protagonists who, using their wits, imagination, and moral compass, save their loved ones from a devious villain intent on obliterating individuality. I fell in love with these characters, just as my children did. And when we read the final page of the final chapter of the final book, my daughter burst into tears. Not because the story was sad, but because spending time with these imaginary people had been a real experience. 

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